Mexico Box Office for Grandes espías (2020)
Theatrical Performance (US$) | ||
Mexico Box Office | $470,324 | Details |
Worldwide Box Office | $7,074,124 | Details |
Further financial details... |
Synopsis
A hardened CIA operative who has been demoted and finds himself at the mercy of a precocious 9-year-old girl, named Sophie where he has been sent undercover begrudgingly to surveil her family. When Sophie discovers hidden cameras in her apartment, she uses her tech savviness to locate where the surveillance operation is set. In exchange for not blowing JJ’s cover Sophie convinces him to spend time with her and teach her to be a spy. Despite his reluctance JJ finds he is no match for Sophie’s disarming charm and wit.
Metrics
Movie Details
Production Budget: | $18,000,000 |
Mexico Releases: | March 13th, 2020 (Wide), released as Grandes espías |
Video Release: | June 26th, 2020 by Amazon Studios |
MPAA Rating: | PG-13 for action/violence and language. (Rating bulletin 2577 (Cert #52192), 5/8/2019) |
Running Time: | 102 minutes |
Franchise: | My Spy |
Keywords: | C.I.A., Undercover, Shootout, Kid Spies, Demoted |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | MWM Studios, STX Films, Good Fear Films, Dream Bros Entertainment |
Production Countries: | United States |
Languages: | English |
Streaming Releases: I Spy Some Streaming Releases
June 26th, 2020
Hamilton is coming to Disney+… next week. I’m mentioning it right up front, because it is by far the biggest streaming news of the week, so much so that it could drown out the actual new releases of the week. There are some high-quality releases to check out, including Athlete A, but that might be too bleak to attract an audience. My Spy, Eurovision Song Contest: The Story of Fire Saga, and Into the Unknown: Making Frozen II are more light-hearted and should do better with viewers.
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2020 Preview: March
March 1st, 2020
The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January.
More...
My Spy Trailer
April 4th, 2019
Comedy starring Dave Bautista and Chloe Coleman opens later this year ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/03/13 | 6 | $333,562 | 0 | $338,131 | 1 | ||
2020/03/20 | 8 | $26,937 | -92% | 0 | $470,324 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/10/2020 | $890,240 | 249 | 251 | 1138 | $3,175,013 | 10/20/2022 |
Brazil | 7/9/2020 | $0 | 0 | 0 | 0 | $45,031 | 7/31/2020 |
Germany | 3/13/2020 | $17,247 | 313 | 313 | 313 | $1,161,793 | 5/25/2021 |
Hong Kong | 3/13/2020 | $0 | 0 | 0 | 0 | $202,604 | 4/9/2020 |
Lithuania | 8/7/2020 | $4,644 | 13 | 13 | 32 | $19,948 | 10/19/2022 |
Mexico | 3/13/2020 | $333,562 | 0 | 0 | 0 | $470,324 | 10/19/2022 |
Netherlands | 3/13/2020 | $76,415 | 71 | 71 | 395 | $433,787 | 10/19/2022 |
New Zealand | 1/16/2020 | $49,050 | 63 | 63 | 285 | $189,650 | 10/19/2022 |
Portugal | 6/11/2020 | $487 | 4 | 16 | 27 | $16,965 | 10/19/2022 |
Russia (CIS) | 7/31/2020 | $121,292 | 297 | 297 | 1086 | $411,784 | 10/19/2022 |
South Korea | 4/29/2020 | $119,742 | 240 | 240 | 549 | $390,378 | 5/27/2020 |
United Kingdom | 3/13/2020 | $428,700 | 444 | 444 | 549 | $556,847 | 8/5/2020 |
Worldwide Total | $7,074,124 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Dave Bautista | JJ |
Chloe Coleman | Sophie |
Supporting Cast
Kristen Schaal | Bobbi |
Parisa Fitz-Henley | Kate |
Ken Jeong | David Kim |
Devere Rogers | Carlos |
Greg Bryk | Marquez |
Nicola Correia-Damude | Christina |
Noah Danby | Todd |
Vieslav Krystyan | General Gregovich |
Basel Daoud | Hassan |
Ali Hassan | Azar |
Olivia Depatie | Selma |
Keller Viaene | Emmy |
Jean-Michel Nadeau | Koll |
Laura Cilevitz | Ms. Besser |
Darrin Baker | Dr. Weller |
Chris D’Silva | Andre |
Rakhee Morzaria | Tina |
Lindsay Mullan | Oak Tree Mom |
Robin Archer | Oak Tree Husband |
Karen O’Keefe | Pauline |
April Lee | Soccer Mom |
Sofie Michal Maiuri | Girl With Bad Painting |
Charlie Luborsky | Brad |
Benjamin Luborsky | Trent |
Michelle McLeod | Skating Attendant |
Emily Dupere | Emily |
Selena Lucchese | Tapas Dancer |
Jade Whitney | Tapas Dancer |
Karina Grzella | Tapas Dancer |
Apolonia Velasquez | Tapas Dancer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Peter Segal | Director |
Erich Hoeber | Screenwriter |
Jon Hoeber | Screenwriter |
Dave Bautista | Producer |
Robert Simonds | Producer |
Peter Segal | Producer |
Chris Bender | Producer |
Jake Weiner | Producer |
Jonathan Meisner | Producer |
Gigi Pritzker | Producer |
Adam Fogelson | Executive Producer |
Rachel Shane | Executive Producer |
Adrian Alperovich | Executive Producer |
Michael Flynn | Executive Producer |
Jon Hoeber | Executive Producer |
Erich Hoeber | Executive Producer |
Larry Blanford | Director of Photography |
Chris Spellman | Production Designer |
Jason Gourson | Editor |
Dominic Lewis | Composer |
Jason Markey | Music Supervisor |
Stacy Calabrese | Co-Producer |
Anne McCarthy | Casting Director |
Kellie Roy | Casting Director |
Whitney Brown | Unit Production Manager |
Michael Flynn | Unit Production Manager |
Urs Hirscvhbiegel | First Assistant Director |
Aric Dupere | Second Assistant Director |
Layton Morrison | Stunt Coordinator |
Rob De Groot | Fight Coordinator |
Richard Mirisch | Associate Producer |
Peter Grundy | Art Director |
Patricia Cuccia | Set Decorator |
Melissa Brockman | Visual Effects Producer |
Francois Archambault | Visual Effects Producer |
Susan Marucci | Script Supervisor |
Greg Chapman | Sound Mixer |
Warren Appleby | Special Effects Supervisor |
Jonathan N. Matthews* | Location Manager |
Georgina Yarhi | Costume Designer |
Erika Larner | Costume Supervisor |
Jordan Samuel | Make up |
Kristin Wayne | Make up |
Paula Fleet | Hairstylist |
Rossana Vendramini | Hairstylist |
Nathan Godley | First Assistant Editor |
Joshua A.C. Jackson | First Assistant Editor |
Harold Parker | First Assistant Editor |
Jeffrey J. Haboush | Re-recording Mixer |
Joel D. Catalan | Re-recording Mixer |
Sean McCormack | Supervising Sound Editor |
Will Riley | Supervising Sound Editor |
Paul Pirola | Sound Designer |
Will Riley | Dialogue Editor |
Hayden Collow | Sound Effects Editor |
James Ashton | Sound Effects Editor |
Brendan Croxon | Sound Effects Editor |
Jamie Famularo | Sound Effects Editor |
Ryan Squires | Foley Mixer |
Brendan Hill | Foley Editor |
Stuart Grusin | Music Editor |
Al Clay | Score Mixer |
Anthony Willis | Additional Music |
Antonio Andrade | Additional Music |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.