Portugal Box Office for Peppermint (2018)
Theatrical Performance (US$) | ||
Portugal Box Office | $158,947 | Details |
Worldwide Box Office | $51,800,758 | Details |
Home Market Performance | ||
North America DVD Sales | $8,248,925 | Details |
North America Blu-ray Sales | $5,002,904 | Details |
Total North America Video Sales | $13,251,829 | |
Further financial details... |
Synopsis
Young mother Riley North awakens from a coma after her husband and daughter are killed in a brutal attack on the family. When the system frustratingly shields the murderers from justice, Riley sets out to transform herself from citizen to urban guerilla. Channeling her frustration into personal motivation, she spends years in hiding honing her mind, body and spirit to become an unstoppable force—eluding the underworld, the LAPD and the FBI—as she methodically delivers her personal brand of justice.
Metrics
Movie Details
Production Budget: | $25,000,000 |
Portugal Releases: | September 28th, 2018 (Wide) |
Video Release: | November 20th, 2018 by Universal Home Entertainment |
MPAA Rating: | R for strong violence and language throughout. (Rating bulletin 2531 (Cert #51651), 6/13/2018) |
Running Time: | 102 minutes |
Keywords: | Revenge, Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Government Corruption, Corrupt Cops, Corrupt Judge, Action Thriller |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Lakeshore Entertainment, STX Films, Huayi Brothers Pictures Ltd |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 11th, 2018
December 11th, 2018
There isn’t a huge number of releases on this week’s list home market release report. The Equalizer 2 is the biggest, but it is far from the best. As for the best, there are some Pick of the Week contenders, including Colette, My Neighbor Totoro and A Simple Favor. My Neighbor Totoro is worth owning, but it is a triple-dip at this point, maybe more. A Simple Favor is coming out on VOD this week. This leaves Colette’s DVD or Blu-ray Combo Pack as the Pick of the Week.
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Weekend Wrap-Up: Predator Tops Chart, Simple a Success
September 18th, 2018
The Predator earned top spot on the weekend box office chart with $24.63 million. However, the best new release was arguably A Simple Favor with $16.01 million, as it is the only film that will match its production budget at the domestic box office. On the other hand, White Boy Rick struggled and will likely not pay for its $30 million price-tag any time soon, while Unbroken: Path to Redemption bombed. Overall, the weekend box office was $107 million, 12% lower than last weekend. It was also down from this weekend last year, but only by 3.5%. That’s better than expected at the beginning of the month and that’s great news for 2018. Granted, its lead over 2017 went down, but it still has a 9.6% / $740 million lead with $8.50 billion compared to $7.76 billion in 2017. It would take something incredible to happen to lose this entire lead by the end of the year.
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Weekend Wrap-Up: The Nun Stuns, Box Office Still Falls
September 11th, 2018
The Nun topped expectations with $53.81 million over the weekend. Peppermint was well back in second place with $13.42 million, which is an acceptable debut for this time of year. Crazy Rich Asians was in a close third place and overall the box office was quite strong. The total box office was $121 million, which is 23% better than last weekend. Granted, this is 26% lower than the same weekend last year. Normally a drop this severe would be troubling, but this isn’t a normal situation. Firstly, this weekend last year was the weekend It debuted and rewrote the record book. Secondly, 2018 is still ahead of 2017 by 10% or $770 million at $8.36 billion to $7.59 billion. This means 2018’s gains during the weekdays almost made up for its losses over the weekend.
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Weekend Estimates: The Nun Continues WB’s Dominance of the Box Office
September 9th, 2018
The Nun topped expectations by a sizable margin with $53.5 million during its opening weekend. This is easily the best opening in the franchise so far and the best opening for a Warner Bros. film this year. The film also got off to a fast start internationally with $77.5 million on 15,615 screens in 60 markets. Its best markets were Mexico ($10.7 million on 3,967 screens) and Indonesia ($7.7 million on 1,216). At this point, the film is almost guaranteed a massive profit, despite is awful reviews and its mere C from CinemaScore. Even if it earns less during the rest of its run than it opened with, which is too pessimistic, it will still be a major financial success. There’s no way the franchise will end any time soon.
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Friday Estimates: The Nun Breaks its Vow of Poverty with $22.37 million
September 8th, 2018
The Nun is crushing expectations with a $22.37 million opening Friday haul. I wasn’t expecting it to top $20 million on Friday, so this is great news. On the other hand, its reviews have continued to fall and are now at just 29% positive. Meanwhile, it only managed a C from CinemaScore, which is the worst in the franchise by far. (The two Conjuring movies both earned A minus, while the two Annabelle movies each earned a B score.) That said, this isn’t terrible for a horror movie and even terrible legs won’t put a damper on this debut, so Warner Bros. must be ecstatic about this result.
