Germany Box Office for Midnight Sun (2018)
Theatrical Performance (US$) | ||
Germany Box Office | $2,497,605 | Details |
Worldwide Box Office | $26,952,508 | Details |
Home Market Performance | ||
North America DVD Sales | $1,195,722 | Details |
North America Blu-ray Sales | $540,202 | Details |
Total North America Video Sales | $1,735,924 | |
Further financial details... |
Synopsis
17-year-old Katie Price has been sheltered since childhood with a life-threatening sensitivity to sunlight. Katie’s world opens up after dark when she ventures out to play her guitar for travelers. One night, she meets Charlie whom she has secretly admired for years. She hides her condition from him, and the two embark on a uniquely powerful romance.
Metrics
Movie Details
Production Budget: | $2,800,000 |
Germany Releases: | March 23rd, 2018 (Wide) |
Video Release: | June 5th, 2018 by Universal Home Entertainment |
MPAA Rating: | PG-13 for some teen partying and sensuality. (Rating bulletin 2486 (Cert #50552), 7/26/2017) |
Running Time: | 91 minutes |
Keywords: | Foreign-Language Remake, Romance, Musicians, Secret Admirer, High School Sports, Coming of Age, Medical and Hospitals, Romantic Drama |
Source: | Remake |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Mister Smith Entertainment, Rickard Pictures, Wrigley Pictures, Boies/Schiller |
Production Countries: | United States |
Languages: | English |
Home Market Releases for June 19th, 2018
June 19th, 2018
Summer is the worst time of the year for the home market and this week is no exception. The “biggest” new release of the week is Pacific Rim: Uprising, but it is not worth picking up. There are a few contenders for Pick of the Week, including the final season of Dark Matter; a dark comedy, The Death of Stalin; and an Anime release, Re:Zero - Starting Life in Another World. In the end, I went with Dark Matter as the Pick of the Week.
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Weekend Predictions: Ocean’s 8 Looks to Steal Top Spot
June 7th, 2018
Ocean’s 8 leads a trio of new releases this week and it might be the only one to reach the top five. It is certainly the only one competing for first place. Hereditary is earning amazing reviews, but it is an art house horror movie and those tend to struggle at the box office. Finally there’s Hotel Artemis, which is earning the quietest buzz of the three releases. Solo: A Star Wars Story and Deadpool 2 should remain strong helping the overall box office. However, while this year’s new releases are better than last year’s new releases, with Wonder Woman’s sophomore stint, 2018 is going to suffer another loss. Next week will be better.
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Home Market Releases for June 5th, 2018
June 4th, 2018
This is a busier week than usual on the home market, but that’s only because there are a higher than usual number of box office flops coming out the same week. The biggest box office hit of the week is A Wrinkle in Time, which did okay here, but bombed internationally. I’m still waiting for a screener to see if it is at least worth a rental. As for Pick of the Week contenders, there’s My Hero Academia: Season Two, Part Two and Thoroughbreds on Blu-ray. In the end, I went with Thoroughbreds, but both are worth owning.
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Weekend Wrap-Up: Spielberg’s Decade Best Can’t Save Overall Box Office
April 3rd, 2018
Ready Player One not only opened in first place over the weekend, but its three-day total of $41.77 million was Steven Spielberg’s best opening weekend as a director in almost exactly a decade. Acrimony was a solid second place finisher with $17.17 million. God’s Not Dead: A Light in Darkness missed the top ten. Overall, the box office rose 4.9% from last weekend hitting $136 million, but this was still 20% lower than the same weekend last year. 2018 is now 4.9% or $150 million behind 2017’s pace at $2.84 billion to $2.99 billion.
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Weekend Estimates: Pacific Rim Leads Weak Field of Openers
March 25th, 2018
Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one.
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Friday Estimates: Pacific Rim Rises to Meet Expectations
March 24th, 2018
As expected, Pacific Rim: Uprising earned first place on Friday. In fact, its opening day box office of $10.36 million is actually a little better than expected and it is on pace for a $26 million opening weekend. Granted, this is a terrible opening compared to the film’s production budget, which is reportedly in the $155 million to $175 million range. Neither its reviews, nor its B-rating from CinemaScore will help its legs, but this film was never made to win over domestic audiences. It was made to shine in Asia, specifically China. It is too soon to tell for sure if that’s a viable strategy, or if Universal is going to have to suck up massive losses. Based on Friday numbers, the studio is predicting a $65 million opening weekend China alone and a $120.5 million international debut. That’s obviously better than here, but the film will need at least $400 million internationally to break even any time soon.
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Thursday Night Previews: Pacific Rim Rises with $2.35 million from Previews
March 23rd, 2018
Pacific Rim: Uprising got off to an okay start with $2.35 million from Thursday previews. Given its reviews and the recent results of films like Tomb Raider and last year’s Power Rangers that puts the film’s projected weekend haul at $26 million. That’s a little higher than we predicted, but close enough to call it a victory.
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Weekend Predictions: Kaiju vs. Panther
March 22nd, 2018
Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison.
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2018 Preview: March
March 1st, 2018
February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month.
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Midnight Sun Trailer
February 13th, 2018
Romantic drama starring Bella Thorne and Patrick Schwarzenegger opens March 23 ... Full Movie Details.
