Slovenia Box Office for SI UPAŠ? (2016)
Theatrical Performance (US$) | ||
Slovenia Box Office | $50,048 | Details |
Worldwide Box Office | $85,583,945 | Details |
Home Market Performance | ||
North America DVD Sales | $3,832,578 | Details |
North America Blu-ray Sales | $2,127,785 | Details |
Total North America Video Sales | $5,960,363 | |
Further financial details... |
Synopsis
Industrious high school senior, Vee Delmonico, has had it with living life on the sidelines. When pressured by friends to join the popular online game Nerve, Vee decides to sign up for just one dare in what seems like harmless fun. But as she finds herself caught up in the thrill of the adrenaline-fueled competition partnered with a mysterious stranger, the game begins to take a sinister turn with increasingly dangerous acts, leading her into a high stakes finale that will determine her entire future.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Slovenia Releases: | August 19th, 2016 (Wide), released as SI UPAŠ? |
Video Release: | October 11th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for thematic material involving dangerous and risky behavior, some sexual content, language, drug content, drinking and nudity all involving teens. (Rating bulletin 2429 (Cert #50364), 6/15/2016) |
Running Time: | 96 minutes |
Keywords: | Internet, Reality TV, Techno-Thriller, Romance, Death of a Sibling, Dares, Faked Death, Surprise Twist, Hackers |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Lionsgate, TIK Films, Allison Shearmur, Keep Your Head |
Production Countries: | United States |
Languages: | English |
Home Market Releases for October 25th, 2016
October 24th, 2016
It’s not a great week on the home market, as the biggest release of the week is the low-budget horror film, Lights Out. It is worth picking up on Blu-ray, but it is not worth the Pick of the Week title. The best film on this week’s list is Finding Dory, but it is only coming out on Video on Demand and it is worth waiting for the Blu-ray. That said, there’s no top-notch competition, so it is the Pick of the Week.
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Home Market Releases for October 11th, 2016
October 11th, 2016
Ghostbusters is the biggest release of the week and the best first run release. Combined with its fully-loaded Blu-ray (extended edition), it is a Pick of the Week contender. There’s not much competition. The main competition is a new Collector's Edition Blu-ray for The Thing, but this is at least a double-dip, which hurts its value. There are a couple of smaller releases as well. In the end it was a literal coin toss to decide the Pick of the Week and Ghostbusters won.
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Weekend Wrap-Up: Jason Bourne Treks to the top of the Chart with $59.22 million
August 2nd, 2016
There was no surprise at the top of the weekend box office chart, as Jason Bourne easily won with $59.22 million. This was on the high end of expectations, but not quite as strong as Star Trek Beyond’s opening last weekend. Both of the other two new releases, Bad Moms and Nerve, also did well. In fact, none of the films we talked about before the weekend missed expectations. The overall box office was down a little compared to last weekend, but a 3.1% decline is hardly noteworthy. More importantly, the box office was 30% higher than the same weekend last year. Year-to-date, 2016 saw its lead over 2015 nearly double to $260 million or 4.0%. Being ahead $6.84 billion to $6.58 billion at this point of the year is a good position to be in, but it wouldn’t take a major collapse for 2016 to fall behind 2015 by year’s end.
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Weekend Estimates: Matt Damon Shows Star Power Can Matter
July 31st, 2016
When it comes to “star power” in Hollywood, I’ve been a skeptic ever since we launched our Bankability Index, and started looking at the real influence a single actor has on the performance of a film. With some notable exceptions (Tom Cruise and Sandra Bullock chief among them these days), actors generally don’t move the box office dial much when they appear in a generic film. But this weekend’s opening of Jason Bourne shows what the combination of the right actor in the right role can do. In spite of virtually identical reviews to 2012’s The Bourne Legacy, the new film, a franchise un-re-boot if you will, starring Matt Damon in the role he made iconic, will post a very solid $60 million this weekend. To be fair, that’s a bit behind the inflation-adjusted openings of The Bourne Ultimatum and The Bourne Supremacy, but it’s far better than the $38 million earned by Legacy when it debuted.
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Friday Estimates: Bourne doesn’t have the Ultimate Opening Friday, but still on Pace for $60 million Weekend
July 30th, 2016
Jason Bourne dominated the Friday box office chart, earning $22.71 million. I’ve seen reports that this is the biggest opening day for a Matt Damon movie, but The Bourne Ultimatum did better with $24.67 million. That film also earned much better reviews than this film did, so it likely won’t have the same legs. It did earn an A- with CinemaScore, so that will help a little. It will likely have similar legs to Star Trek Beyond. Beyond did earn better reviews, but Star Trek has a bigger fanboy factor, which hurt its legs. That will give the film $60 million over the weekend, more or less.
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Weekend Predictions: Will Jason be a Bourne Again Box Office Hit?
