Mexico Box Office for No Manches Frida 2 (2019)
Theatrical Performance (US$) | ||
Mexico Box Office | $17,106,879 | Details |
Worldwide Box Office | $26,377,799 | Details |
Further financial details... |
Synopsis
When the seemingly reformed ex-con Zequi is about to marry the love of his life, the lovably nerdy Lucy, wedding day jitters turn into a full blown fiasco and Lucy calls the wedding off. Meanwhile, the school finds itself in deep trouble and the gang heads to the water to compete in the tournament of their lives. Once they’re all seaside, Lucy runs into her high school sweetheart Mario, whom since she last saw him has transformed into a smoking hot hunk. He's coach of the opposing squad and Zequi finds himself a rival in more than one competition. Now he has to pull out all the stops to wrangle in his rowdy kids, win Lucy back, and in case that wasn't enough, save the school from shutting down by leading Frida High to victory!
Metrics
Movie Details
Mexico Releases: | April 11th, 2019 (Wide) |
Video Release: | June 4th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | R for sexual content and teen drinking. (Rating bulletin 2568 (Cert #51994), 3/6/2019) |
Running Time: | 102 minutes |
Franchise: | No Manches Frida |
Keywords: | High School, Wedding Day, Wedding Day Disasters, Tournament, Inspirational Coach, Underdog, Romance, Relationships Gone Wrong, Love Triangle, Hispanic, Farcical / Slapstick Comedy |
Source: | Based on Movie |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Pantelion Films, Alcon Entertainment, Neverending Media, Lionsgate, Selva Pictures, Constantin Film |
Production Countries: | United States |
Languages: | Spanish |
Home Market Releases for June 18th, 2019
June 19th, 2019
It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras.
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Theater Averages: Dumbo is Lonely at the Top
April 4th, 2019
Dumbo was the only film in the $10,000 Club at the weekend, as it earned an average of $10,798 while earning first place on the overall chart. The best limited release was Diane, which earned an average of $8,156 in three theaters.
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Weekend Wrap-Up: Us vs. Them Wasn’t Even Close
March 26th, 2019
Us topped the weekend chart and expectations with $71.12 million during its debut. This was more than double what Captain Marvel earned during this weekend and it helped the overall box office grow 6.8% from last weekend to $148 million. More importantly, this is 14% higher than the same weekend last year. Granted, 2019 is still way behind 2018, but it is chipping away at the deficit and is now behind by 17% or $450 million at $2.15 billion to $2.60 billion. Furthermore, 2019 is no longer an historically bad year at the box office. It used to be the worst year at box office in terms of dollars in over a decade. Now it’s the worst year since 2013 and if April is as good as March was, it could be in the top five best years in box office dollars by the beginning of May.
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Theater Averages: Real Horse Race on Top of the Chart
March 21st, 2019
The Mustang topped the theater average chart with an average of $17,914 in four theaters. Last week’s number one film, Captain Marvel, slipped to second with a still impressive average of $15,775. The final film in the $10,000 club was The Aftermath with an average of $11,284 in five theaters.
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Weekend Estimates: Captain Marvel Continues to Fly High, Most New Releases Open Strong
March 17th, 2019
Captain Marvel will remain in top spot on the weekend chart with an estimated $69.32 million, giving it a two-week total of $266.21 million. This is higher than predicted and a 55% decline bodes well for its future. It is already ahead of the lifetime domestic totals of eight previous installments in the MCU and it will quickly rise into the top ten. Internationally, the film added $119.7 million to its running tally, which now sits at $494.0 million, while its worldwide total rose to $760.2 million. Yesterday, I said the film could be in the top ten for the MCU. If these estimates hold, it will miss that mark by about $10 million. In fact, given its holds this weekend, it has a pathway to enter the top five. The film’s only, and last, new international opening was Japan. There the film’s estimated weekend opening was $5.6 million, which was the highest opening for a standalone film in the MCU. Meanwhile, outside of China, the film held on even better than it did domestically. China tends to be a very front-loaded market, but the film held on well enough there to get to $132.0 million after just two weeks, making it the fourth highest grossing film in the MCU already. It is even better in Indonesia where its two week total of $16.1 million is the fourth highest total of all-time. We will have more details on the international numbers later in the week.