17-year-old Katie Price has been sheltered since childhood with a life-threatening sensitivity to sunlight. Katie’s world opens up after dark when she ventures out to play her guitar for travelers. One night, she meets Charlie whom she has secretly admired for years. She hides her condition from him, and the two embark on a uniquely powerful romance.
More...
Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/1/2018 | $65,145 | 0 | 0 | 0 | $93,082 | 1/1/2019 |
Brazil | 6/15/2018 | $50,511 | 0 | 0 | 0 | $110,600 | 7/13/2018 |
Bulgaria | 4/20/2018 | $0 | 0 | 0 | 0 | $26,902 | 2/26/2019 |
Czech Republic | 5/11/2018 | $53,370 | 83 | 83 | 225 | $164,517 | 1/1/2019 |
France | 6/15/2018 | $308,309 | 0 | 0 | 0 | $660,770 | 7/13/2018 |
Germany | 3/23/2018 | $519,473 | 0 | 0 | 0 | $2,497,605 | 6/11/2018 |
Hong Kong | 6/22/2018 | $0 | 0 | 0 | 0 | $0 | |
India | 4/6/2018 | $18,151 | 0 | 0 | 0 | $18,151 | 9/10/2018 |
Italy | 3/22/2018 | $1,230,675 | 0 | 0 | 0 | $4,073,503 | 4/23/2018 |
Lithuania | 3/30/2018 | $1,643 | 5 | 114 | 161 | $28,541 | 4/23/2018 |
Mexico | 5/25/2018 | $193,410 | 0 | 0 | 0 | $390,262 | 6/25/2018 |
Netherlands | 4/20/2018 | $67,275 | 84 | 86 | 448 | $631,741 | 6/29/2018 |
North America | 3/23/2018 | $4,003,993 | 2,173 | 2,173 | 5,546 | $9,561,064 | 4/17/2020 |
Portugal | 5/4/2018 | $17,720 | 24 | 25 | 63 | $42,365 | 5/22/2018 |
Russia (CIS) | 3/22/2018 | $77,881 | 207 | 207 | 370 | $133,812 | 2/26/2019 |
Slovakia | 5/11/2018 | $41,763 | 67 | 67 | 169 | $123,825 | 6/20/2018 |
South Korea | 6/21/2018 | $443,376 | 472 | 472 | 1284 | $2,192,426 | 5/7/2020 |
Spain | 5/4/2018 | $135,392 | 170 | 170 | 475 | $423,731 | 6/7/2018 |
Taiwan | 4/13/2018 | $49,434 | 0 | 0 | 0 | $105,420 | 9/13/2018 |
United Kingdom | 3/30/2018 | $229,320 | 273 | 273 | 273 | $692,079 | 9/10/2018 |
Rest of World | $4,982,112 | ||||||
Worldwide Total | $26,952,508 | 5/7/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Bella Thorne | Katie Price |
Patrick Schwarzenegger | Charlie |
Supporting Cast
Rob Riggle | Jack Price |
Quinn Shephard | Morgan |
Ken Tremblett | Mark |
Suleka Mathew | Dr. Paula Fleming |
Tiera Skovbye | Zoe Carmichael |
Paul McGillion | Blake Jones |
Jenniffer Griffin | Barb |
Nicholas Coombe | Garver |
Alex Pangburn | Wes |
Austin Obiajunwa | Owen |
Norm Misura | Fred, night clerk |
Guy Christie | Coach |
Donny Lucas | Engineer |
Jerome Yoo | Geeky Friend 1 |
Kenneth Tynan | Geeky Friend 2 |
Ava Dewhurst | 7 year old Katie |
Audrey Smallman | 7 year old Morgan |
Jaeda Lily Miller | 7 year old Zoe Carmichael |
Ray Boulay | Swim Scout |
Nick Watson | Guitarist |
Michelle Choi-Lee | Nurse |
Jacqueline King | Jessica Rollins |
Allyson Grant | Theresa Price |
Darla Pitkanen | Zoe’s Friend 1 |
Dean Petriw | Tommy, young boy |
Kris Neufeld | Ice Cream Customer |
Farris Tyab | Man |
Kiarra Goldberg | Patient |
Chris Sheilds | Principal |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Scott Speer | Director |
Eric Kirsten | Screenwriter |
Norihiro Koizumi | Story based on “Midnight Sun” by |
Kenji Bando | Story based on the original Japanese language motion picture ‘Taiyo no Uta’ by |
Yoshiro Hosono | Story based on the original Japanese language motion picture ‘Taiyo no Uta’ by |
Jen Gatien | Producer |
John Rickard | Producer |
Zack Schiller | Producer |
David Boies | Executive Producer |
James McGough | Executive Producer |
Scott Speer | Executive Producer |
Alan Ou | Executive Producer |
Eric Fraser | Production Designer |
Michelle Harrison | Editor |
Tia Nolan | Editor |
Nate Walcott | Composer |
Karsten Gopinath | Director of Photography |
Katie Silberman | Co-Producer |
Devin Andre | Co-Producer |
Tracey Jeffrey | Co-Producer |
Katherine S. Chang | Co-Producer |
Erika Abe | Co-Producer |
Jason Furukawa | First Assistant Director |
Shane West | Second Assistant Director |
Susan Montgomery | Script Supervisor |
Laurel Bergman | