Spain Box Office for Ocho apellidos catalanes (2015)
Theatrical Performance (US$) | ||
Spain Box Office | $39,156,668 | Details |
Worldwide Box Office | $39,440,104 | Details |
Further financial details... |
Metrics
Movie Details
Spain Releases: | November 20th, 2015 (Wide) |
Franchise: | Spanish Affair |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | Spain |
Languages: | Spanish |
International Box Office: Martian Feels Some Hunger Pangs
December 2nd, 2015
The Hunger Games: Mockingjay - Part 2 remained in first place with $62.0 million in 93 markets for totals of $242.4 million internationally and $440.9 million worldwide. The film's only major market opening came from Spain where it had to settle for second place with a total opening of $4.52 million on 449 screens. Its biggest market overall is the U.K. where it pulled in $6.78 million in 579 theaters over the weekend for a total of $28.88 million after two weeks of release. At this pace, the film will finish with between $600 million and $700 million, which is amazing, but below average for the Hunger Games franchise.
More...
International Box Office: Hunger Nearly Cracks Quarter Billion
November 25th, 2015
The Hunger Games: Mockingjay - Part 2 easily won the box office race on the international chart with $146.0 million in 87 markets for a worldwide opening of $248.7 million. Its biggest market was China, but it only managed third place there with $16.11 million. The film cracked $10 million in the U.K. with $14.10 million in 941 theaters and in Germany with $13.42 million on 1,002. The film's openings were lower than Part 1 managed in most markets (Germany and Latin American seem to be the biggest exceptions) but it is still doing well enough that it will break even before it reaches the home market.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/12/04 | 1 | $4,076,374 | 374 | $10,899 | $23,376,932 | 3 | |
2015/12/11 | 1 | $1,958,728 | -52% | 701 | $2,794 | $28,810,904 | 4 |
2015/12/18 | 2 | $1,089,675 | -44% | 431 | $2,528 | $30,571,088 | 5 |
2015/12/25 | 3 | $1,646,076 | +51% | 388 | $4,242 | $32,900,424 | 6 |
2016/01/01 | 3 | $1,306,673 | -21% | 375 | $3,484 | $35,167,724 | 7 |
2016/01/08 | 4 | $665,788 | -49% | 323 | $2,061 | $36,569,880 | 8 |
2016/01/15 | 6 | $450,945 | -32% | 314 | $1,436 | $37,249,088 | 9 |
2016/01/22 | 10 | $262,462 | -42% | 245 | $1,071 | $37,669,016 | 10 |
2016/01/29 | 13 | $122,420 | -53% | 137 | $894 | $37,885,132 | 11 |
2016/02/12 | 20 | $42,642 | 55 | $775 | $39,055,356 | 13 | |
2016/03/11 | 45 | $2,007 | 2 | $1,004 | $39,153,888 | 17 | |
2016/03/18 | 55 | $1,296 | -35% | 2 | $648 | $39,155,704 | 18 |
2016/03/25 | 66 | $75 | -94% | 1 | $75 | $39,156,668 | 19 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/13/2016 | $48,500 | 32 | 32 | 60 | $86,111 | 11/30/2018 |
Bulgaria | 6/10/2016 | $0 | 0 | 0 | 0 | $3,124 | 2/26/2019 |
Mexico | 1/21/2016 | $42,824 | 0 | 1 | 1 | $81,273 | 9/8/2018 |
Portugal | 11/11/2016 | $2,507 | 5 | 5 | 14 | $9,856 | 12/8/2016 |
Spain | 11/20/2015 | $8,603,517 | 402 | 701 | 4255 | $39,156,668 | 11/28/2018 |
Uruguay | 1/7/2016 | $27,411 | 10 | 10 | 45 | $103,072 | 12/31/2018 |
Worldwide Total | $39,440,104 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Emilio Martinez Lazaro | Director |