Nelyubov (2017)

Nelyubov
Theatrical Performance
Domestic Box Office $564,073Details
International Box Office $4,321,223Details
Worldwide Box Office $4,885,296
Home Market Performance
Est. Domestic Blu-ray Sales $89,692 Details
Total Est. Domestic Video Sales $89,692
Further financial details...

Metrics

Opening Weekend:$30,222 (5.4% of total gross)
Legs:9.18 (domestic box office/biggest weekend)
Domestic Share:11.5% (domestic box office/worldwide)
Theater counts:3 opening theaters/59 max. theaters, 5.0 weeks average run per theater
Infl. Adj. Dom. BO $667,476

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: February 16th, 2018 (Limited) by Sony Pictures Classics, released as Loveless
International Releases: June 1st, 2017 (Wide) (Russia (CIS))
September 22nd, 2017 (Wide) (France)
October 6th, 2017 (Wide) (Netherlands)
December 7th, 2017 (Wide) (Italy)
January 19th, 2018 (Wide), released as Nemilovaní (Czech Republic)
... Show all releases
Video Release: June 12th, 2018 by Sony Pictures Home Entertainment, released as Loveless
MPAA Rating: R for strong sexuality, graphic nudity, language and a brief disturbing image.
(Rating bulletin 2500 (Cert #51304), 11/1/2017)
Running Time: 127 minutes
Comparisons: vs. Una mujer fantástica
Create your own comparison chart…
Keywords: Set in Russia, Messy Divorce, Children Dealing with Divorce, Missing Person, Missing Child, Unbelieving Police, Relationships Gone Wrong, 2010s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Non-Stop Productions, Why Not Productions, Arte France Cinema, Les Films du Fleuve, Fetisoff Illusion
Production Countries: Russian Federation
Languages: Russian

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 16, 2018 49 $30,222   3 $10,074   $47,263 1
Feb 23, 2018 49 $60,256 +99% 12 $5,021   $126,768 2
Mar 2, 2018 42 $61,460 +2% 25 $2,458   $221,568 3
Mar 9, 2018 43 $53,612 -13% 37 $1,449   $302,886 4
Mar 16, 2018 47 $47,569 -11% 37 $1,286   $385,313 5
Mar 23, 2018 51 $31,378 -34% 46 $682   $444,765 6
Mar 30, 2018 45 $32,882 +5% 59 $557   $496,817 7
Apr 6, 2018 60 $12,059 -63% 35 $345   $531,664 8
Apr 13, 2018 76 $4,225 -65% 12 $352   $545,077 9
Apr 20, 2018 78 $2,695 -36% 12 $225   $551,813 10
Apr 27, 2018 71 $5,132 +90% 11 $467   $560,194 11
May 4, 2018 84 $1,926 -62% 7 $275   $564,073 12

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 16, 2018 44 $66,512   3 $22,171   $66,512 1
Feb 23, 2018 48 $93,596 +41% 12 $7,800   $160,108 2
Mar 2, 2018 42 $89,166 -5% 25 $3,567   $249,274 3
Mar 9, 2018 43 $88,470 -1% 37 $2,391   $337,744 4
Mar 16, 2018 43 $75,643 -14% 37 $2,044   $413,387 5
Mar 23, 2018 52 $50,548 -33% 46 $1,099   $463,935 6
Mar 30, 2018 44 $55,670 +10% 59 $944   $519,605 7
Apr 6, 2018 58 $21,247 -62% 12 $1,771   $540,852 8
Apr 13, 2018 71 $8,266 -61% 12 $689   $549,118 9
Apr 20, 2018 74 $5,944 -28% 12 $495   $555,062 10
Apr 27, 2018 73 $7,085 +19% 11 $644   $562,147 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/20/2018 $0 0 24 132 $327,988 8/6/2018
Brazil 2/8/2018 $19,647 12 12 12 $75,896 6/14/2018
Bulgaria 4/27/2018 $644 0 0 0 $9,938 2/26/2019
Czech Republic 1/19/2018 $4,339 13 13 13 $5,971 1/1/2019
France 9/22/2017 $420,055 0 0 0 $1,169,368 6/28/2018
Italy 12/7/2017 $65,898 0 0 0 $347,856 1/8/2018
Lithuania 1/26/2018 $2,202 10 10 19 $7,409 3/5/2018
Netherlands 10/6/2017 $68,538 28 32 153 $345,450 11/6/2017
Portugal 2/2/2018 $1,674 7 7 10 $4,147 2/14/2018
Russia (CIS) 6/1/2017 $563,313 493 493 1,629 $1,702,400 1/1/2019
South Korea 4/18/2019 $14,611 47 47 94 $65,787 5/16/2019
Spain 1/26/2018 $47,214 30 30 30 $49,281 2/2/2018
Turkey 1/26/2018 $10,029 21 23 44 $35,590 2/26/2019
United Kingdom 2/9/2018 $174,142 39 39 39 $174,142 2/14/2018
 