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Thursday Night Previews: The Nun Conjures Up Franchise Best Previews at $5.4 million
September 7th, 2018
The Nun opened with $5.4 million during its previews. The previous best in the franchise was $4 million, earned by Annabelle: Creation. It’s is nearly impossible to compare the two films, as Annabelle: Creation was a summer release and its reviews were much better than The Nun’s reviews were, but even if this film has much shorter legs, it should top our $45 million prediction. It has a good shot at $50 million over the weekend.
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Weekend Prediction: Will The Nun be Second to None?
September 6th, 2018
It’s the weekend after Labor Day, which is historically one of the worst weekends of the year at the box office. However, that’s not the case this year, as The Nun is expected to be a major hit. In fact, it should have the best opening in the franchise so far. On the other hand, Peppermint will be happy with a second place debut. Finally, God Bless the Broken Road is opening semi-wide, but the box office lacks any real depth, so it could come close to the top five. This weekend last year was the weekend It destroyed the record book. There’s no way 2018 will win in the year-over-year comparison, but 2018 has such a large lead over 2017 that even a few embarrassing losses won’t put a serious dent into it’s advantage.
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2018 Preview: September
September 1st, 2018
Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month.
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Peppermint Trailer
August 7th, 2018
Action movie starring Jennifer Garner opens September 7 ... Full Movie Details.
Young mother Riley North awakens from a coma after her husband and daughter are killed in a brutal attack on the family. When the system frustratingly shields the murderers from justice, Riley sets out to transform herself from citizen to urban guerilla. Channeling her frustration into personal motivation, she spends years in hiding honing her mind, body and spirit to become an unstoppable force—eluding the underworld, the LAPD and the FBI—as she methodically delivers her personal brand of justice.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/09/28 | 4 | $59,561 | 51 | $1,168 | $59,561 | 1 | |
2018/10/05 | 7 | $40,994 | -31% | 52 | $788 | $121,432 | 2 |
2018/10/12 | 11 | $14,378 | -65% | 30 | $479 | $146,321 | 3 |
2018/10/19 | 23 | $1,438 | -90% | 6 | $240 | $154,606 | 4 |
2018/10/26 | - | $600 | -58% | 1 | $600 | $158,947 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/16/2018 | $80,179 | 83 | 83 | 142 | $146,656 | 1/4/2019 |
Australia | 12/14/2018 | $239,048 | 166 | 166 | 345 | $480,501 | 1/29/2019 |
Brazil | 10/19/2018 | $154,147 | 225 | 225 | 225 | $154,147 | 10/26/2018 |
Bulgaria | 9/21/2018 | $16,816 | 0 | 0 | 0 | $74,204 | 2/26/2019 |
France | 9/14/2018 | $547,304 | 0 | 0 | 0 | $1,452,342 | 10/11/2018 |
Germany | 11/30/2018 | $194,084 | 0 | 0 | 0 | $290,123 | 12/6/2018 |
Italy | 3/21/2019 | $515,857 | 0 | 5 | 7 | $1,005,957 | 4/27/2019 |
Lithuania | 9/28/2018 | $7,089 | 55 | 55 | 59 | $13,521 | 10/10/2018 |
Mexico | 11/23/2018 | $783,757 | 0 | 0 | 0 | $1,449,932 | 12/3/2018 |
Netherlands | 9/7/2018 | $336,358 | 91 | 92 | 586 | $1,785,499 | 12/16/2018 |
North America | 9/7/2018 | $13,423,255 | 2,980 | 2,980 | 11,996 | $35,418,723 | |
Poland | 9/14/2018 | $69,434 | 0 | 0 | 0 | $69,434 | 1/1/2019 |
Portugal | 9/28/2018 | $59,561 | 51 | 52 | 140 | $158,947 | 10/31/2018 |
Russia (CIS) | 9/13/2018 | $136,127 | 600 | 600 | 910 | $221,368 | 1/1/2019 |
South Korea | 4/11/2019 | $328,546 | 213 | 213 | 427 | $644,915 | 5/23/2019 |
Spain | 10/19/2018 | $230,264 | 165 | 165 | 326 | $418,819 | 11/2/2018 |
Turkey | 9/21/2018 | $29,427 | 126 | 126 | 271 | $82,697 | 2/26/2019 |
Rest of World | $7,932,973 | ||||||
Worldwide Total | $51,800,758 | 5/23/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jennifer Garner | Riley |
