Switzerland (French Speaking) Box Office for Nobody (2021)
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| Theatrical Performance (US$) | ||
| Switzerland (French Speaking) Box Office | $23,000 | Details |
| Worldwide Box Office | $57,512,470 | Details |
| Home Market Performance | ||
| North America DVD Sales | $3,350,169 | Details |
| North America Blu-ray Sales | $6,117,637 | Details |
| Total North America Video Sales | $9,467,806 | |
| Further financial details... | ||
Synopsis
Sometimes, the man you don’t notice is the most dangerous of all. Hutch Mansell is an underestimated and overlooked dad and husband, taking life’s indignities on the chin and never pushing back. A nobody. When two thieves break into his suburban home one night, Hutch declines to defend himself or his family, hoping to prevent serious violence. His teenage son, Blake, is disappointed in him, and his wife, Becca, seems to pull only further away. The aftermath of the incident strikes a match to Hutch’s long-simmering rage, triggering dormant instincts and propelling him on a brutal path that will surface dark secrets and lethal skills. In a barrage of fists, gunfire and squealing tires, Hutch must save his family from a dangerous adversary — and ensure that he will never be underestimated as a nobody again.
Metrics
Movie Details
| Production Budget: | $16,000,000 |
| Switzerland (French Speaking) Releases: | June 4th, 2021 (Wide) |
| Video Release: | April 16th, 2021 by Universal Home Entertainment |
| MPAA Rating: | R for strong violence and bloody images, language throughout and brief drug use. (Rating bulletin 2636 (Cert #52773), 7/1/2020) |
| Running Time: | 92 minutes |
| Keywords: | Action Thriller, Disrupted by 2020 COVID-19 pandemic, Hitmen, Money Troubles, Mid-Life Crisis, Russian Mafia, Organized Crime, Out of Retirement, Revenge, Dysfunctional Family, False Identity |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 87North, Odenkirk-Provissiero, Eighty Two Films, Universal Pictures, Perfect World Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: F9 eyeing a $70-million opening
June 25th, 2021
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There’s no question which film will top the box office this weekend. F9: The Fast Saga has long been anticipated as a landmark release as theaters reopen around North America, pandemic restrictions are lifted, and audiences regain their appetite for sitting in an enclosed space with hundreds of strangers. It doesn’t even have much competition—$6 million might be enough for it to win the weekend, and it already earned more than that in previews last night. The real question is how much it will bring in this weekend. Given its pedigree and buzz, the minimal benchmark for success is the $47.6 million earned by A Quiet Place: Part II on its Friday–Sunday opening weekend over the Memorial Day holiday. All the signs are that it will go much higher than that.
Here’s what our model has to say this morning…
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Weekend estimates: Godzilla vs. Kong leads again in spite of steep decline
April 18th, 2021
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Another slightly disappointing result for Godzilla vs. Kong makes this a weekend where the theatrical market is treading water again. The top six will generate 12% less revenue than our model predicted, which is safely within its margin of error, and doesn’t really indicate any new weakness. But their combined box office will be 32% down from last weekend thanks to the lack of major new releases.
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Weekend predictions: Godzilla vs. Kong looking for another weekend over $10 million
April 16th, 2021
-3-News.jpg)
With no new wide releases and an already formidable lead at the box office, Godzilla vs. Kong is about as certain a winner in theaters this weekend as it’s possible to be. The main question is how much it will decline this weekend after dropping 57% in its second outing. Our model thinks the benchmark figure for the film will be around $10 million this weekend.
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Weekend predictions: Voyagers won’t trouble Godzilla vs. Kong
April 9th, 2021
There will be no prizes for predicting the winner at the box office this weekend, but the race for second place looks as though it’ll be close, with three returning films—Nobody, Raya and the Last Dragon, The Unholy—and debutant Voyagers all looking like they have a shot. Here’s what our model thinks going into the weekend…
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Weekend estimates: Nobody maintains market momentum
March 28th, 2021
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An excellent opening for Nobody is more than making up for sluggish results for returning films this weekend and keeps the market recovery on course. More or less.
