Italy Box Office for Pinocchio (2019)
(2019).jpg)
| Theatrical Performance (US$) | ||
| Italy Box Office | $17,802,984 | Details |
| Worldwide Box Office | $30,360,375 | Details |
| Home Market Performance | ||
| North America DVD Sales | $29,813 | Details |
| North America Blu-ray Sales | $35,005 | Details |
| Total North America Video Sales | $64,818 | |
| Further financial details... | ||
Synopsis
Geppetto, the old woodcarver whose puppet creation, Pinocchio, magically comes to life with dreams of becoming a real boy. Easily led astray, Pinocchio tumbles from one misadventure to another as he is tricked, kidnapped and chased by bandits through a wonderful world full of imaginative creatures — from the belly of a giant fish, to the Land Of Toys and the Field Of Miracles.
Metrics
Movie Details
| Production Budget: | $13,200,000 |
| Italy Releases: | December 19th, 2019 (Wide) |
| Video Release: | February 23rd, 2021 by Lionsgate Home Entertainment |
| MPAA Rating: | PG-13 for some disturbing images. (Rating bulletin 2660 (cert #53012), 12/16/2020) |
| Running Time: | 125 minutes |
| Keywords: | Family Adventure, Living Toys, Same Actor, Multiple Roles, Human Animal Transformation, Poverty |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Archimede , RAI Cinema, Le Pacte, Recorded Picture Company, Leone Film Group, BPER Banca, MIBACT, Direzione Generale Cinema, Eurimages, Regione Lazio, Regione Puglia, Regione Toscana, Canal Plus, Cine Plus, HanWay Films |
| Production Countries: | Italy |
| Languages: | Italian |
Weekend predictions: have we reached rock bottom?
December 11th, 2020
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In this week’s prediction column, we could focus on the wreckage of the current theatrical market, or look ahead to better times to come. Let’s look ahead, shall we?
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/12/20 | 2 | $2,940,814 | 0 | $2,940,814 | 1 | ||
| 2019/12/27 | 1 | $5,962,496 | +103% | 0 | $11,122,931 | 2 | |
| 2020/01/03 | 3 | $1,967,246 | -67% | 0 | $15,011,482 | 3 | |
| 2020/01/10 | 6 | $530,491 | -73% | 0 | $16,169,054 | 4 | |
| 2020/01/17 | 13 | $159,933 | -70% | 0 | $16,406,433 | 5 | |
| 2020/01/24 | 14 | $65,315 | -59% | 0 | $16,412,647 | 6 | |
| 2020/01/31 | 21 | $24,309 | -63% | 0 | $16,556,618 | 7 | |
| 2020/07/17 | - | $3,693 | 0 | $17,139,191 | 31 | ||
| 2020/07/31 | 20 | $3,497 | 0 | $17,726,799 | 33 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/19/2020 | $44,987 | 91 | 91 | 250 | $202,680 | 5/5/2021 |
| Brazil | 1/21/2021 | $156,167 | 0 | 0 | 0 | $156,167 | 2/1/2021 |
| China | 6/3/2021 | $0 | 0 | 0 | 0 | $2,580,000 | 6/15/2021 |
| Italy | 12/19/2019 | $2,940,814 | 0 | 18 | 19 | $17,802,984 | 6/28/2021 |
| Mexico | 3/11/2021 | $163,926 | 0 | 0 | 0 | $581,138 | 10/19/2022 |
| Netherlands | 7/24/2020 | $181,988 | 109 | 148 | 1183 | $1,173,044 | 10/19/2022 |
| North America | 12/25/2020 | $272,109 | 786 | 824 | 4,859 | $1,831,718 | 3/28/2022 |
| Poland | 10/9/2020 | $89,050 | 217 | 217 | 868 | $280,704 | 10/19/2022 |
| Portugal | 11/6/2020 | $11,344 | 33 | 33 | 131 | $36,633 | 1/12/2021 |
| Russia (CIS) | 3/12/2020 | $137,141 | 570 | 570 | 1078 | $218,129 | 10/19/2022 |
| Turkey | 11/13/2020 | $1,497 | 35 | 35 | 55 | $3,815 | 10/19/2022 |
| United Kingdom | 8/14/2020 | $142,386 | 272 | 456 | 2745 | $1,112,152 | 10/28/2020 |
| Rest of World | $4,381,211 | ||||||
| Worldwide Total | $30,360,375 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Roberto Benigni | Geppetto |
| Federico Ielapi | Pinocchio |
Supporting Cast
| Rocco Papaleo | The Cat |
| Massimo Ceccherini | The Fox |
| Marine Vacth | The Fairy |
| Gigi Proietti | Mangiafuoco |
| Alida Baldari Calabria | The Fairy (Young) |
| Maria Pia Timo | The Snail |
| Massimiliano Gallo | The Raven/The Circus Director |
| Gianfranco Gallo | The Owl |
| Davide Marotta | Grasshopper |
| Teco Celio | The Judge |
| Enzo Vetrano | The School Teacher |
| Alessio Di Domenicantonio | Lucignolo |
| Nino Scardina | The Little Man of Butter |
| Guillaume Delaunay | The Circus |
| Giuliano Del Taglia | The Circus/Puppet |
| Maurizio Lombardi | The Tuna Fish |
| Domenico Centamore | Farmer John |
| Paolo Graziosi | Mastro Cilegia |
| Gigio Morra | I’Oste |
| Mauro Bucci | Remigio |
| Sergio Forconi | Store Manager |
| Luisa Ragusa | Puppet |
| Massimo Viafora | Puppet |
| Claudio Gaetani | Puppet |
| Giovanni Iovino | Puppet |
| Betty La Padula | Puppet |
| Aldo Marinucci | Puppet |
| Ciro Petrone | The Bandit |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Matteo Garrone | Director |
| Matteo Garrone | Screenwriter |
| Massimo Ceccherini | Screenwriter |
| Nicolai Brüel | Director of Photography |
| Dario Marianelli | Composer |
| Mark Coulier | Character Designer |
| Mark Coulier | Make-up and Prosthetic Effects Designer |
| Marco Spoletini | Editor |
| Dimitri Capuani | Production Designer |
| Massimo Cantini Parrini | Costume Designer |
| Stefano Grosso | Sound Designer |
| Rachael Penfold | Visual Effects Designer |
| Carlo Collodi | Story based on the novel by |
| Matteo Garrone | Producer |
| Jean Labadie | Producer |
| Anne-Laure Labadie | Producer |
| Jeremy Thomas | Producer |
| Paolo Del Brocco | Producer |
| Daniela Bassani | Sound Designer |
| Gianni Pallotto | Sound Mixer |
| Francesco Vedovati | Casting Director |
| Gennaro Aquino | Location Manager |
| Andrea Tagliaferri | Assistant Director |
| Benedetta Barroera | Assistant Director |
| Nicola Deorsola | Assistant Director |
| Andrea Piazza | Assistant Director |
| Gian Luca Chiaretti | Line Producer |
| Alessio Lazzareschi | Executive Producer |
| Peter Watson | Executive Producer |
| Marie-Gabrielle Stewart | Executive Producer |
| Raffaella Leone | Associate Producer |
| Andrea Leone | Associate Producer |
| Alainee Kent | Associate Producer |
| Justin Kelly | Associate Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.