Slovenia Box Office for SI UPAŠ? (2016)

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Nerve poster
Theatrical Performance (US$)
Slovenia Box Office $50,048Details
Worldwide Box Office $85,583,945Details
Home Market Performance
North America DVD Sales $3,832,578 Details
North America Blu-ray Sales $2,127,785 Details
Total North America Video Sales $5,960,363
Further financial details...

Synopsis

Industrious high school senior, Vee Delmonico, has had it with living life on the sidelines. When pressured by friends to join the popular online game Nerve, Vee decides to sign up for just one dare in what seems like harmless fun. But as she finds herself caught up in the thrill of the adrenaline-fueled competition partnered with a mysterious stranger, the game begins to take a sinister turn with increasingly dangerous acts, leading her into a high stakes finale that will determine her entire future.

Metrics

Movie Details

Production Budget:$20,000,000
Slovenia Releases: August 19th, 2016 (Wide), released as SI UPAŠ?
Video Release: October 11th, 2016 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for thematic material involving dangerous and risky behavior, some sexual content, language, drug content, drinking and nudity all involving teens.
(Rating bulletin 2429 (Cert #50364), 6/15/2016)
Running Time: 96 minutes
Keywords: Internet, Reality TV, Techno-Thriller, Romance, Death of a Sibling, Dares, Faked Death, Surprise Twist, Hackers
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate, TIK Films, Allison Shearmur, Keep Your Head
Production Countries: United States
Languages: English

Home Market Releases for October 25th, 2016

October 24th, 2016

Finding Dory

It’s not a great week on the home market, as the biggest release of the week is the low-budget horror film, Lights Out. It is worth picking up on Blu-ray, but it is not worth the Pick of the Week title. The best film on this week’s list is Finding Dory, but it is only coming out on Video on Demand and it is worth waiting for the Blu-ray. That said, there’s no top-notch competition, so it is the Pick of the Week. More...

Home Market Releases for October 11th, 2016

October 11th, 2016

Ghostbusters

Ghostbusters is the biggest release of the week and the best first run release. Combined with its fully-loaded Blu-ray (extended edition), it is a Pick of the Week contender. There’s not much competition. The main competition is a new Collector's Edition Blu-ray for The Thing, but this is at least a double-dip, which hurts its value. There are a couple of smaller releases as well. In the end it was a literal coin toss to decide the Pick of the Week and Ghostbusters won. More...

Weekend Wrap-Up: Jason Bourne Treks to the top of the Chart with $59.22 million

August 2nd, 2016

Jason Bourne

There was no surprise at the top of the weekend box office chart, as Jason Bourne easily won with $59.22 million. This was on the high end of expectations, but not quite as strong as Star Trek Beyond’s opening last weekend. Both of the other two new releases, Bad Moms and Nerve, also did well. In fact, none of the films we talked about before the weekend missed expectations. The overall box office was down a little compared to last weekend, but a 3.1% decline is hardly noteworthy. More importantly, the box office was 30% higher than the same weekend last year. Year-to-date, 2016 saw its lead over 2015 nearly double to $260 million or 4.0%. Being ahead $6.84 billion to $6.58 billion at this point of the year is a good position to be in, but it wouldn’t take a major collapse for 2016 to fall behind 2015 by year’s end. More...

Weekend Estimates: Matt Damon Shows Star Power Can Matter

July 31st, 2016

Jason Bourne

When it comes to “star power” in Hollywood, I’ve been a skeptic ever since we launched our Bankability Index, and started looking at the real influence a single actor has on the performance of a film. With some notable exceptions (Tom Cruise and Sandra Bullock chief among them these days), actors generally don’t move the box office dial much when they appear in a generic film. But this weekend’s opening of Jason Bourne shows what the combination of the right actor in the right role can do. In spite of virtually identical reviews to 2012’s The Bourne Legacy, the new film, a franchise un-re-boot if you will, starring Matt Damon in the role he made iconic, will post a very solid $60 million this weekend. To be fair, that’s a bit behind the inflation-adjusted openings of The Bourne Ultimatum and The Bourne Supremacy, but it’s far better than the $38 million earned by Legacy when it debuted. More...