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Nobody trailer
March 3rd, 2021
Thriller starring Bob Odenkirk opens in theaters on March 26. Full movie details…
Hutch Mansell is an underestimated and overlooked dad and husband, taking life’s indignities on the chin and never pushing back. A nobody. When two thieves break into his suburban home one night, Hutch declines to defend himself or his family, hoping to prevent serious violence. The aftermath of the incident strikes a match to Hutch’s long-simmering rage, triggering dormant instincts and propelling him on a brutal path that will surface dark secrets and lethal skills.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/06/04 | - | $23,000 | 20 | $1,150 | $23,000 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 7/1/2021 | $36,000 | 51 | 51 | 51 | $36,000 | 10/20/2022 |
| Australia | 4/1/2021 | $921,200 | 315 | 315 | 1587 | $4,037,375 | 6/15/2021 |
| Austria | 7/2/2021 | $38,000 | 32 | 32 | 32 | $38,000 | 7/7/2021 |
| Belgium | 6/25/2021 | $42,000 | 36 | 36 | 36 | $42,000 | 10/20/2022 |
| Bolivia | 5/21/2021 | $3,000 | 18 | 18 | 18 | $3,000 | 10/20/2022 |
| Brazil | 5/13/2021 | $0 | 0 | 0 | 0 | $0 | |
| Bulgaria | 5/21/2021 | $15,000 | 30 | 30 | 30 | $15,000 | 10/20/2022 |
| Central America | 4/30/2021 | $70,000 | 85 | 85 | 85 | $70,000 | 5/3/2021 |
| Colombia | 5/28/2021 | $42,000 | 132 | 132 | 132 | $42,000 | 10/20/2022 |
| Cyprus | 6/11/2021 | $2,000 | 7 | 7 | 7 | $2,000 | 10/20/2022 |
| Czech Republic | 6/25/2021 | $19,028 | 73 | 73 | 131 | $50,510 | 10/20/2022 |
| Denmark | 5/21/2021 | $64,000 | 53 | 53 | 53 | $64,000 | 10/20/2022 |
| Ecuador | 6/11/2021 | $12,000 | 36 | 36 | 36 | $12,000 | 6/14/2021 |
| Egypt | 3/19/2021 | $30,000 | 21 | 21 | 42 | $56,000 | 3/29/2021 |
| France | 6/2/2021 | $564,000 | 360 | 360 | 1023 | $1,140,822 | 6/28/2021 |
| Germany | 7/1/2021 | $333,000 | 223 | 223 | 223 | $676,334 | 7/16/2021 |
| Hong Kong | 4/2/2021 | $187,000 | 35 | 35 | 35 | $187,000 | 10/19/2022 |
| Hungary | 7/1/2021 | $43,000 | 50 | 50 | 50 | $43,000 | 10/20/2022 |
| Iceland | 4/23/2021 | $16,000 | 9 | 9 | 9 | $16,000 | 10/20/2022 |
| Indonesia | 4/30/2021 | $144,000 | 240 | 240 | 240 | $144,000 | 10/20/2022 |
| Israel | 5/28/2021 | $93,000 | 30 | 30 | 30 | $200,000 | 10/20/2022 |
| Italy | 5/13/2021 | $0 | 0 | 0 | 0 | $322,925 | 10/20/2022 |
| Japan | 6/11/2021 | $460,000 | 186 | 186 | 558 | $1,454,000 | 7/7/2021 |
| Lebanon | 5/28/2021 | $11,000 | 1 | 1 | 1 | $11,000 | 6/1/2021 |
| Lithuania | 5/7/2021 | $4,582 | 11 | 11 | 20 | $7,504 | 5/26/2021 |
| Mexico | 4/30/2021 | $327,235 | 0 | 0 | 0 | $634,637 | 10/19/2022 |
| Middle East Region | 3/19/2021 | $1,023,000 | 63 | 74 | 401 | $4,578,000 | 5/3/2021 |
| Netherlands | 6/10/2021 | $176,598 | 113 | 115 | 397 | $874,093 | 10/20/2022 |
| New Zealand | 4/2/2021 | $130,860 | 72 | 77 | 408 | $571,607 | 6/2/2021 |
| North America | 3/26/2021 | $6,820,100 | 2,460 | 2,567 | 21,178 | $27,568,035 | |
| Norway | 5/28/2021 | $29,000 | 72 | 72 | 72 | $29,000 | 6/1/2021 |
| Paraguay | 5/14/2021 | $3,000 | 16 | 16 | 16 | $3,000 | 10/20/2022 |
| Poland | 7/2/2021 | $56,000 | 102 | 102 | 102 | $56,000 | 10/20/2022 |
| Portugal | 5/28/2021 | $2,642 | 23 | 23 | 38 | $5,701 | 10/19/2022 |
| Russia (CIS) | 3/19/2021 | $1,279,894 | 1043 | 1046 | 3604 | $4,104,689 | 10/19/2022 |
