Australia Box Office for A Or B (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $163,248 | Details |
Worldwide Box Office | $56,235,548 | Details |
Further financial details... |
Metrics
Movie Details
Australia Releases: | May 4th, 2018 (Wide), released as A Or B |
Running Time: | 90 minutes |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | China |
Languages: | Mandarin |
International Box Office: Avengers Tops $1 billion in Record Time
May 8th, 2018
Avengers: Infinity War became the fastest film to reach $1 billion, getting there is just ten days. That’s really impressive for a film that hasn’t even opened in China yet. This weekend, the film earned $162.6 million in 54 markets for totals of $713.3 million internationally and $1.166 billion worldwide. The only new major market of the weekend was Russia, where it broke the record for biggest opening with $17.6 million. To put this into perspective, Civil War made $16.49 million in that market, in total. The film is already the biggest all-time hit in Brazil ($44.3 million); Indonesia ($20.6 million); and the Philippines ($19.7 million). The two biggest markets so far are South Korea, where it has made $69.76 million, including $17.03 million on 2,224 screens this past weekend, while the U.K. is very close behind with $67.2 million.
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International Box Office: Infinity Tops the Charts even without China
May 3rd, 2018
Avengers: Infinity War broke the record for highest international debut and highest worldwide debut. The film was expected to do well, but breaking records like this is impressive, especially since it hasn’t opened in China yet. The film started with $380.0 million in 52 markets for a global opening of $637.7 million. It is already the second biggest worldwide hit of the year and just shy of the top 100 all-time. The film’s biggest opening was in the U.K., where it earned $40.50 million in 650 theaters, but this is only the third biggest opening of all time there. On the other hand, it had the biggest opening of all time in South Korea with $27.52 million on 2,553 screens over the weekend for a total opening of $38.79 million. The film also cracked $20 million in Mexico, with an opening of $24.80 million, while it topped $10 million in Brazil ($18.8 million); India ($18.6 million); Australia ($16.07 million on 940 screens over the weekend for a total opening of $22.65 million); and Germany ($14.7 million). The film opens in Russia this weekend and China the following weekend and by the time the film opens in China, it will likely be the biggest global hit of 2018.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/04 | 11 | $79,839 | 17 | $4,696 | $79,839 | 1 | |
2018/05/11 | 21 | $37,093 | -54% | 16 | $2,318 | $142,669 | 2 |
2018/05/18 | - | $7,912 | -79% | 9 | $879 | $163,248 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 5/4/2018 | $79,839 | 17 | 17 | 42 | $163,248 | 5/21/2018 |
China | 4/27/2018 | $14,950,000 | 67129 | 67129 | 125603 | $56,055,948 | 6/5/2018 |
New Zealand | 5/4/2018 | $4,155 | 1 | 1 | 3 | $8,981 | 5/21/2018 |
United Kingdom | 5/4/2018 | $7,371 | 10 | 10 | 10 | $7,371 | 5/21/2018 |
Worldwide Total | $56,235,548 | 6/5/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Ren Pengyuan | Director |