Russia (CIS) Box Office for Personal Shopper (2016)
| Theatrical Performance (US$) | ||
| Russia (CIS) Box Office | $74,139 | Details |
| Worldwide Box Office | $3,804,977 | Details |
| Home Market Performance | ||
| North America DVD Sales | $46,968 | Details |
| North America Blu-ray Sales | $135,496 | Details |
| Total North America Video Sales | $182,464 | |
| Further financial details... | ||
Synopsis
A high-fashion personal shopper to the stars is also a spiritual medium. Grieving the recent death of her twin brother, she haunts his Paris home, determined to make contact with him.
Metrics
Movie Details
| Production Budget: | $6,400,000 |
| Russia (CIS) Releases: | March 3rd, 2017 (Wide) |
| Video Release: | October 24th, 2017 by Criterion |
| MPAA Rating: | R for some language, sexuality, nudity and a bloody violent image. (Rating bulletin 2457 (Cert #50843), 1/4/2017) |
| Running Time: | 106 minutes |
| Keywords: | Death of a Sibling, Haunting, Friendly Ghost, Fashion, Set in Paris, Voiceover/Narration, Supernatural, Twins, Death of a Twin, Haunted House, Spiritualism |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | German Detail Film, Belgian Scope Invest, Czech Sirena Film, ARTE France, Canal Plus |
| Production Countries: | France |
| Languages: | English |
Home Market Releases for October 24th, 2017
October 25th, 2017
There are not many films on this week’s list of home market releases, but there are several bigger titles making their home market debut. Some, like Cars 3, are only coming out on Video on Demand, but there are also some serious Pick of the Week contenders hitting DVD / Blu-ray as well. Of these contenders, War for the Planet of the Apes has the best combination of reviews and extras on the Blu-ray Combo Pack.
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Theater Averages: Colossal Lives up to its Name with $30,057
April 12th, 2017
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Colossal led the way on the theater average chart with an average of $30,057 in four theaters. Meanwhile, Their Finest was the only other film in the $10,000 club with an average of $19,049 also in four theaters.
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Theater Averages: Shopper Goes on Buying Spree with $19,794
March 15th, 2017
Personal Shopper had the best theater average this past weekend earning an average of $19,794 in four theaters. The overall box office champ, Kong: Skull Island, earned $15,867. Raw was the only other film in the $10,000 club with an average of $12,413 in two theaters. Meanwhile, The Sense of an Ending just missed the mark with an average of $9,923 in four theaters.
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Weekend Estimates: Skull Island Breaks King Kong Opening Weekend Record
March 12th, 2017
Kong: Skull Island is reigning over movie theaters this weekend, with Warner Bros. predicting a $61 million opening for the monster movie. This is a franchise that’s been rebooted so many times that it’s meaningful to compare this outing’s opening with previous incarnations. And I’m pleased to report that this is the best ever weekend for a reboot of a King Kong movie, topping King Kong’s $50.1 million, and King Kong’s $7 million. The bad news is that this outing doesn’t look so great when adjusted for inflation. The 2005 King Kong opened with an inflation-adjusted $65 million, and the 1933 original went on to make an inflation-adjusted $366 million at the box office… a number that’s a very distant prospect this time. In fact, once adjusted for inflation, this will probably be the lowest-grossing film to start a King Kong franchise, and the only one to miss $200 million at the domestic box office.
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Limited and VOD Releases: Getting Personal
March 10th, 2017
It is not a particularly busy week for limited releases, but there are a few that are earning good reviews and louder buzz. My Scientology Movie, Personal Shopper, and Raw all fit that description, but Personal Shopper probably has the best shot at box office success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/03/03 | 20 | $38,975 | 75 | $520 | $38,975 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 4/28/2017 | $0 | 0 | 0 | 0 | $42,585 | 1/1/2019 |
| Australia | 4/14/2017 | $35,571 | 14 | 14 | 74 | $133,206 | 7/24/2017 |
| France | 12/16/2016 | $296,033 | 0 | 0 | 0 | $465,541 | 8/17/2018 |
| Italy | 4/13/2017 | $90,919 | 0 | 0 | 0 | $187,057 | 4/27/2017 |
| Netherlands | 1/27/2017 | $17,283 | 19 | 19 | 19 | $18,896 | 10/25/2018 |
| New Zealand | 4/14/2017 | $13,842 | 18 | 19 | 99 | $75,293 | 5/30/2017 |
| North America | 3/10/2017 | $79,175 | 4 | 153 | 607 | $1,305,195 | 4/1/2020 |
| Portugal | 3/3/2017 | $0 | 0 | 1 | 1 | $3,283 | 3/16/2017 |
| Russia (CIS) | 3/3/2017 | $38,975 | 75 | 75 | 75 | $74,139 | 1/1/2019 |
| South Korea | 11/19/2016 | $1,693 | 3 | 77 | 126 | $106,373 | 12/15/2017 |
| Spain | 5/19/2017 | $51,086 | 51 | 52 | 166 | $161,602 | 6/29/2017 |
| Turkey | 6/30/2017 | $7,404 | 44 | 44 | 44 | $18,403 | 2/26/2019 |
| United Kingdom | 3/17/2017 | $143,839 | 1 | 1 | 1 | $143,839 | 3/22/2017 |
| Rest of World | $1,069,565 | ||||||
| Worldwide Total | $3,804,977 | 4/1/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Olivier Assayas | Director |
| Olivier Assayas | Screenwriter |
| Charles Gillibert | Producer |