United Kingdom Box Office for Papi Chulo (2019)
![Papi Chulo](https://www.the-numbers.com/images/movies/opusdata/Papi-Chulo-(Ireland)-(2019).jpg)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $9,620 | Details |
Worldwide Box Office | $99,536 | Details |
Further financial details... |
Synopsis
A lonely TV weatherman strikes up an unusual friendship with a middle-aged Latino migrant worker.
Metrics
Movie Details
United Kingdom Releases: | June 7th, 2019 (Limited) |
Video Release: | November 5th, 2019 by Breaking Glass Pictures |
MPAA Rating: | R for language. (Rating bulletin 2569 (Cert #52092), 3/13/2019) |
Running Time: | 98 minutes |
Keywords: | Extreme Weather, Set in Los Angeles, Immigration, LGBTQ+ |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Blue Fox Entertainment, FIS Eireann, Screen Ireland, RTE, Head Gear Films, Metrol Technology, Bankside Films, Treasure Entertainment |
Production Countries: | Ireland |
Languages: | English |
Theater Averages: Late Night Gets Off to an Early Start
June 13th, 2019
2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229.
More...
Limited and VOD Releases: Will it be Good Night for Limited Releases?
June 7th, 2019
Late Night should be the biggest box office hit of the week with an already scheduled wide expansion next weekend. However, it isn’t the only film that has a chance to do well. The Last Black Man in San Francisco is also earning some strong buzz, while there are a number of documentaries vying for audiences this week.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/06/07 | - | $9,620 | 11 | $875 | $9,620 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
New Zealand | 8/27/2020 | $381 | 4 | 9 | 40 | $5,213 | 10/19/2022 |
North America | 6/7/2019 | $7,257 | 2 | 16 | 63 | $84,703 | |
United Kingdom | 6/7/2019 | $9,620 | 11 | 11 | 11 | $9,620 | 6/13/2019 |
Worldwide Total | $99,536 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Matt Bomer | Sean |
Alejandro Patino | Ernesto |
Supporting Cast
D’Arcy Carden | Susan |
Ryan Guzman | Rodrigo |
Wendi McLendon-Covey | Ash |
Elena Campbell-Martinez | Linda |
Michael Shepperd | Stan |
Shaughn Buchholz | Mike |
Tommie Earl Jenkins | Tom |
Tom Beyer | Floor Manager |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Butler | Director |
John Butler | Screenwriter |
Robert Walpole | Producer |
Rebecca O'Flanagan | Producer |
Phil Hunt | Executive Producer |
Compton Ross | Executive Producer |
Hilary Davis | Executive Producer |
Stephen Kelliher | Executive Producer |
Chris Abernathy | Line Producer |
Cathal Watters | Director of Photography |
John O’Connor | Editor |
John McPhillips | Composer |
Susannah Honey | Production Designer |
Joanna David | Costume Designer |
Barbara McCarthy | Casting Director |
Alice Merlin | Casting Director |