| Saudi Arabia | 5/14/2021 | $155,000 | 32 | 32 | 72 | $4,841,000 | 10/20/2022 |
| Singapore | 4/23/2021 | $178,000 | 34 | 34 | 34 | $178,000 | 10/20/2022 |
| Slovakia | 6/25/2021 | $6,996 | 35 | 35 | 54 | $13,617 | 7/7/2021 |
| South Africa | 4/2/2021 | $57,000 | 0 | 0 | 0 | $57,000 | 10/20/2022 |
| South Korea | 4/9/2021 | $598,000 | 261 | 520 | 1168 | $1,130,449 | 5/21/2021 |
| Spain | 4/30/2021 | $315,000 | 262 | 262 | 891 | $868,172 | 6/4/2021 |
| Sweden | 6/4/2021 | $40,000 | 72 | 72 | 72 | $40,000 | 10/20/2022 |
| Switzerland (French Speaking) | 6/4/2021 | $23,000 | 20 | 20 | 20 | $23,000 | 10/20/2022 |
| Switzerland (German Speaking) | 6/11/2021 | $23,000 | 35 | 35 | 35 | $23,000 | 10/20/2022 |
| Taiwan | 4/2/2021 | $407,000 | 93 | 93 | 93 | $407,000 | 10/19/2022 |
| Thailand | 4/16/2021 | $128,000 | 167 | 167 | 167 | $128,000 | 10/20/2022 |
| United Arab Emirates | 3/19/2021 | $392,000 | 58 | 58 | 166 | $937,000 | 4/5/2021 |
| United Kingdom | 6/9/2021 | $810,725 | 492 | 492 | 1305 | $1,771,000 | 7/7/2021 |
| Worldwide Total | $57,512,470 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Bob Odenkirk | Hutch Mansell |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ilya Naishuller | Director |
| Derek Kolstad | Screenwriter |
| Kelly McCormick | Producer |
| David Leitch | Producer |
| Braden Aftergood | Producer |
| Bob Odenkirk | Producer |
| Marc Provissiero | Producer |
| Derek Kolstad | Executive Producer |
| Marc S. Fischer | Executive Producer |
| Annie Marter | Executive Producer |
| Tobey Maguire | Executive Producer |
| Roger Fires | Production Designer |
| William Yeh | Editor |
| Evan Schiff | Editor |
| David Buckley | Composer |
| Pawel Pogorzelski | Director of Photography |
| Patricia J. Henderson | Costume Designer |
| Mary Vernieu | Casting Director |
| Lindsay Graham | Casting Director |
| Ellen Rutter | Unit Production Manager |
| Paul Barry | First Assistant Director |
| Reed Makayev | Second Assistant Director |
| Khali Wenaus | Art Director |
| Sara McCudden | Set Decorator |
| Brent Bell | Set Designer |
| Vincent Tang | Set Designer |
| Brock Capell | Sound Mixer |
| Marc Reichel | Special Effects Coordinator |
| Patti Henderson | Costume Designer |
| Brenda Magalas | Make up |
| Stacey Mendoza | Hairstylist |
| Greg Rementer | Second Unit Director |
| Nanouk Martel | Script Supervisor |
| Bernie Narvey | Location Manager |
| Michael Cowles | Location Manager |
| Jon Taylor | Re-recording Mixer |
| Frank A. Montano | Re-recording Mixer |
| Gord Hillier | Supervising Sound Editor |
| Mark P. Stoeckinger | Supervising Sound Editor |
| Ellen Rutter | Co-Producer |
| Casey Downes | Sets Supervisor |
| Pat Haskill | Sound Designer |
| Jeff Davis | Sound Effects Editor |
| Rob Crang | Sound Effects Editor |
| Fanny Riguidel | Sound Effects Editor |
| Stefan Seslija | Sound Effects Editor |
| Luke Gibleon | Sound Effects Editor |
| Aaron Olson | Dialogue Editor |
| Dean Giammarco | Foley Editor |
| Peter Myles | Music Editor |
| Stephen Perone | Music Editor |
| Rich Walters | Music Editor |
| Jeff Biggers | Score Mixer |
| Blake Goedde | Visual Effects Supervisor |
| Liz Christofaro | Visual Effects Producer |
| Matt Akey | Visual Effects Executive Producer |
| Greg Rementer | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.