Portugal Box Office for Ophelia (2019)
.jpg)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $12,687 | Details |
| Worldwide Box Office | $357,872 | Details |
| Home Market Performance | ||
| North America DVD Sales | $12,265 | Details |
| Total North America Video Sales | $12,265 | |
| Further financial details... | ||
Synopsis
As a rebellious and motherless child, Ophelia is taken into Elsinore Castle by Queen Gertrude as one of her most trusted ladies-in-waiting. Soon enough, Ophelia captures the affections of the young Prince Hamlet. A passionate romance kindles between the two in secret as the kingdom is on the brink of war amidst its own political intrigue and betrayal. When Hamlet’s father is murdered and the prince’s wits begin to unravel into an insatiable quest for vengeance, Ophelia sharply navigates the rules of power in Denmark all while struggling to choose between her true love and her own life.
Metrics
Movie Details
| Portugal Releases: | July 24th, 2020 (Wide) |
| Video Release: | November 5th, 2019 by Shout Factory |
| MPAA Rating: | PG-13 for a scene of violence/bloody images, some sensuality, and thematic elements. (Rating bulletin 2521 (Cert #51543), 4/4/2018) |
| Running Time: | 107 minutes |
| Keywords: | Sundance Film Festival 2018 |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Covert Productions, Bert Marcus Productions, Bobker/Kruger Films |
| Production Countries: | Australia, Czech Republic, United Kingdom, United States |
| Languages: | English |
Home Market Releases for November 5th, 2019
November 6th, 2019
-1-News.jpg)
Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves.
More...
Theater Averages: Chambermaid Cleans Up the Competition
July 3rd, 2019
-(2019)-1-News.jpg)
The Chambermaid topped the theater average chart with $28,490 in one theater, which is double The Other Story’s opening of $14,163, also in one theater. The only other film in the $10,000 club was Toy Story 4, which remained in first place on the overall chart, while earning an average of $13,049.
More...
Limited and VOD Releases: Get to Nomi these Limited Releases
June 28th, 2019
It is not a particularly busy week for limited releases, but there are a few that are worth checking out. This includes The Chambermaid, but it is two documentaries, Maiden and You Don’t Nomi, that are the most interesting to me.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/07/24 | 7 | $3,146 | 13 | $242 | $3,146 | 1 | |
| 2020/07/31 | 12 | $2,176 | -31% | 16 | $136 | $7,561 | 2 |
| 2020/08/07 | 20 | $1,020 | -53% | 8 | $128 | $11,040 | 3 |
| 2020/08/14 | - | $386 | -62% | 3 | $129 | $12,264 | 4 |
| 2020/08/21 | - | $244 | -37% | 2 | $122 | $12,687 | 5 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/2/2019 | $30,059 | 35 | 35 | 91 | $76,437 | 9/10/2019 |
| New Zealand | 7/11/2019 | $0 | 0 | 6 | 12 | $19,376 | 10/19/2022 |
| North America | 6/28/2019 | $22,145 | 58 | 58 | 93 | $50,722 | |
| Portugal | 7/24/2020 | $3,146 | 13 | 16 | 42 | $12,687 | 10/19/2022 |
| Russia (CIS) | 7/25/2019 | $39,569 | 265 | 265 | 416 | $79,343 | 10/19/2022 |
| South Korea | 7/14/2021 | $0 | 0 | 61 | 115 | $119,025 | 8/26/2021 |
| United Kingdom | 11/22/2019 | $282 | 1 | 1 | 1 | $282 | 11/27/2019 |
| Worldwide Total | $357,872 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Daisy Ridley | Ophelia |
Supporting Cast
| Naomi Watts | Queen Gertrude/Mechtild |
| Clive Owen | King Claudius |
| George MacKay | Hamlet |
| Tom Felton | Laertes |
| Devon Terrell | Horatio |
| Dominic Mafham | Polonius |
| Nathaniel Parker | King Hamlet |
| Daisy Head | Cristiana |
| Anna Rust | Young Mechtild |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Claire McCarthy | Director |
| Semi Chellas | Screenwriter |
| Daniel Bobker | Producer |
| Ehren Kruger | Producer |
| Sarah Curtis | Producer |
| Paul Hanson | Producer |
| Elissa Friedman | Executive Producer |
| Sasha Shapiro | Executive Producer |
| Anton Lessine | Executive Producer |
| Mathew Hart | Line Producer |
| Matthew Stillman | Co-Producer |
| David Minkowski | Co-Producer |
| Mark Taylor | First Assistant Director |
| Dave Warren | Production Designer |
| Denson Baker | Director of Photography |
| Massimo Cantini Parrini | Costume Designer |
| Luke Dunkley | Editor |
| Steven Price | Composer |
| Sebastian Barker | Visual Effects Supervisor |
| Pavel Sagner | Special Effects Coordinator |
| Paul Davies | Supervising Sound Editor |
| Jay Price | Sound Designer |
| Pavel Cajzl | Stunt Coordinator |
| Nancy Bishop | Casting Director |
| Marian Briozzo | Post-Production Supervisor |