July 28th, 2016
The month of July comes to an end this weekend and there are three wide releases hoping the month goes out on a high note. Jason Bourne is the only one with a shot at first place, while Bad Moms is looking to become a solid counter-programming hit. Meanwhile, Nerve opened on Wednesday and it just doesn’t want to slip between the cracks. As far as holdovers are concerned, Star Trek Beyond's daily numbers are average for the summer, but that will still be enough to hit the century mark over the weekend. It won’t be the only film to reach $100 million over the weekend. This weekend last year was led by Mission: Impossible - Rogue Nation with $55.52 million. I don’t think Jason Bourne will top that, but since the second best film, Vacation, made less than $15 million, I think 2016 will win on depth.
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2016 Preview: July
July 1st, 2016
It's July 1st, which is Canada Day. To celebrate, I wanted to give a gift to my American readers down south, so here's a bunch of "u"s. U, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u. Now you can spell words like "colour" and "neighbour" correctly. As for the July preview... June wasn't a good month, despite Finding Dory being on pace to become the biggest hit of the year so far. Most other films failed to match expectations and as a result, 2016's lead over 2015 has nearly evaporated. In fact, ticket sales are below last year's pace. So how does July look in comparison? Well, last July, there were five films that earned more than $100 million, led by Minions, which earned more than $300 million. This July, there are five films that should earn more than $100 million, led by The Secret Life of Pets, which should earned around $250 million. I don't think July 2016 will live up to July 2015, but it should be close. Maybe if one of the expected midlevel hits is a surprise $100 million hit, or if two more of the $100 million hits crack $200 million, then the month will look great. Or one of the expected $100 million hits could flop and 2016 will actually fall behind 2015, even without taking into account ticket price inflation.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/08/19 | 6 | $10,846 | 9 | $1,205 | $22,066 | 1 | |
2016/08/26 | 8 | $4,994 | -54% | 9 | $555 | $33,743 | 2 |
2016/09/02 | 10 | $3,313 | -34% | 8 | $414 | $39,620 | 3 |
2016/09/09 | 11 | $3,053 | -8% | 5 | $611 | $43,813 | 4 |
2016/09/16 | 13 | $2,343 | -23% | 8 | $293 | $46,113 | 5 |
2016/09/23 | 15 | $1,052 | -55% | 4 | $263 | $48,745 | 6 |
2016/09/30 | 17 | $1,027 | -2% | 2 | $514 | $50,048 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/2/2016 | $116,006 | 41 | 41 | 76 | $208,780 | 11/30/2018 |
Australia | 9/2/2016 | $757,927 | 196 | 201 | 978 | $3,485,424 | 10/20/2016 |
Brazil | 8/26/2016 | $552,000 | 323 | 323 | 675 | $1,722,520 | 11/16/2018 |
Bulgaria | 9/9/2016 | $23,839 | 0 | 0 | 0 | $112,407 | 2/26/2019 |
China | 1/6/2017 | $1,050,000 | 9143 | 9143 | 9143 | $1,719,814 | 8/13/2018 |
Czech Republic | 9/9/2016 | $52,001 | 72 | 72 | 159 | $181,862 | 1/1/2019 |
France | 8/25/2016 | $1,400,000 | 0 | 0 | 0 | $5,389,455 | 8/17/2018 |
Germany | 9/9/2016 | $1,588,985 | 0 | 0 | 0 | $6,480,293 | 8/19/2018 |
Italy | 6/16/2017 | $397,633 | 0 | 0 | 0 | $1,287,041 | 10/23/2018 |
Japan | 1/6/2017 | $165,765 | 0 | 0 | 0 | $184,500 | 6/30/2018 |
Lithuania | 7/29/2016 | $20,212 | 114 | 114 | 245 | $101,396 | 8/31/2016 |
Mexico | 9/2/2016 | $489,440 | 0 | 0 | 0 | $1,198,538 | 9/8/2018 |
Netherlands | 9/22/2016 | $192,452 | 61 | 62 | 290 | $841,883 | 11/19/2018 |
New Zealand | 9/2/2016 | $129,327 | 42 | 43 | 208 | $520,652 | 10/10/2016 |
North America | 7/27/2016 | $9,445,456 | 2,538 | 2,538 | 9,683 | $38,583,626 | 6/3/2020 |
Poland | 9/2/2016 | $140,638 | 0 | 0 | 0 | $710,759 | 12/31/2018 |
Portugal | 8/12/2016 | $24,167 | 26 | 26 | 64 | $74,758 | 9/23/2016 |