Friday Estimates: Bourne doesn’t have the Ultimate Opening Friday, but still on Pace for $60 million Weekend

July 30th, 2016

Jason Bourne

Jason Bourne dominated the Friday box office chart, earning $22.71 million. I’ve seen reports that this is the biggest opening day for a Matt Damon movie, but The Bourne Ultimatum did better with $24.67 million. That film also earned much better reviews than this film did, so it likely won’t have the same legs. It did earn an A- with CinemaScore, so that will help a little. It will likely have similar legs to Star Trek Beyond. Beyond did earn better reviews, but Star Trek has a bigger fanboy factor, which hurt its legs. That will give the film $60 million over the weekend, more or less. More...

Weekend Predictions: Will Jason be a Bourne Again Box Office Hit?

July 28th, 2016

Jason Bourne

The month of July comes to an end this weekend and there are three wide releases hoping the month goes out on a high note. Jason Bourne is the only one with a shot at first place, while Bad Moms is looking to become a solid counter-programming hit. Meanwhile, Nerve opened on Wednesday and it just doesn’t want to slip between the cracks. As far as holdovers are concerned, Star Trek Beyond's daily numbers are average for the summer, but that will still be enough to hit the century mark over the weekend. It won’t be the only film to reach $100 million over the weekend. This weekend last year was led by Mission: Impossible - Rogue Nation with $55.52 million. I don’t think Jason Bourne will top that, but since the second best film, Vacation, made less than $15 million, I think 2016 will win on depth. More...

2016 Preview: July

July 1st, 2016

The Secret Life of Pets

It's July 1st, which is Canada Day. To celebrate, I wanted to give a gift to my American readers down south, so here's a bunch of "u"s. U, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u, u. Now you can spell words like "colour" and "neighbour" correctly. As for the July preview... June wasn't a good month, despite Finding Dory being on pace to become the biggest hit of the year so far. Most other films failed to match expectations and as a result, 2016's lead over 2015 has nearly evaporated. In fact, ticket sales are below last year's pace. So how does July look in comparison? Well, last July, there were five films that earned more than $100 million, led by Minions, which earned more than $300 million. This July, there are five films that should earn more than $100 million, led by The Secret Life of Pets, which should earned around $250 million. I don't think July 2016 will live up to July 2015, but it should be close. Maybe if one of the expected midlevel hits is a surprise $100 million hit, or if two more of the $100 million hits crack $200 million, then the month will look great. Or one of the expected $100 million hits could flop and 2016 will actually fall behind 2015, even without taking into account ticket price inflation. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/08/19 6 $10,846   9 $1,205   $22,066 1
2016/08/26 8 $4,994 -54% 9 $555   $33,743 2
2016/09/02 10 $3,313 -34% 8 $414   $39,620 3
2016/09/09 11 $3,053 -8% 5 $611   $43,813 4
2016/09/16 13 $2,343 -23% 8 $293   $46,113 5
2016/09/23 15 $1,052 -55% 4 $263   $48,745 6
2016/09/30 17 $1,027 -2% 2 $514   $50,048 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/2/2016 $116,006 41 41 76 $208,780 11/30/2018
Australia 9/2/2016 $757,927 196 201 978 $3,485,424 10/20/2016
Brazil 8/26/2016 $552,000 323 323 675 $1,722,520 11/16/2018
Bulgaria 9/9/2016 $23,839 0 0 0 $112,407 2/26/2019
China 1/6/2017 $1,050,000 9143 9143 9143 $1,719,814 8/13/2018
Czech Republic 9/9/2016 $52,001 72 72 159 $181,862 1/1/2019
France 8/25/2016 $1,400,000 0 0 0 $5,389,455 8/17/2018
Germany 9/9/2016 $1,588,985 0 0 0 $6,480,293 8/19/2018
Italy 6/16/2017 $397,633 0 0 0 $1,287,041 10/23/2018
Japan 1/6/2017 $165,765 0 0 0 $184,500 6/30/2018
Lithuania 7/29/2016 $20,212 114 114 245 $101,396 8/31/2016
Mexico 9/2/2016 $489,440 0 0 0 $1,198,538 9/8/2018
Netherlands 9/22/2016 $192,452 61 62 290 $841,883 11/19/2018
New Zealand 9/2/2016 $129,327 42 43 208 $520,652 10/10/2016
North America 7/27/2016 $9,445,456 2,538 2,538 9,683 $38,583,626 6/3/2020
Poland 9/2/2016 $140,638 0 0 0 $710,759 12/31/2018
Portugal 8/12/2016 $24,167 26 26 64 $74,758 9/23/2016
Russia (CIS) 9/16/2016 $938,336 863 872 2294 $2,536,904 12/31/2018
Slovakia 9/16/2016 $48,256 60 60 134 $107,437 10/19/2016
Slovenia 8/19/2016 $10,846 9 9 45 $50,048 10/14/2016
South Korea 1/5/2017 $0 0 151 194 $208,113 2/10/2017
Spain 8/12/2016 $313,433 250 250 843 $1,635,178 11/17/2018
Turkey 8/26/2016 $57,729 181 181 314 $236,745 2/26/2019
United Kingdom 8/12/2016 $1,039,132 372 372 744 $3,074,151 9/8/2018
 
