China Box Office for Moonfall (2022)
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| Theatrical Performance (US$) | ||
| China Box Office | $23,680,000 | Details |
| Worldwide Box Office | $59,053,195 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,427,049 | Details |
| North America Blu-ray Sales | $1,807,712 | Details |
| Total North America Video Sales | $3,234,761 | |
| Further financial details... | ||
Synopsis
A mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact and the world on the brink of annihilation, NASA executive and former astronaut Jo Fowler is convinced she has the key to saving us all—but only one astronaut from her past, Brian Harper, and conspiracy theorist K.C. Houseman, believe her. These unlikely heroes will mount an impossible last-ditch mission into space, leaving behind everyone they love, only to find out that our Moon is not what we think it is.
Metrics
Movie Details
| Production Budget: | $150,000,000 |
| China Releases: | March 25th, 2022 (Wide) |
| Video Release: | March 31st, 2022 by Lionsgate Home Entertainment |
| MPAA Rating: | PG-13 for violence, disaster action, strong language, and some drug use. (Rating bulletin 2714 (cert #53243), 1/12/2022) |
| Running Time: | 124 minutes |
| Keywords: | Action Thriller, End of the World, Disaster |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Centropolis Entertainment, Street Entertainment , Lionsgate, Huayi Brothers International, Huayi Tencent Entertainment Company, AGC |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: jackass forever posts healthy $23.5 million
February 6th, 2022
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jackass forever was the hot favorite to win going into the weekend, and it’ll win in some style, as it appears to have gained momentum as the weekend has progressed. On Friday morning our model predicted an $18.1-million opening weekend for the stunt-reality-comedy movie. Paramount projected a $20.7-million weekend on Saturday morning once they’d seen Friday’s numbers, and have now upped that to a projected $23.5 million this morning. While that’s not huge by the standards of the franchise (Jackass 3D opened with over $50 million back in 2010, for example), it’s a very respectable figure by pandemic standards, and a welcome increase in business for movie theaters that have lacked new content in recent weeks. Moonfall’s $10-million debut is more disappointing, but also a little ahead of where things looked based on its modest Thursday previews.
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Weekend predictions: jackass forever headed for weekend win
February 4th, 2022
-2-News.jpg)
Barring a massive slump for the two new releases, Spider-Man: No Way Home will finally lose its box office crown for good this weekend, possibly slipping into third place behind both jackass forever and Moonfall. jackass is looking the easy weekend winner, based on its overall pedigree and respectable preview numbers on Thursday.
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Weekend estimates: with no new competition Spider-Man makes it six out of seven domestically, passes $1 billion internationally
January 30th, 2022
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Spider-Man: No Way Home will top the domestic box office chart for the sixth time this weekend, earning about $11 million, according to Sony’s Sunday-morning prediction. That will take it to $735.9 million in total, less than $25 million behind Avatar’s $760.5-million final domestic cume. That’s a landmark Spidey still has a good chance of hitting before its run is complete. One landmark it has hit this weekend is $1 billion internationally, becoming the 10th film to hit that mark all time, and the first ever for Sony.
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Weekend predictions: Spider-Man heading for sixth weekend win
January 28th, 2022
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With no new wide releases, this weekend at the box office will have an eerie familiarity to it. There’s a good chance that Ghostbusters: Afterlife will be back in the top 10 in its eleventh weekend in release. Licorice Pizza is almost certain to celebrate ten weeks in release with another top 10 finish. And standing over everything will be Spider-Man: No Way Home, which should break $10 million in its seventh week in theaters, and top the chart for the sixth time. Spidey should end the weekend with around $735 million domestically, putting it $25 million behind Avatar in the all-time race.
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Moonfall trailer
January 26th, 2022
Roland Emmerich disaster movie starring Halle Berry, Patrick Wilson, and John Bradley opens in theaters on February 4 ... Full Movie Details.