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Friday Estimates: Captain Marvel Hits $200 million Domestically and $600 million Worldwide
March 16th, 2019
Captain Marvel held on a little better than expected to earn $19.05 million on Friday, which pushes it past the $200 million mark in just 8 days. This is 69% lower than its opening Friday, but is still a fantastic start to its sophomore weekend. In fact, it should top our prediction with $68 million over the full weekend for a two week total of nearly $265 million. Disney hasn’t released Friday’s international numbers, but it is widely expected to top $400 million internationally and $600 million worldwide. The film has already surpassed five previous installments in the MCU on the worldwide chart and did so in just eight days. By the end of the weekend, it could be in the top ten for the franchise.
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Limited and VOD Releases: Which Limited Releases Will Crack the Case of the Box Office?
March 15th, 2019
It’s a good week for limited releases with a lot of different films. This includes some made for mainstream appeal (Nancy Drew and the Hidden Staircase and No Manches Frida 2) as well as more art house fair (The Mustang and Starfish). There are even some documentaries (Combat Obscura and The Eyes of Orson Welles) and foreign-language films (Ash is Purest White and Iceman). I just hope the competition isn’t too much and at least some of these films thrive in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/04/12 | 1 | $4,571,788 | 0 | $5,122,290 | 1 | ||
2019/04/19 | 2 | $3,007,118 | -34% | 0 | $11,905,841 | 2 | |
2019/04/26 | 3 | $964,279 | -68% | 0 | $14,735,889 | 3 | |
2019/05/03 | 3 | $712,363 | -26% | 0 | $16,236,610 | 4 | |
2019/05/10 | 5 | $326,625 | -54% | 0 | $16,926,562 | 5 | |
2019/05/17 | - | $94,051 | -71% | 0 | $17,106,879 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Mexico | 4/11/2019 | $4,571,788 | 0 | 0 | 0 | $17,106,879 | 5/20/2019 |
North America | 3/15/2019 | $3,831,401 | 472 | 472 | 1,906 | $9,270,920 | |
Worldwide Total | $26,377,799 | 5/20/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Omar Chaparro | Zequi |
Martha Higareda | Lucy |
Aaron Diaz | Mario |
Itati Cantoral | |
Regina Pavón | Monica |
Memo Dorantes | Romo |
Mario Moran | Cristobal |
Karen Furlong | Nayeli |
Carla Adell | Laura |
Raquel De Icaza |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nacho G. Velilla | Director |
David S. Olivas | Screenwriter |
Claudio Herrera | Screenwriter |
Sergio Adrian Sanchez | Screenwriter |
David S. Olivas | Story by |
Oriol Capel | Story by |
Nacho G. Velilla | Story by |
Edward Allen | Producer |
Martha Higareda | Producer |
Mauricio Arguelles | Producer |
Nacho G. Velilla | Producer |
Andrew Kosove | Executive Producer |
Broderick Johnson | Executive Producer |
Laurence Rosenthal | Executive Producer |
Fernando Lebrija | Executive Producer |
Martin Moszkowicz | Executive Producer |
Clifford Werber | Executive Producer |
Victor Leycegui | Line Producer |
Aaron Rivera-Ashford | Co-Producer |
David Omedes | Director of Photography |
Angel Hernandez Zoido | Editor |
Atzin Hernandez | Costume Designer |
Felix Berges | Visual Effects Designer |
Ricardo Arvizu | Special Effects |
Alex Capilla | Sound Designer |
Alex Capilla | Sound Supervisor |
Michael Hodges | Executive Producer |
Ashley Culp | Executive Producer |
Juan Jose Javierre | Composer |
Juan Jose Javierre | Music Supervisor |
Alejandro Reza | Casting Director |