Rest of World $14,931,661
 
Worldwide Total$85,583,945 6/3/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

Emily Meade Sydney
Miles Heizer Tommy
Colson Baker Ty
Juliette Lewis Nancy Delmonico
Kimiko Glenn Liv
Marc John Jefferies Wes
Brian Marc J.P.
Samira Wiley Azhar/Hacker Kween
Ed Squires Chuck
Rightor Doyle Bergdorf Salesman
Josh Ostrovsky Dirt Beard
Eric D'Alessandro Hype Boi
Arielle Vandenberg Bergdorf Sales Lady
Jonny Beauchamp Gatekeeper
Albert Sidoine Clarence
Chris Breslin Bergdorf Security Guard
Wesley Volcy Taxi Cab Driver
Damond McFarland Derrick
Deema Aitken Robbie
Michael Drayer Officer McMillan
Earl W. Mayers Security Guard
Diana Kolsky Times Square Girlfriend
Matthew Meyer Times Square Boyfriend
Michal Birnbaum Town Crier
Ryan Forsythe Watcher at Dorilton
Kim Ramirez Senior Sales Woman
Noam Tomaschoff Cop
Phyllis Barasch Bergdorf Lady
Chloe Wise Player/Watcher
Casey Neistat Player/Watcher
Sarah Shtern Player/Watcher
Miya Strauss Player/Watcher
Aris Schwabe Player/Watcher
Chet Dillon Player/Watcher
Jerami Goodwin Player/Watcher
Julia Barasch Player/Watcher
Amanda Bard Player/Watcher
Marli Sachs Player/Watcher
Govinda Angulo Player/Watcher
Zoe Katagas Player/Watcher
Ella Katagas Player/Watcher
Luna Miccoli Player/Watcher
Philip Embury Player/Watcher

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Henry Joost Director
Ariel Schulman Director
Jessica Sharzer Screenwriter
Jeanne Ryan Author
Allison Shearmur Producer
Anthony Katagas Producer
Jeanne Ryan Executive Producer
Michael Simmonds Director of Photography
Chris Trujillo Production Designer
Jeff McEvoy Editor
Melissa Vargas Costume Designer
Rob Simonsen Composer
Randall Poster Music Supervisor
Meghan Currier Music Supervisor
Charles Miller Co-Producer
Orlee-Rose Strauss Co-Producer
Stephen Meinen Co-Producer
John Papsidera Casting Director
Ann Goulder Casting Director
Mike Smith Second Unit Director
Steven Wayne Production Supervisor
Marc Benacerraf Art Director
Kara Zeigon Set Decorator
Luca Borghese Post-Production Supervisor
Michael Lafond First Assistant Editor
Renee Foley Burke Script Supervisor
Thomas Varga Sound Mixer
Drew Jiritano, Jr. Special Effects Coordinator
Laura Steinman Costume Supervisor
Amy Tagliamonti Make up
Rachel Pagani Make up
Mandy Lyons Hairstylist
Jennifer Johnson Hairstylist
Deanna Brigidi* Casting Associate
Kim Winther Casting Assistant
Gayle Vangrofsky Location Manager
Theodore Gibbons Second Assistant Director
Leslie Shatz Re-recording Mixer
Leslie Shatz Sound Designer
Esther Regelson Dialogue and ADR
Daniel Ward Sound Effects Editor
Ryan Collins Foley Mixer
Eran Dinur Visual Effects Supervisor
Richard Friedlander Visual Effects Producer
Glenn Allen Visual Effects Producer
Mitchell S. Drain Visual Effects Supervisor
Harimander Singh Digital Effects Supervisor
Mark Wike Music Editor
Stephen Pope Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.