United Kingdom Box Office for The Personal History of David Copperfield (2020)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $8,475,563 | Details |
Worldwide Box Office | $14,630,654 | Details |
Further financial details... |
Synopsis
A fresh take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History Of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, color and humanity.
Metrics
Movie Details
Production Budget: | $15,600,000 |
United Kingdom Releases: | January 24th, 2020 (Wide) |
Video Release: | November 17th, 2020 by Fox Home Entertainment |
MPAA Rating: | PG for thematic material and brief violence. (Rating bulletin 2611 (Cert #52532), 1/8/2020) |
Running Time: | 119 minutes |
Keywords: | Comedy Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | FilmNation Entertainment, Film4, Wishmore Entertainment, Searchlight Pictures , Armando Iannucci Productions |
Production Countries: | United Kingdom, United States |
Languages: | English |
Weekend estimates: Infidel posts solid opening, under the circumstances
September 20th, 2020
It looks as though we’ll have another down weekend for total domestic box office, with perhaps $11 million in combined ticket sales for all movies, compared to $12.3 million last weekend, but there are a few small grains of good news to be found. Infidel topped (very modest) expectations, with a projected opening of $1.5 million, and the four other films still playing in wide release that have reported so far all had relatively good holds by historical standards. Tenet hit the $250 million mark worldwide, but Mulan continues to struggle.
Here are the details…
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Weekend Estimates: New Mutants Posts $7 Million Opening
August 30th, 2020
Although the war for survival of the theatrical business is only beginning, The New Mutants is at least winning a small early battle by posting an opening weekend that is in line with expectations. In fact, the film will exactly hit our pre-weekend prediction of $7 million, according to Disney’s Sunday morning projection.
Beyond the top-line number, signals are mixed. Mutants’ theater average of $2,903 is better than Unhinged’s $2,206 last weekend, but its box office fell on both Saturday and Sunday, suggesting poor word of mouth. Unhinged itself is down 35% from last weekend, even though it gained an extra 508 theaters. The other new releases were weak (although what a joy to see something new).
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Weekend Predictions: A Slate of New Releases
August 28th, 2020
For the first time since March, we have multiple wide releases this week, or to be more accurate, multiple semi-wide or wider releases. The New Mutants is the biggest new release of the week, playing in 2,412 theaters, and it is looking to top Unhinged’s $4 million result from last week. Bill and Ted: Face the Music is opening in more than 1,000 theaters, but it is also playing in PVOD, so its theatrical chances are more questionable. The third wide release of the week is The Personal History of David Copperfield, which has the best reviews, but it also has by far the quietest buzz.
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The Personal History of David Copperfield Trailer
February 14th, 2020
Armando Iannucci’s comedy drama starring Dev Patel, now playing in the UK, opens Stateside on May 8 ... Full Movie Details.
