Mexico Box Office for La Gran Fuga (2017)
Theatrical Performance (US$) | ||
Mexico Box Office | $642,320 | Details |
Worldwide Box Office | $11,247,280 | Details |
Further financial details... |
Metrics
Movie Details
Production Budget: | $30,000,000 |
Mexico Releases: | November 24th, 2017 (Wide), released as La Gran Fuga |
Video Release: | October 6th, 2017 by Paramount Home Video |
MPAA Rating: | PG-13 for violence, action, some sexual material and language. (Rating bulletin 2478 (Cert #50986), 5/31/2017) |
Running Time: | 93 minutes |
Keywords: | Early / Simultaneous Video-on-Demand release, Car Chase, Heist, Car Thief, Set in France, Crime |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | France, United States |
Languages: | English, French, German |
Home Market Releases for November 7, 2017
November 8th, 2017
It is not a particularly strong week on the home market. Cars 3 is the biggest new release, but it is far from the best. There were not a lot of contenders for Pick of the Week. The Philadelphia Story and Your Name were the two best with the latter coming out on top and its Blu-ray Combo Pack is the Pick of the Week.
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Limited and VOD Releases: Better Watch these Limited Releases
October 6th, 2017
It is a very busy week for limited releases with over 30 films coming out this week. Needless to say we’ve had to be a little callous, culling the list to a more manageable number. We are still left with a number of films that have a shot at finding a receptive audience. Some of these are like Better Watch Out, which will struggle in theaters, but very likely do well on Video on Demand. Others, like The Florida Project, could see its strong reviews turn to Awards Season success and that will be a boon to its financial success.
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Home Market Releases for October 3rd, 2017
October 3rd, 2017
It is not a great week for home market releases. Pirates of the Caribbean: Dead Men Tell No Tales is the biggest release of the week, but it is far from the best. As for the Pick of the Week contenders, they are all horror themed. Cult of Chucky is surprisingly good, especially for a franchise that’s lasted seven installments. Don't Torture A Duckling is a giallo film, and an important one in its director’s career. Up next is iZombie: Season Three, which is amazing, but it is always on the edge of being canceled. Finally, there's Vampyr: Criterion Collection Blu-ray. In the end, I went with the Don't Torture A Duckling: Special Edition as the Pick of the Week. Meanwhile, Goon: Last of the Enforcers Blu-ray Combo Pack earned Puck of the Week, for the best Canadian release.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/11/24 | 9 | $88,553 | 0 | $88,553 | 1 | ||
2017/12/01 | 9 | $90,763 | +2% | 0 | $642,320 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Bulgaria | 6/16/2017 | $11,596 | 0 | 0 | 0 | $23,053 | 2/26/2019 |
Czech Republic | 6/16/2017 | $22,712 | 93 | 93 | 119 | $31,309 | 1/1/2019 |
France | 8/18/2017 | $1,174,605 | 0 | 0 | 0 | $3,069,977 | 6/28/2018 |
Italy | 8/23/2017 | $417,746 | 0 | 0 | 0 | $1,522,393 | 9/12/2017 |
Japan | 9/22/2017 | $395,272 | 0 | 0 | 0 | $531,906 | 7/4/2018 |
Lithuania | 7/21/2017 | $9,220 | 101 | 101 | 145 | $31,798 | 8/15/2017 |
Mexico | 11/24/2017 | $88,553 | 0 | 0 | 0 | $642,320 | 12/5/2017 |
Netherlands | 8/4/2017 | $182,258 | 66 | 73 | 250 | $659,550 | 8/28/2017 |
North America | 10/6/2017 | $0 | 0 | 0 | 0 | $0 | 1/18/2020 |
Portugal | 6/30/2017 | $79,298 | 42 | 47 | 154 | $299,079 | 7/27/2017 |
Russia (CIS) | 7/21/2017 | $411,041 | 845 | 845 | 1846 | $855,019 | 1/1/2019 |
Slovakia | 6/30/2017 | $17,895 | 55 | 55 | 85 | $30,601 | 7/13/2017 |
South Korea | 12/14/2017 | $6,637 | 62 | 62 | 62 | $11,948 | 12/28/2017 |
Turkey | 8/11/2017 | $45,718 | 161 | 161 | 268 | $111,301 | 2/26/2019 |
United Kingdom | 8/11/2017 | $77,988 | 143 | 143 | 143 | $77,988 | 8/16/2017 |
Rest of World | $3,349,038 | ||||||
Worldwide Total | $11,247,280 | 1/18/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Antonio Negret | Director |
Michael Brandt | Screenwriter |
Derek Haas | Screenwriter |
Pierre Morel | Producer |