Supporting Cast
John Ortiz | Detective Moises Beltran |
John Gallagher, Jr. | Detective Stan Carmichael |
Juan Pablo Raba | Diego Garcia |
Annie Ilonzeh | FBI Agent Lisa Inman |
Jeff Hephner | Chris North |
Pell James | Peg |
Method Man | Narcotics Detective Barker |
Cailey Fleming | Carly North |
Tyson Ritter | Homeless Sam |
Richard Cabral | Salazar |
Johnny Ortiz | Torres |
Eddie Shin | FBI Agent Li |
John Boyd | Marvin |
Ian Casselberry | Cortez |
Michael Reventar | Ortega |
Kyla-Drew Simmons | Maria |
Gustavo Quiroz | Jose |
Michael Mosley | Henderson |
Jeff Harlan | Judge Stevens |
Chris Johnson | Mickey |
Caspar Brun | LAPD Data Analyst |
Randy Gonzalez | Drive-by Gunman |
Hunter Wright | Homeless Kid |
Emma Thoraval | Homeless Girl |
Michael Adler | Bank Manager |
Samantha Edelstein | Ice Cream Vendor |
Christopher Campos | Drive-by Gunman #2 |
Sean Rosales | Drive-by Wheelman |
Erin Carufel | Coma Doctor |
C.C. Taylor | Courthouse Bailiff |
Donnie Smith | Paramedic |
Edilsy Vargas | Jessica |
Austin Hebert | Drunk Dad |
Tate Birchmore | Boy on Bus |
Morris Greco | Liquor Store Clerk |
Jesus Trujillo | Pinata Guard #1 |
Josue Barron | Pinata Guard #2 |
Edwin Garcia | Pinata Money-Counter #1 |
Arnold Chon | Pinata Money-Counter #2 |
William Leong | Pinata Money-Counter #3 |
Denney Pierce | Carjack Driver |
George Crayton | Garcia Gate Guard #1 |
Victor Winters | Garcia Gate Guard #2 |
YaYa Gosselin | Ana (Garcia’s Daughter) |
Mario Cortez | Garcia House Detective |
Roland Feliciano | Garcia House Cop |
Charles Porter | Excited Street Guy |
A. Russell Andrews | Police Chief Rogers |
Sam Upton | Hospital Cop |
Lasaundra Gibson | TV Newscaster |
Nilla Watkins | TV Newscaster |
Mel Fair | TV Newscaster |
Markina Brown | TV Newscaster |
Kimberly Cheng | TV Newscaster |
Laura Diaz | TV Newscaster |
Joy Benedict | TV Newscaster |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Pierre Morel | Director |
Chad St. John | Screenwriter |
Gary Lucchesi | Producer |
Tom Rosenberg | Producer |
Richard S. Wright | Producer |
Eric Reid | Producer |
Renee Tab | Executive Producer |
Christopher Tuffin | Executive Producer |
Robert Simonds | Executive Producer |
Adam Fogelson | Executive Producer |
David Kern | Executive Producer |
James McQuaide | Executive Producer |
Donald Tang | Executive Producer |
Wang Zhongjun | Executive Producer |
Wang Zhonglei | Executive Producer |
Felice Bee | Executive Producer |
David Lanzenberg | Director of Photography |
Ramsey Avery | Production Designer |
Frederic Thoraval | Editor |
Lindsay Ann McKay | Costume Designer |
Simon Franglen | Composer |
Jackie Shenoo | Co-Producer |
Deanna Brigidi* | Casting Director |
Richard S. Wright | Unit Production Manager |
David Kern | Unit Production Manager |
Milos Milicevic | First Assistant Director |
Johnny Recher | Second Assistant Director |
Ivan Kraljevic | Second Assistant Director |
Keith Woulard | Stunt Coordinator |
Stephen Oyoung | Fight Choreographer |
Jackie Shenoo | Production Supervisor |
Chris Dileo | Art Director |
Lori Mazuer | Set Decorator |
Evan Yarborough | Story Artist |
Wilma Garscadden-Gahret | Script Supervisor |
Steven A. Morrow | Sound Mixer |
Jeannine Bourdaghs | Costume Supervisor |
Robin Beauchesne | Make up |
Bart Mixon | Special Make-up Effects |
Peter Tothpal | Hairstylist |
Larz Anderson | Special Effects Coordinator |
Ralph Meyer | Location Manager |
Kandice Billingsley | Location Manager |
Emily Freund | First Assistant Editor |
Frederic DuBois | Supervising Sound Editor |
Michael Minkler | Re-recording Mixer |
Frederic DuBois | Re-recording Mixer |
Helen Luttrell | Dialogue Editor |
Alison Fisher | Dialogue Editor |
Adam Kopald | Sound Effects Editor |
Charles Maynes | Sound Effects Editor |
Randy Wilson | Foley Mixer |
Ron Mellegers | Foley Mixer |
Brad Bakelmun | Foley Mixer |
Dave Lawrence | Music Editor |
Brian McNelis | Music Supervisor |
Eric Craig | Music Supervisor |
James McQuaide | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.