International Total$4,321,223 5/16/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andrey Zvyagintsev Director
Andrey Zvyagintsev Screenwriter
Oleg Negin Screenwriter
Alexander Rodnyansky Producer
Sergey Melkumov Producer
Vincent Maraval Executive Producer
Pascal Caucheteux Executive Producer
Gregoire Sorlat Executive Producer
Andrey Ponkratov Production Designer
Anna Mass Editor

Home Market Releases for June 12th, 2018

June 12th, 2018

Love, Simon

There are not many big releases on this week’s list. Tomb Raider, Sherlock Gnomes, The Strangers: Prey at Night, and Love, Simon were, at best, midlevel hits domestically. Worse still, only the last one earned good reviews. Fortunately, the film is good enough that the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack is worthy as Pick of the Week. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

Limited and VOD Releases: Monster Hits and Animated Flicks

February 16th, 2018

Tehran Taboo

It’s a strange week for limited releases with a wide variety of films to check out. There’s an Oscar nominationed Russian film, Loveless. As well as two Chinese films that are going to be monster hits back home, Detective Chinatown 2 and Monster Hunt 2. And finally, two animated films, Mind Game and Tehran Taboo. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Opening Weekend:$30,222 (5.4% of total gross)
Legs:9.18 (domestic box office/biggest weekend)
Domestic Share:11.5% (domestic box office/worldwide)
Theater counts:3 opening theaters/59 max. theaters, 5.0 weeks average run per theater
Infl. Adj. Dom. BO $667,476

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: February 16th, 2018 (Limited) by Sony Pictures Classics, released as Loveless
International Releases: June 1st, 2017 (Wide) (Russia (CIS))
September 22nd, 2017 (Wide) (France)
October 6th, 2017 (Wide) (Netherlands)
December 7th, 2017 (Wide) (Italy)
January 19th, 2018 (Wide), released as Nemilovaní (Czech Republic)
... Show all releases
Video Release: June 12th, 2018 by Sony Pictures Home Entertainment, released as Loveless
MPAA Rating: R for strong sexuality, graphic nudity, language and a brief disturbing image.
(Rating bulletin 2500 (Cert #51304), 11/1/2017)
Running Time: 127 minutes
Comparisons: vs. Una mujer fantástica
Create your own comparison chart…
Keywords: Set in Russia, Messy Divorce, Children Dealing with Divorce, Missing Person, Missing Child, Unbelieving Police, Relationships Gone Wrong, 2010s
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Non-Stop Productions, Why Not Productions, Arte France Cinema, Les Films du Fleuve, Fetisoff Illusion
Production Countries: Russian Federation
Languages: Russian

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andrey Zvyagintsev Director
Andrey Zvyagintsev Screenwriter
Oleg Negin Screenwriter
Alexander Rodnyansky Producer
Sergey Melkumov Producer
Vincent Maraval Executive Producer
Pascal Caucheteux Executive Producer
Gregoire Sorlat Executive Producer
Andrey Ponkratov Production Designer
Anna Mass Editor

