United Kingdom Box Office for Palio (2015)
![Palio poster](https://www.the-numbers.com/images/movies/opusdata/Palio-Thumbnail.jpg)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $90,508 | Details |
Worldwide Box Office | $90,508 | Details |
Further financial details... |
Synopsis
The Palio is the oldest horse race in the world, and turns the Italian city of Siena into a high-stakes battleground of strategy, intrigue, and simmering machismo. In the eye of the storm stand the jockeys – adored if they succeed, despised if they fail. Palio follows the legendary maestro Gigi Bruschelli, winner of 13 races and master of the intrigues that surround the Palio, and his former protégé Giovanni Atzeni, a handsome young contender driven by a fearless passion to become number one. This heart-racing new film exposes the notoriously closed world of this ancient race and the larger-than-life personalities of those involved in an epic and cinematic tale of Italian life in microcosm.
Metrics
Movie Details
United Kingdom Releases: | September 25th, 2015 (Limited) |
MPAA Rating: | Not Rated |
Running Time: | 90 minutes |
Keywords: | Animal Abuse, Set in Italy, Horse Racing, Take a Dive |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Archimedia, On The Corner Films, Memo Films |
Production Countries: | United Kingdom |
Languages: | Italian |
Limited and VOD Releases: Shining a Spotlight on Limited Releases
November 6th, 2015
It is a short list this week, due to technical considerations. However, there are seven films here that are earning good reviews and some measure of pre-release buzz. The film with the best shot at mainstream success is Brooklyn (Reviews). It isn't the only film that could succeed, as Spotlight, Trumbo, and the rest could also find receptive audiences during Awards Season.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/25 | 32 | $22,672 | 30 | $756 | $22,672 | 1 | |
2015/10/02 | - | $8,174 | -64% | 13 | $629 | $59,854 | 2 |
2015/10/09 | 35 | $5,844 | -29% | 9 | $649 | $73,847 | 3 |
2015/10/16 | 44 | $2,295 | -61% | 5 | $459 | $79,944 | 4 |
2015/10/23 | 55 | $3,329 | +45% | 4 | $832 | $85,667 | 5 |
2015/10/30 | 43 | $1,631 | -51% | 3 | $544 | $90,508 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 11/6/2015 | $0 | 0 | 0 | 0 | $0 | |
United Kingdom | 9/25/2015 | $22,672 | 30 | 30 | 64 | $90,508 | 11/3/2015 |
Worldwide Total | $90,508 | 11/3/2015 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Giovanni Atzeni | Himself |
Gigi Bruschelli | Himself |
Interviewee(s)
Silvano Vigni | Himself |
Andrea de Gortes | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Cosima Spender | Director |
Cosima Spender | Screenwriter |
John Hunt | Screenwriter |
John Hunt | Producer |
James Gay-Rees | Producer |
Francesco Melzi d'Eril | Executive Producer |
Valerio Bonelli | Editor |
Stuart Bentley | Cinematographer |
Alex Heffes | Composer |
Ian Neil | Music Supervisor |
Giancarlo Dellapina | Sound Mixer |
James Devlin | Co-Editor |