Taiwan Box Office for The Nightingale (2019)
Theatrical Performance (US$) | ||
Taiwan Box Office | $25,506 | Details |
Worldwide Box Office | $1,018,766 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $133,450 | Details |
Total North America Video Sales | $133,450 | |
Further financial details... |
Synopsis
1829 Tasmania. A young convict woman seeking revenge for the murder of her family, takes an Aboriginal male outcast with her through the interior and gets much more than she bargained for.
Metrics
Movie Details
Taiwan Releases: | September 13th, 2019 (Wide) |
Video Release: | February 4th, 2020 by Shout Factory |
MPAA Rating: | R for strong violent and disturbing content including rape, language throughout, and brief sexuality. (Rating bulletin 2576 (Cert #52189), 5/1/2019) |
Running Time: | 138 minutes |
Keywords: | Revenge, 1800s, Australia, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Australian Aboriginals |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Made Up Stories, Causeway Films, Screen Australia, Screen Tasmania, South Australian Film Corp. |
Production Countries: | Australia, Canada, United States |
Languages: | English, Gaelic |
Home Market Releases for February 4th, 2020
February 5th, 2020
It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well.
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Theater Averages: Luce and Nightingale Sing a Sweet Song
August 8th, 2019
It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117.
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Weekend Estimates: Hobbs and Shaw’s International Numbers Save Weekend Haul
August 4th, 2019
Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing.
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Limited and VOD Releases: It’s a Good Night to see a Movie
August 2nd, 2019
It is a slow week for limited releases with only six films on the main list. Fortunately, four of those six films are earning excellent reviews and a couple of them could do well at the box office. This includes both Luce and The Nightingale. Meanwhile, Love, Antosha could do well for a documentary.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/16/2019 | $1,702 | 1 | 33 | 189 | $302,050 | 1/20/2020 |
Japan | 3/20/2020 | $9,264 | 26 | 26 | 26 | $15,717 | 3/27/2020 |
Netherlands | 1/31/2019 | $0 | 0 | 0 | 0 | $0 | |
New Zealand | 7/19/2019 | $0 | 0 | 3 | 5 | $19,829 | 10/19/2022 |
North America | 8/2/2019 | $35,882 | 2 | 79 | 270 | $400,741 | 8/18/2023 |
South Korea | 12/30/2020 | $42,250 | 307 | 329 | 874 | $102,190 | 2/1/2021 |
Taiwan | 9/13/2019 | $12,800 | 10 | 10 | 17 | $25,506 | 1/5/2020 |
United Kingdom | 11/29/2019 | $26,917 | 12 | 14 | 26 | $44,142 | 12/13/2019 |
Rest of World | $108,591 | ||||||
Worldwide Total | $1,018,766 | 8/18/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Aisling Franciosi | Clare |
Supporting Cast
Sam Claflin | Hawkins |
Baykali Ganambarr | Billy |
Damon Herriman | Ruse |
Harry Greenwood | Jago |
Michael Sheasby | Aidan |
Ewen Leslie | Goodwin |
Charlie Shotwell | Eddie |
Magnolia Maymuru | Lowanna |
Charlie Brown | Uncle Charlie |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jennifer Kent | Director |
Jennifer Kent | Screenwriter |
Kristina Ceyton | Producer |
Bruna Papandrea | Producer |
Steve Hutensky | Producer |
Jennifer Kent | Producer |
Aaron L. Gilbert | Executive Producer |
Andy Pollack | Executive Producer |
Jason Cloth | Executive Producer |
Brenda Gilbert | Executive Producer |
Ben Browning | Executive Producer |
Alison Cohen | Executive Producer |
Jim Everett | Associate Producer |
Amanda Crittenden | Line Producer |
Radek Ladczuk | Director of Photography |
Simon Njoo | Editor |
Alex Holmes | Production Designer |
Margot Wilson | Costume Designer |
Robert Mackenzie | Sound Designer |
Jed Kurzel | Composer |
Marty Pepper | Visual Effects Supervisor |
Nikki Barrett | Casting Director |
Steven Thibault | Co-Executive Producer |
Anjay Nagpal | Co-Executive Producer |