Portugal Box Office for A Noite (1961)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $3,859 | Details |
| Worldwide Box Office | $43,095 | Details |
| Further financial details... | ||
Synopsis
A talented but callow novelist enjoys the acclaim afforded his just-published novel, while his marriage to a well-to-do Milanese woman deteriorates. As she grieves for a dying friend she once loved, he is both bemused by and attracted to the advances of other women, particularly the ravishing daughter of a potential new benefactor. An empty evening of visiting decrepit neighborhoods, exotic nightclubs, and a swanky villa party leads to a final confrontation, which reveals the somber truth that love does not always conquer all.
Metrics
Movie Details
| Portugal Releases: | July 17th, 1964 (Wide), released as A Noite |
| MPAA Rating: | Not Rated |
| Running Time: | 122 minutes |
| Keywords: | Writing and Writers, Infidelity, Terminal Illness, Medical and Hospitals, Nightclub, Jazz |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Nepi Film, Silver Films, Sofitedip |
| Production Countries: | France, Italy |
| Languages: | Italian |
Theater Averages: Yerevan Highlight of Dark Weekend with an Average of $9,748
September 21st, 2016
No films made it into the $10,000 club this past weekend, but 3 Weeks in Yerevan came really close with an average of $9,748 in three theaters. Another film, The Beatles: Eight Days a Week, did well with an average of $7,322 in 85 theaters. Sort of. In addition to playing in 85 theaters, there were another 80 theaters that had one-time showings over the weekend, which is why its total haul for the weekend is $771,153. I really hope having a mixed of regular showings and one-time screenings doesn’t catch on, because it makes our job of tracking box office numbers more confusing.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/08/27 | - | $305 | 1 | $305 | $305 | 2,981 | |
| 2021/09/03 | - | $434 | +42% | 1 | $434 | $1,468 | 2,982 |
| 2021/10/29 | - | $408 | 2 | $204 | $3,859 | 2,990 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Italy | 1/24/1961 | $0 | 0 | 0 | 0 | $0 | |
| North America | 9/14/2016 | $10,547 | 2 | 2 | 10 | $39,236 | |
| Portugal | 7/17/1964 | $0 | 0 | 2 | 4 | $3,859 | 11/2/2021 |
| Worldwide Total | $43,095 | 11/2/2021 | |||||
Leading Cast
| Marcello Mastroianni | Giovanni Pontano |
| Jeanne Moreau | Lidia |
| Monica Vitti | Valentina Gherardini |
Supporting Cast
| Bernhard Wicki | Tommaso Garani |
| Rosy Mazzacurati | Rosy |
| Maria Pia Luzi | Patient |
| Gitt Magrini | Signora Gheradina |
| Vincenzo Corbella | Mr. Gherardini |
| Ugo Fortunati | Cesarino |
| Giorgio Negro | Roberto |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Michelangelo Antonioni | Director |
| Michelangelo Antonioni | Screenwriter |
| Ennio Flaiano | Screenwriter |
| Tonino Guerra | Screenwriter |
| Emanuele Cassuto | Producer |
| Eraldo Da Roma | Editor |
| Giorgio Gaslini | Composer |
| Gianni Di Venanzo | Cinematographer |
| Piero Zuffi | Production Designer |
| Piero Zuffi | Set Decorator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.