A fresh take on Charles Dickens’ semi-autobiographical masterpiece, The Personal History Of David Copperfield, set in the 1840s, chronicles the life of its iconic title character as he navigates a chaotic world to find his elusive place within it. From his unhappy childhood to the discovery of his gift as a storyteller and writer, David’s journey is by turns hilarious and tragic, but always full of life, color and humanity.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/01/24 | 3 | $1,992,089 | 656 | $3,037 | $1,992,089 | 1 | |
2020/01/31 | 3 | $1,368,411 | -31% | 672 | $2,036 | $4,959,223 | 2 |
2020/02/07 | 6 | $684,573 | -50% | 519 | $1,319 | $6,569,604 | 3 |
2020/02/14 | 11 | $308,387 | -55% | 301 | $1,025 | $7,469,352 | 4 |
2020/02/21 | - | $172,351 | -44% | 186 | $927 | $7,875,836 | 5 |
2020/02/28 | - | $75,355 | -56% | 139 | $542 | $7,949,669 | 6 |
2020/03/06 | - | $19,610 | -74% | 66 | $297 | $8,203,981 | 7 |
2020/03/13 | - | $8,591 | -56% | 40 | $215 | $7,886,102 | 8 |
2020/07/10 | - | $114 | 1 | $114 | $8,101,588 | 25 | |
2020/08/07 | - | $738 | 5 | $148 | $8,354,381 | 29 | |
2020/09/04 | - | $402 | 2 | $201 | $8,475,563 | 33 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/26/2020 | $0 | 0 | 233 | 1400 | $1,152,277 | 10/20/2022 |
Germany | 9/24/2020 | $72,359 | 104 | 110 | 214 | $232,579 | 11/6/2020 |
India | 12/11/2020 | $0 | 0 | 20 | 20 | $4,157 | 12/29/2020 |
Italy | 10/16/2020 | $205,959 | 0 | 6 | 11 | $437,065 | 10/19/2022 |
Japan | 1/22/2021 | $0 | 0 | 21 | 98 | $160,987 | 4/12/2021 |
Lithuania | 9/18/2020 | $6,633 | 13 | 13 | 30 | $13,852 | 10/19/2022 |
Netherlands | 9/18/2020 | $44,309 | 60 | 64 | 328 | $295,858 | 12/4/2020 |
New Zealand | 7/16/2020 | $0 | 0 | 106 | 492 | $477,416 | 10/19/2022 |
North America | 8/28/2020 | $475,800 | 1,360 | 1,550 | 6,074 | $1,876,298 | 11/7/2023 |
Portugal | 9/18/2020 | $17,918 | 49 | 49 | 123 | $41,290 | 10/20/2020 |
Taiwan | 10/30/2020 | $17,356 | 43 | 43 | 43 | $32,121 | 11/20/2020 |
Turkey | 9/25/2020 | $1,739 | 40 | 40 | 70 | $7,979 | 10/19/2022 |
United Kingdom | 1/24/2020 | $1,992,089 | 656 | 672 | 2587 | $8,475,563 | 9/9/2020 |
Rest of World | $1,423,212 | ||||||
Worldwide Total | $14,630,654 | 11/7/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Dev Patel | David Copperfield |
Aneurin Barnard | James Steerforth |
Peter Capaldi | Mr. Micawber |
Morfydd Clark | Dora Spenlow/Clara Copperfield |
Daisy May Cooper | Peggotty |
Rosalind Eleazar | Agnes Wickfield |
Hugh Laurie | Mr. Dick |
Tilda Swinton | Betsey Trotwood |
Ben Whishaw | Uriah Heep |
Supporting Cast
Paul Whitehouse | Daniel Peggotty |
Gwendoline Christie | Jane Murdstone |
Anthony Welsh | Ham Peggotty |
Benedict Wong | Mr. Wickfield |
Aimée Kelly | Emily |
Bronagh Gallagher | Mrs. Micawber |
Darren Boyd | Murdstone |
Nikki Amuka-Bird | Mrs. Steerforth |
Peter Singh | Tungay |
Jairaj Varsani | Young David |
Anna Maxwell Martin | Mrs. Strong |
Victor McGuire | Creakle |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Armando Iannucci | Director |
Armando Iannucci | Screenwriter |
Simon Blackwell | Screenwriter |
Charles Dickens | Story based on the semi-autobiographical novel “David Copperfield” by |
Kevin Loader | Producer |
Armando Iannucci | Producer |
Daniel Battsek | Executive Producer |
Ollie Madden | Executive Producer |
Simon Blackwell | Executive Producer |
Ben Browning | Executive Producer |
Glen Basner | Executive Producer |
Christos V. Konstantakopoulos | Executive Producer |
Celia Duval | Co-Producer |
Zac Nicholson | Director of Photography |
Mick Audsley | Editor |
Peter Lambert | Editor |
Cristina Casali | Production Designer |
Suzie Harman | Costume Designer |
Robert Worley | Costume Designer |
Louise Seymour | Post-Production Supervisor |
Christopher Willis | Composer |
Sarah Crowe | Casting Director |