China Box Office for Pan Deng Zhe (2019)
Theatrical Performance (US$) | ||
China Box Office | $173,220,000 | Details |
Worldwide Box Office | $174,008,804 | Details |
Further financial details... |
Synopsis
A retelling of the first Chinese climbers to summit Mount Everest— the first ever to do so from the North Ridge. Well-known as the most challenging side of the mountain, the perilous journey takes its toll on the mountaineers, physically and mentally, forcing them to make life or death decisions at every turn.
Metrics
Movie Details
China Releases: | September 28th, 2019 (Wide) |
Video Release: | February 25th, 2020 by Well Go USA Video |
MPAA Rating: | Not Rated |
Running Time: | 125 minutes |
Source: | Based on Real Life Events |
Genre: | Adventure |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Visualizer Film, Shanghai Film Group |
Production Countries: | China |
Languages: | Mandarin |
Theater Averages: All Gain for Pain
October 10th, 2019
Pain and Glory dominated the theater average earning an average of $40,022 in four theaters. Joker was next with an average of $21,994 in over 4,000 theaters. The final film in the $10,000 Club this weekend was My Country, My People with an average of $13,069 in 67 theaters. That is very impressive and could be a portent of things to come as Chinese films gain a foothold in the domestic market.
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International Box Office: Joker Wins Weekend, But China Has the Last Laugh
October 10th, 2019
Joker earned top spot on the international chart, but China was the big story this weekend. The DC Comics film opened in first place with $152.2 million on 25,090 screens in 73 markets for a worldwide opening of $248.2 million. Both the film’s international debut and its worldwide debut are records for an October release. Likewise, it set the October opening weekend record in a number of major markets, including Australia, Brazil, Mexico, South Korea, and Spain. South Korea was also the film’s biggest total opening with $16.18 million on 1,418 screens, including $9.58 million over the weekend. The film’s U.K. debut was better, if you just look at the three-day weekend, as it earned $15.45 million on 666 screens. It managed $13.48 million in Mexico, $7.4 million in Brazil, $6.59 million in Australia, and $4.8 million in Spain.
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Limited and VOD Releases: Painful Week for Limited Releases
October 4th, 2019
There are not a lot of prime limited releases on this week’s list and a couple that had the loudest pre-release buzz ended up with weak reviews. Pain & Glory is the film with the best shot at box office success, while Rascal Does Not Dream of Bunny Girl is the film I want to see the most.
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International Box Office: Ad Astra Shines on Top of the Chart
October 3rd, 2019
Ad Astra spent a second weekend on top of the international box office earning $18.0 million in 50 markets for totals of $53.5 million internationally and $88.9 million worldwide. The film had an elite opening in Russia with $3.16 million on 1,337 screens, earning first place in the process. On the other hand, it failed to crack $1 million during its debuts in both Brazil ($900,000) and Italy ($898,000).
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/10/04 | 3 | $32,440,000 | 62,618 | $518 | $112,850,000 | 2 | |
2019/10/11 | 4 | $12,760,000 | -61% | 61,838 | $206 | $142,670,000 | 3 |
2019/10/18 | 7 | $3,000,000 | -76% | 13,922 | $215 | $152,040,000 | 4 |
2019/10/25 | 8 | $1,160,000 | -61% | 5,390 | $215 | $155,370,000 | 5 |
2020/10/30 | 12 | $50,000 | 51 | $980 | $166,640,000 | 58 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 10/11/2019 | $68,311 | 26 | 26 | 53 | $115,286 | 10/29/2019 |
China | 9/28/2019 | $6,241,074 | 0 | 62618 | 143819 | $173,220,000 | 6/2/2021 |
Mexico | 9/4/2020 | $46,307 | 0 | 0 | 0 | $107,845 | |
New Zealand | 10/10/2019 | $14,760 | 7 | 7 | 12 | $24,818 | 10/19/2022 |
North America | 9/30/2019 | $156,096 | 102 | 102 | 136 | $487,157 | |
South Korea | 7/22/2020 | $12,768 | 131 | 131 | 131 | $25,639 | 7/29/2020 |
United Kingdom | 10/4/2019 | $28,059 | 24 | 24 | 24 | $28,059 | 10/9/2019 |
Worldwide Total | $174,008,804 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Wu Jing | Fang Wuzhou |
Zhang Ziyi | Xu Ying |
Zhang Yi | Qu Songlin |
Boran Jing | Li Guoliang |
Supporting Cast
Jackie Chan | Xia Boyu (Old) |
Quni Ciren | Sherpa Mudan |
Hu Ge | Yang Guang |
Lawang Lop | Jiebu |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Daniel Lee | Director |
Tsui Hark | Producer |
Daniel Lee | Screenwriter |
A Lai | Screenwriter |
Susanna Tsang | Producer |
Ren Zhonglun | Executive Producer |
Daniel Lee | Production Designer |
Tang Man To | Editor |
Li Lin | Editor |
Henry Lai | Composer |