Russia (CIS) | 9/16/2016 | $938,336 | 863 | 872 | 2294 | $2,536,904 | 12/31/2018 |
Slovakia | 9/16/2016 | $48,256 | 60 | 60 | 134 | $107,437 | 10/19/2016 |
Slovenia | 8/19/2016 | $10,846 | 9 | 9 | 45 | $50,048 | 10/14/2016 |
South Korea | 1/5/2017 | $0 | 0 | 151 | 194 | $208,113 | 2/10/2017 |
Spain | 8/12/2016 | $313,433 | 250 | 250 | 843 | $1,635,178 | 11/17/2018 |
Turkey | 8/26/2016 | $57,729 | 181 | 181 | 314 | $236,745 | 2/26/2019 |
United Kingdom | 8/12/2016 | $1,039,132 | 372 | 372 | 744 | $3,074,151 | 9/8/2018 |
Rest of World | $14,931,661 | ||||||
Worldwide Total | $85,583,945 | 6/3/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Emma Roberts | Vee |
Dave Franco | Ian |
Supporting Cast
Emily Meade | Sydney |
Miles Heizer | Tommy |
Colson Baker | Ty |
Juliette Lewis | Nancy Delmonico |
Kimiko Glenn | Liv |
Marc John Jefferies | Wes |
Brian Marc | J.P. |
Samira Wiley | Azhar/Hacker Kween |
Ed Squires | Chuck |
Rightor Doyle | Bergdorf Salesman |
Josh Ostrovsky | Dirt Beard |
Eric D'Alessandro | Hype Boi |
Arielle Vandenberg | Bergdorf Sales Lady |
Jonny Beauchamp | Gatekeeper |
Albert Sidoine | Clarence |
Chris Breslin | Bergdorf Security Guard |
Wesley Volcy | Taxi Cab Driver |
Damond McFarland | Derrick |
Deema Aitken | Robbie |
Michael Drayer | Officer McMillan |
Earl W. Mayers | Security Guard |
Diana Kolsky | Times Square Girlfriend |
Matthew Meyer | Times Square Boyfriend |
Michal Birnbaum | Town Crier |
Ryan Forsythe | Watcher at Dorilton |
Kim Ramirez | Senior Sales Woman |
Noam Tomaschoff | Cop |
Phyllis Barasch | Bergdorf Lady |
Chloe Wise | Player/Watcher |
Casey Neistat | Player/Watcher |
Sarah Shtern | Player/Watcher |
Miya Strauss | Player/Watcher |
Aris Schwabe | Player/Watcher |
Chet Dillon | Player/Watcher |
Jerami Goodwin | Player/Watcher |
Julia Barasch | Player/Watcher |
Amanda Bard | Player/Watcher |
Marli Sachs | Player/Watcher |
Govinda Angulo | Player/Watcher |
Zoe Katagas | Player/Watcher |
Ella Katagas | Player/Watcher |
Luna Miccoli | Player/Watcher |
Philip Embury | Player/Watcher |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Henry Joost | Director |
Ariel Schulman | Director |
Jessica Sharzer | Screenwriter |
Jeanne Ryan | Author |
Allison Shearmur | Producer |
Anthony Katagas | Producer |
Jeanne Ryan | Executive Producer |
Michael Simmonds | Director of Photography |
Chris Trujillo | Production Designer |
Jeff McEvoy | Editor |
Melissa Vargas | Costume Designer |
Rob Simonsen | Composer |
Randall Poster | Music Supervisor |
Meghan Currier | Music Supervisor |
Charles Miller | Co-Producer |
Orlee-Rose Strauss | Co-Producer |
Stephen Meinen | Co-Producer |
John Papsidera | Casting Director |
Ann Goulder | Casting Director |
Mike Smith | Second Unit Director |
Steven Wayne | Production Supervisor |
Marc Benacerraf | Art Director |
Kara Zeigon | Set Decorator |
Luca Borghese | Post-Production Supervisor |
Michael Lafond | First Assistant Editor |
Renee Foley Burke | Script Supervisor |
Thomas Varga | Sound Mixer |
Drew Jiritano, Jr. | Special Effects Coordinator |
Laura Steinman | Costume Supervisor |
Amy Tagliamonti | Make up |
Rachel Pagani | Make up |
Mandy Lyons | Hairstylist |
Jennifer Johnson | Hairstylist |
Deanna Brigidi* | Casting Associate |
Kim Winther | Casting Assistant |
Gayle Vangrofsky | Location Manager |
Theodore Gibbons | Second Assistant Director |
Leslie Shatz | Re-recording Mixer |
Leslie Shatz | Sound Designer |
Esther Regelson | Dialogue and ADR |
Daniel Ward | Sound Effects Editor |
Ryan Collins | Foley Mixer |
Eran Dinur | Visual Effects Supervisor |
Richard Friedlander | Visual Effects Producer |
Glenn Allen | Visual Effects Producer |
Mitchell S. Drain | Visual Effects Supervisor |
Harimander Singh | Digital Effects Supervisor |
Mark Wike | Music Editor |
Stephen Pope | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.