Portugal Box Office for Raparigas Rebeldes de Paradise Hills (2019)
Theatrical Performance (US$) | ||
Portugal Box Office | $10,327 | Details |
Worldwide Box Office | $476,062 | Details |
Further financial details... |
Synopsis
On an isolated island, Uma wakes up to find herself at Paradise Hills, a facility where high-class families send their daughters to become perfect versions of themselves. The facility is run by the mysterious Duchess where calibrated treatments including etiquette classes, vocal lessons, beauty treatments, gymnastics and restricted diets, revolve all physical and emotional shortcomings within two months. The outspoken Uma finds solace and friendship in other Paradise Hills residents — Chloe, Yu and Mexican popstar Amarna. Uma soon realizes that lurking behind all this beauty is a sinister secret. It’s a race against the clock as Uma and her friends try to escape Paradise Hills before it consumes them all.
Metrics
Movie Details
Portugal Releases: | November 8th, 2019 (Wide), released as Raparigas Rebeldes de Paradise Hills |
Video Release: | January 7th, 2020 by Samuel Goldwyn |
MPAA Rating: | Not Rated |
Running Time: | 94 minutes |
Keywords: | Sundance Film Festival 2019 |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Samuel Goldwyn Films, Nostromo Pictures, Colina Paraiso AIE |
Production Countries: | Spain |
Languages: | English |
Limited and VOD Releases: Who Will be The Boss of Limited Releases This Week?
October 25th, 2019
There are several films on this week’s list earning merely good reviews, which probably isn’t good enough to thrive in limited release. There are exceptions, including Making Waves: The Art of Cinematic Sound, which is earning some of the best reviews on this week’s list. However, Western Stars appears to have much louder buzz to go with its reviews.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/11/08 | 16 | $6,815 | 22 | $310 | $6,815 | 1 | |
2019/11/15 | 33 | $1,485 | -78% | 18 | $83 | $10,327 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Austria | 8/30/2019 | $940 | 6 | 6 | 6 | $940 | 9/5/2019 |
Cambodia | 11/1/2019 | $3,000 | 0 | 0 | 0 | $4,900 | 11/21/2019 |
Germany | 8/29/2019 | $7,119 | 66 | 66 | 74 | $19,636 | 9/26/2019 |
Hong Kong | 10/24/2019 | $35,729 | 29 | 29 | 36 | $51,108 | 11/7/2019 |
Italy | 10/2/2020 | $40,376 | 0 | 0 | 0 | $40,376 | 10/19/2022 |
Japan | 11/25/2022 | $0 | 0 | 0 | 0 | $0 | |
Laos | 10/31/2019 | $500 | 0 | 0 | 0 | $900 | 11/21/2019 |
Lithuania | 11/1/2019 | $2,823 | 10 | 10 | 12 | $4,434 | 10/19/2022 |
North America | 10/25/2019 | $0 | 0 | 0 | 0 | $0 | |
Philippines | 10/23/2019 | $92,405 | 0 | 0 | 0 | $92,405 | 10/30/2019 |
Portugal | 11/8/2019 | $6,815 | 22 | 22 | 40 | $10,327 | 10/19/2022 |
Romania | 10/25/2019 | $12,007 | 60 | 60 | 115 | $26,931 | 12/31/2019 |
Russia (CIS) | 11/7/2019 | $56,239 | 338 | 338 | 473 | $84,615 | 10/19/2022 |
South Korea | 3/19/2020 | $8,479 | 98 | 98 | 98 | $11,312 | 3/25/2020 |
Spain | 10/11/2019 | $20,926 | 83 | 83 | 110 | $33,222 | 11/14/2019 |
Taiwan | 1/10/2020 | $8,995 | 11 | 11 | 11 | $42,569 | 2/1/2020 |
Thailand | 10/31/2019 | $7,329 | 34 | 34 | 38 | $13,109 | 11/21/2019 |
Ukraine | 11/7/2019 | $26,241 | 95 | 95 | 179 | $34,991 | 11/29/2019 |
Vietnam | 11/1/2019 | $2,463 | 3 | 3 | 9 | $4,287 | 11/21/2019 |
Worldwide Total | $476,062 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Emma Roberts | Uma |
Danielle Macdonald | Chloe |
Awkwafina* | Yu |
Eiza González | Amarna |
Milla Jovovich | The Duchess |
Supporting Cast
Jeremy Irvine | Markus |
Arnaud Valois | Son Presscott |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Alice Waddington | Director |
Adrian Guerra | Producer |
Nuria Valls | Producer |
Brian DeLeeuw | Screenwriter |
Nacho Vigalondo | Screenwriter |
Sofia Cuenca | Story by |
Alice Waddington | Story by |
Josu Inchaustegui | Director of Photography |
Lucas Vidal | Composer |
Guillermo De La Cal | Editor |
Laia Colet | Production Designer |
Alberto Valcarel | Costume Designer |
Alex Villagrasa | Visual Effects Supervisor |
Oriol Tarrago | Sound Designer |
Marta Sánchez | Line Producer |