Home Market Releases for June 12th, 2018

June 12th, 2018

Love, Simon

There are not many big releases on this week’s list. Tomb Raider, Sherlock Gnomes, The Strangers: Prey at Night, and Love, Simon were, at best, midlevel hits domestically. Worse still, only the last one earned good reviews. Fortunately, the film is good enough that the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack is worthy as Pick of the Week. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

Limited and VOD Releases: Monster Hits and Animated Flicks

February 16th, 2018

Tehran Taboo

It’s a strange week for limited releases with a wide variety of films to check out. There’s an Oscar nominationed Russian film, Loveless. As well as two Chinese films that are going to be monster hits back home, Detective Chinatown 2 and Monster Hunt 2. And finally, two animated films, Mind Game and Tehran Taboo. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 16, 2018 49 $30,222   3 $10,074   $47,263 1
Feb 23, 2018 49 $60,256 +99% 12 $5,021   $126,768 2
Mar 2, 2018 42 $61,460 +2% 25 $2,458   $221,568 3
Mar 9, 2018 43 $53,612 -13% 37 $1,449   $302,886 4
Mar 16, 2018 47 $47,569 -11% 37 $1,286   $385,313 5
Mar 23, 2018 51 $31,378 -34% 46 $682   $444,765 6
Mar 30, 2018 45 $32,882 +5% 59 $557   $496,817 7
Apr 6, 2018 60 $12,059 -63% 35 $345   $531,664 8
Apr 13, 2018 76 $4,225 -65% 12 $352   $545,077 9
Apr 20, 2018 78 $2,695 -36% 12 $225   $551,813 10
Apr 27, 2018 71 $5,132 +90% 11 $467   $560,194 11
May 4, 2018 84 $1,926 -62% 7 $275   $564,073 12

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 16, 2018 44 $66,512   3 $22,171   $66,512 1
Feb 23, 2018 48 $93,596 +41% 12 $7,800   $160,108 2
Mar 2, 2018 42 $89,166 -5% 25 $3,567   $249,274 3
Mar 9, 2018 43 $88,470 -1% 37 $2,391   $337,744 4
Mar 16, 2018 43 $75,643 -14% 37 $2,044   $413,387 5
Mar 23, 2018 52 $50,548 -33% 46 $1,099   $463,935 6
Mar 30, 2018 44 $55,670 +10% 59 $944   $519,605 7
Apr 6, 2018 58 $21,247 -62% 12 $1,771   $540,852 8
Apr 13, 2018 71 $8,266 -61% 12 $689   $549,118 9
Apr 20, 2018 74 $5,944 -28% 12 $495   $555,062 10
Apr 27, 2018 73 $7,085 +19% 11 $644   $562,147 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/20/2018 $0 0 24 132 $327,988 8/6/2018
Brazil 2/8/2018 $19,647 12 12 12 $75,896 6/14/2018
Bulgaria 4/27/2018 $644 0 0 0 $9,938 2/26/2019
Czech Republic 1/19/2018 $4,339 13 13 13 $5,971 1/1/2019
France 9/22/2017 $420,055 0 0 0 $1,169,368 6/28/2018
Italy 12/7/2017 $65,898 0 0 0 $347,856 1/8/2018
Lithuania 1/26/2018 $2,202 10 10 19 $7,409 3/5/2018
Netherlands 10/6/2017 $68,538 28 32 153 $345,450 11/6/2017
Portugal 2/2/2018 $1,674 7 7 10 $4,147 2/14/2018
Russia (CIS) 6/1/2017 $563,313 493 493 1,629 $1,702,400 1/1/2019
South Korea 4/18/2019 $14,611 47 47 94 $65,787 5/16/2019
Spain 1/26/2018 $47,214 30 30 30 $49,281 2/2/2018
Turkey 1/26/2018 $10,029 21 23 44 $35,590 2/26/2019
United Kingdom 2/9/2018 $174,142 39 39 39 $174,142 2/14/2018
 
International Total$4,321,223 5/16/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.