South Korea Box Office for Porto (2017)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $40,125 | Details |
| Worldwide Box Office | $94,442 | Details |
| Further financial details... | ||
Synopsis
Jake and Mati are two expats who experience a brief but intimate connection in the ancient Portuguese city of Porto. He’s an American loner exiled from his family. She’s a student from France embroiled in an affair with one of her professors. After spotting each other from a distance at an archeological site and then again at a train station and a café, Jake works up the courage to approach Mati and they embark on a night of carefree intimacy. This romantic encounter is viewed from years later, both characters still haunted by the powerful connection they shared.
Metrics
Movie Details
| South Korea Releases: | January 22nd, 2018 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 75 minutes |
| Keywords: | Posthumous Release, Set in Portugal, Non-Chronological, Archaeology |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Bando a Parte, Gladys Glover, Double Play Films, Madants |
| Production Countries: | France, Poland, Portugal, United States |
| Languages: | English, French, Portuguese |
Limited and VOD Releases: Clear as Mud
November 17th, 2017
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I think it will be a bad week at the box office for new limited releases. Mudbound is the best film on this week’s list, but it is playing on Netflix, so it will likely go no where at the box office. Sadly, there’s no other film that can take advantage of the lack of competition.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/02/02 | - | $7,935 | 21 | $378 | $13,406 | 2 | |
| 2018/02/09 | - | $4,510 | -43% | 15 | $301 | $22,627 | 3 |
| 2018/02/16 | - | $2,904 | -36% | 12 | $242 | $28,620 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Brazil | 4/25/2024 | $0 | 0 | 0 | 0 | $0 | |
| North America | 11/17/2017 | $2,090 | 1 | 2 | 12 | $15,626 | |
| Portugal | 10/20/2017 | $7,100 | 9 | 9 | 23 | $22,478 | 11/30/2017 |
| Russia (CIS) | 3/1/2019 | $0 | 0 | 5 | 41 | $16,213 | 10/19/2022 |
| South Korea | 1/22/2018 | $0 | 0 | 21 | 48 | $40,125 | 12/7/2018 |
| Worldwide Total | $94,442 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Lucie Lucas | Mati Vargnier |
| Anton Yelchin | Jake Kleeman |
Supporting Cast
| Francoise Lebrun | Mother |
| Paulo Calatré | João Monteiro Oliveira |
| Florie Auclerc-Vialens | Blanca |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Gabe Klinger | Director |
| Gabe Klinger | Screenwriter |
| Larry Gross | Screenwriter |
| Wyatt Garfield | Cinematographer |
| Gabe Klinger | Editor |
| Geraldine Mangenot | Editor |
| Ricardo Preto | Production Designer |
| Rodrigo Areias | Producer |
| Sonia Buchman | Producer |
| Gabe Klinger | Producer |
| Nicolas R. de La Mothe | Producer |
| Todd Remis | Producer |
| Julie R. Snyder | Producer |
| Klaudia Smieja-Rostworowska | Co-Producer |
| Beata Rzezniczek | Co-Producer |
| Jim Jarmusch | Executive Producer |
| Steve Skoly | Executive Producer |