United Kingdom Box Office for Minding The Gap (2018)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $17,109 | Details |
| Worldwide Box Office | $90,388 | Details |
| Further financial details... | ||
Synopsis
A coming-of-age saga of three skateboarding friends in their Rust Belt hometown hit hard by decades of recession. In his quest to understand why he and his friends all ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the film unfolds, Bing is thrust into the middle of Zack’s tumultous relationship with his girlfriend and Keire’s inner struggles with racial identity and his deceased father. While navigating a complex relationship between his camera and his friends, Bing explores the gap between fathers and sons, between discipline and domestic abuse, and ultimately that precarious chasm between childhood and becoming an adult.
Metrics
Movie Details
| United Kingdom Releases: | March 22nd, 2019 (Limited), released as Minding The Gap |
| Video Release: | August 17th, 2018 by Hulu |
| MPAA Rating: | Not Rated |
| Running Time: | 93 minutes |
| Keywords: | Coming of Age, Skateboarding, Dysfunctional Family, Child Abuse, Addiction, Step-Family, Set in Illinois, Directing Yourself, African Americans, Asian-Americans, Teen Pregnancy, Sundance Film Festival 2018 |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Kartemquin Films, American Documentary, POV, ITVS, The Corporation for Public Broadcasting, Sundance Institute Documentary Film Program, Open Society Foundations, Just Films, Ford Foundation, John D. and Catherine T. MacArthur Foundation, Film Independent, CCT Tiden Cummings Fund, Garrett Scott Development Grant |
| Production Countries: | United States |
| Languages: | English |
2018 Awards Season: Oscars: And the Winner is... Green Book for Best Picture
February 24th, 2019
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It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2018 Awards Season: Oscars Nominations: Final Look
February 24th, 2019
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It’s Oscar Day, and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I would be happy with half of the Best Picture nominees winning.
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2018 Awards Season: Oscar Highlight: Best Feature-Length Documentary
February 7th, 2019
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With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Documentary. Logic and evidence suggests the favorite film is Won’t You Be My Neighbor? with Three Identical Strangers coming in a close second. However, neither of them were nominated.
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2018 Awards Season: Oscar Nominations
January 23rd, 2019
The Oscar nominations were announced yesterday starting at just after 5 am Pacific time. They do this every year for reasons no one has been able to adequately explain to me. Because it was the day after a long weekend, it took a bit of time to get all the normal work done and digest the results. And there were some interesting results to digest. No one film led the way with total nominations, as two films, The Favourite and Roma tied with 10 nominations each.
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2018 - Awards Season: Independent Spirit Awards - Nominations
November 17th, 2018
The Independent Spirit Awards nominations were announced on Friday and thus the 2018 Awards Season begins. We The Animals topped the list with five nominations, while A24 earned 12 as a studio.
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Theater Averages: Wife has a Blazing Hot Start
August 22nd, 2018
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The Wife topped the theater average chart over the weekend with an average of $27,071 in four theaters. The film’s reviews are amazing and Glenn Close is earning some Oscar buzz, so perhaps it will stick around for a while. We the Animals was next with an average of $21,119 in three theaters. Blaze was also playing in three theaters earning an average of $14,750.
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Limited and VOD Releases: Dark Days for Limited Releases
August 17th, 2018
It’s a short week for limited releases, as it is an awkward time of year to release a film. It’s too late to take advantage of the summer holidays, while it is far too soon for Awards Season buzz. That doesn’t mean there are no films earning amazing reviews. In fact, there are several: Blaze, Minding the Gap, We The Animals, The Wife, and The Wild Boys. Hopefully at least one of them will find an audience in theaters.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/03/22 | - | $17,109 | 17 | $1,006 | $17,109 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Netherlands | 3/1/2019 | $25,714 | 29 | 31 | 60 | $61,281 | 3/12/2019 |
| North America | 8/17/2018 | $6,812 | 4 | 5 | 4 | $11,998 | 11/4/2019 |
| United Kingdom | 3/22/2019 | $17,109 | 17 | 17 | 17 | $17,109 | 3/27/2019 |
| Worldwide Total | $90,388 | 11/4/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Keire Johnson | Himself |
| Zack Mulligan | Himself |
| Bing Liu | Himself |
Interviewee(s)
| Nina Bowgren | Herself |
| Kent Abernathy | Himself |
| Mengyue Bolen | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Bing Liu | Director |
| Bing Liu | Producer |
| Diane Quon | Producer |
| Joshua Altman | Editor |
| Bing Liu | Editor |
| Nathan Halpern | Composer |
| Chris Ruggiero | Composer |
| Bing Liu | Cinematographer |
| Steve James | Executive Producer |
| Gordon Quinn | Executive Producer |
| Betsy Steinberg | Executive Producer |
| Sally Jo Fifer | Executive Producer |
| Justine Nagan | Executive Producer |
| Chris White | Executive Producer |
| James LeBrecht | Sound Mixer |
| Ryan Gleeson | Post-Production Supervisor |