Argentina Box Office for Phoenix (2015)
Theatrical Performance (US$) | ||
Argentina Box Office | $6,038 | Details |
Worldwide Box Office | $6,223,031 | Details |
Home Market Performance | ||
North America DVD Sales | $140,725 | Details |
North America Blu-ray Sales | $92,007 | Details |
Total North America Video Sales | $232,732 | |
Further financial details... |
Synopsis
A concentration-camp survivor searches ravaged postwar Berlin for the husband who might have betrayed her to the Nazis.
Metrics
Movie Details
Argentina Releases: | March 27th, 2015 (Wide) |
Video Release: | April 26th, 2016 by Criterion |
MPAA Rating: | PG-13 for some thematic elements and brief suggestive material. (Rating bulletin 2378, 6/17/2015) |
Running Time: | 99 minutes |
Keywords: | Holocaust, Relationships Gone Wrong, False Identity, 1940s, Suicide, Set in East / West Berlin, Plastic Surgery, Film Noir, Inheritance, Presumed Dead, Betrayal, Historical Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Schramm Film Koerner & Weber Production, Tempus Film, Bayerischer Rundfunk, Westdeutscher Rundfunk, Arte, Medienboard Berlin-Brandenburg |
Production Countries: | Germany |
Languages: | German |
Home Market Releases for April 26th, 2016
April 26th, 2016
We are in Q2, which is historically the slowest time of the year on the home market. The last of the monster Christmas hits were released weeks ago and none of the yearly year hits have come out yet. Ironically, the biggest release of the week is actually a Christmas film, Krampus, and its Blu-ray Combo Pack is a contender for Pick of the Week. (It is admittedly a slow week.) Its two biggest competitors are both foreign-language films: Phoenix: Criterion Collection - Buy from Amazon: DVD or Blu-ray and Son of Saul - Buy from Amazon: DVD or Blu-ray. Son of Saul won the Oscar this year for Best Foreign-Language Film, but I'm going with Phoenix instead.
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Per Theater Chart: Malala and Mars
October 8th, 2015
Only two films were in the $10,000 club this weekend. He Named Me Malala led the way with an average of $15,221 in four theaters, which is very strong for a documentary. The film's reviews are only good, but the appeal here is Malala Yousafzai and I don't think moviegoers are too upset that the film is a little shallow. The Martian was close behind with an average of $14,176.
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Per Theater Chart: Black Panther Tickled Pink
September 9th, 2015
There was just one film in the $10,000 club, The Black Panthers: Vanguard of the Revolution, which earned $20,215 in its lone theater over the weekend. This is even more impressive, as it was a Wednesday release and earned $28,580 over five days. While it was the only film to reach $10,000 over the three-day weekend,
Un gallo con muchos huevos did earn an average of $11,030 if you include Monday.
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Per Theater Chart: Grandma Takes Victory Lap
September 2nd, 2015
Grandma remained on top of the per theater chart, which is impressive in its own right. While it is not uncommon for a movie to repeat on top of the overall box office, doing so on the per theater chart is a lot rarer. This is because the films most likely to win on the per theater chart are limited releases and if they do well enough to win, they tend to expand the following week. This is what happened with Grandma, which saw its theater count rise from 4 to 19, but its per theater average was still top at $15,330. The only other film in the $10,000 club was War Room, which earned an average of $10,001. That's cutting it really close.
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Per Theater Chart: Strong Beginning for The End
August 4th, 2015
The End of the Tour is the latest success for A24, as it topped the per theater chart with an average of $30,810 in four theaters. Up next were a pair of documentaries, Best of Enemies and Listen to Me Marlon, with averages of $16,913 and $15,034 respectively. The overall number one film was next, as Mission: Impossible - Rogue Nation earned an average of $14,034. The final film in the $10,000 club was Phoenix. Its theater count doubled, but its per theater average dropped just 20% to $12,004. That's amazing and it could be an omen that it will expand wide enough to earn some measure of mainstream success.
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Per Theater Chart: Phoenix Reborn
July 28th, 2015
None of the wide releases earned a spot in the $10,000 club, but at least we had a couple of limited releases that found their way there. The number one film was Phoenix with an average of $15,148 in two theaters. Samba was next with an average of $12,294, also in two theaters.
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Weekend Estimates: Ant-Man Defeats Poor Pixels
July 26th, 2015
Three new wide releases and three returning movies that are still pulling in good crowds will produce a box office chart with no knock-out winner this weekend. That’s in large part thanks to a disappointing debut from Pixels. The Adam Sandler/Kevin James-comedy/adventure-Ghostbusters/wannabe will earn about $24 million this weekend, according to Sony’s Sunday estimate. That puts it in danger of not even earning back its marketing budget domestically, let alone starting to recover the $88 million production budget. It also means that Ant-Man will top the charts for a second weekend.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/27/2015 | $0 | 0 | 5 | 10 | $6,038 | 11/24/2018 |
Australia | 12/4/2015 | $31,909 | 11 | 11 | 91 | $220,063 | 3/16/2016 |
Brazil | 7/9/2015 | $0 | 0 | 2 | 9 | $4,802 | 10/20/2015 |
Colombia | 4/14/2016 | $24,111 | 20 | 20 | 20 | $24,111 | 12/31/2018 |
Finland | 8/14/2015 | $3,713 | 11 | 11 | 11 | $3,713 | 8/18/2015 |
France | 1/30/2015 | $324,183 | 0 | 0 | 0 | $809,167 | 8/21/2018 |
Italy | 2/20/2015 | $96,375 | 0 | 0 | 0 | $96,375 | 11/6/2018 |
New Zealand | 4/15/2016 | $23,507 | 19 | 20 | 99 | $151,706 | 6/9/2016 |
North America | 7/24/2015 | $30,296 | 2 | 197 | 1,137 | $3,166,858 | 6/2/2016 |
South Korea | 7/22/2021 | $0 | 0 | 30 | 30 | $62,378 | 8/20/2021 |
Spain | 6/5/2015 | $84,149 | 42 | 58 | 224 | $353,358 | 11/28/2018 |
Sweden | 8/21/2015 | $0 | 0 | 14 | 14 | $28,110 | 9/2/2015 |
Turkey | 7/10/2015 | $22,562 | 49 | 49 | 49 | $22,562 | 12/30/2018 |
United Kingdom | 5/8/2015 | $58,634 | 0 | 10 | 26 | $189,855 | 11/22/2023 |
Uruguay | 3/12/2015 | $0 | 0 | 1 | 1 | $12,859 | 6/26/2015 |
Rest of World | $659,084 | ||||||
Worldwide Total | $6,223,031 | 11/22/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Nina Hoss | Nelly |
Supporting Cast
Ronald Zehrfeld | Johnny |
Nina Kunzendorf | Lene |
Michael Maertens | Doctor |
Imogen Kogge | Elisabeth |
Kirsten Block | Hostess |
Trystan Putter | Soldier on Bridge |
Felix Romer | Violinist |
Uwe Preuss | Club Owner |
Jeff Burrell | Dancer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Christian Petzold | Director |
Christian Petzold | Screenwriter |
Harun Farocki | Screenwriter-With the Collaboration of |
Hubert Monteilhet | Based on the novel "Le retour des cendres" by |
Florian Koerner von Gustorf | Producer |
Michael Weber | Producer |
Jacek Gaczkowski | Executive Producer |
Piotr Strzelecki | Executive Producer |
K.D. Gruber | Production Designer |
Bettina Bohler | Editor |