A mysterious force knocks the Moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it. With mere weeks before impact and the world on the brink of annihilation, NASA executive and former astronaut Jo Fowler is convinced she has the key to saving us all—but only one astronaut from her past, Brian Harper, and conspiracy theorist K.C. Houseman, believe her. These unlikely heroes will mount an impossible last-ditch mission into space, leaving behind everyone they love, only to find out that our Moon is not what we think it is.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/03/25 | 1 | $9,740,000 | 61,014 | $160 | $9,740,000 | 1 | |
| 2022/04/01 | - | $3,070,000 | -68% | 49,230 | $62 | $15,850,000 | 2 |
| 2022/04/08 | - | $920,000 | -70% | 22,230 | $41 | $19,510,000 | 3 |
| 2022/04/15 | - | $460,000 | -50% | 10,849 | $42 | $20,010,000 | 4 |
| 2022/04/22 | - | $330,000 | -28% | 9,538 | $35 | $20,250,000 | 5 |
| 2022/04/29 | 9 | $510,000 | +55% | 7,336 | $70 | $20,770,000 | 6 |
| 2022/05/06 | 9 | $220,000 | -57% | 8,078 | $27 | $21,180,000 | 7 |
| 2022/05/13 | 8 | $350,000 | +59% | 9,866 | $35 | $21,990,000 | 8 |
| 2022/05/20 | 11 | $320,000 | -9% | 6,697 | $48 | $22,480,000 | 9 |
| 2022/05/27 | 11 | $250,000 | -22% | 6,355 | $39 | $22,990,000 | 10 |
| 2022/06/03 | 10 | $370,000 | +48% | 4,810 | $77 | $23,450,000 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 2/3/2022 | $526,384 | 328 | 328 | 847 | $1,009,060 | 10/20/2022 |
| China | 3/25/2022 | $9,740,000 | 61014 | 61014 | 196003 | $23,680,000 | 6/27/2022 |
| Czech Republic | 2/3/2022 | $76,886 | 181 | 181 | 281 | $136,215 | 10/20/2022 |
| Finland | 3/18/2022 | $31,760 | 63 | 63 | 116 | $77,913 | 10/20/2022 |
| Germany | 2/3/2022 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 3/17/2022 | $304,508 | 0 | 0 | 0 | $613,390 | 10/20/2022 |
| Lithuania | 2/4/2022 | $58,890 | 15 | 15 | 55 | $168,974 | 10/20/2022 |
| Mexico | 2/3/2022 | $1,139,106 | 0 | 0 | 0 | $2,788,315 | 2/23/2022 |
| Netherlands | 3/24/2022 | $172,855 | 89 | 89 | 324 | $537,885 | 4/20/2022 |
| New Zealand | 2/3/2022 | $117,065 | 75 | 75 | 314 | $234,917 | 10/20/2022 |
| North America | 2/4/2022 | $9,868,997 | 3,446 | 3,446 | 10,392 | $19,060,660 | |
| Portugal | 2/3/2022 | $56,172 | 66 | 66 | 189 | $144,845 | 10/20/2022 |
| Romania | 2/4/2022 | $117,246 | 90 | 90 | 271 | $319,674 | 10/20/2022 |
| Russia (CIS) | 2/3/2022 | $1,997,226 | 1998 | 2000 | 5198 | $3,957,481 | 10/20/2022 |
| Slovakia | 2/3/2022 | $22,767 | 57 | 57 | 90 | $39,169 | 3/1/2022 |
| South Korea | 3/16/2022 | $876,367 | 1174 | 1174 | 2098 | $1,546,192 | 5/4/2022 |
| Spain | 2/4/2022 | $608,806 | 345 | 345 | 998 | $1,191,222 | 3/9/2022 |
| Turkey | 2/4/2022 | $141,141 | 253 | 253 | 758 | $790,914 | 10/20/2022 |
| United Kingdom | 2/4/2022 | $1,575,181 | 543 | 543 | 1231 | $2,756,369 | 2/23/2022 |
| Worldwide Total | $59,053,195 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Halle Berry | Jo Fowler |
| Patrick Wilson | Brian Harper |
| John Bradley | K.C. Houseman |
Supporting Cast
| Michael Peña | Tom Lopez |
| Charlie Plummer | Sonny Harper |
| Kelly Yu | Michelle |
| Eme Ikwuakor | Doug Davidson |
| Carolina Bartczak | Brenda Lopez |
| Donald Sutherland | Holdenfield |
| Maxim Roy | Captain Gabriella Auclair |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Roland Emmerich | Director |
| Harald Kloser | Screenwriter |
| Spenser Cohen | Screenwriter |
| Roland Emmerich | Screenwriter |
| Harald Kloser | Producer |
| Roland Emmerich | Producer |
| John Paul Pettinato | Executive Producer |
| Marco Shepherd | Executive Producer |
| Carsten Lorenz | Executive Producer |
| Spenser Cohen | Executive Producer |
| Ute Emmerich | Executive Producer |
| Wang Zhongjun | Executive Producer |
| Wang Zhonglei | Executive Producer |
| Hu Junyi | Executive Producer |
| Raymond Hau | Executive Producer |
| Edward Cheng | Executive Producer |
| Viviana Vezzani | Executive Producer |
| Karl Spoerri | Executive Producer |
| Stuart Ford | Executive Producer |
| Alastair Burlingham | Executive Producer |
| Gary Raskin | Executive Producer |
| Robby Baumgartner | Director of Photography |
| Kirk M. Petruccelli | Production Designer |
| Adam Wolfe | Editor |
| Ryan Stevens Harris | Editor |
| Thomas Wander | Composer |
| Harald Kloser | Composer |
| Mario Davignon | Costume Designer |
| Peter G. Travers | Visual Effects Supervisor |
| Tricia Mulgrew | Visual Effects Producer |
| John Papsidera | Casting Director |
| Andrea Kenyon | Casting Director |
| Randi Wells | Casting Director |
| Carsten Lorenz | Unit Production Manager |
| Bethan Mowat | First Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.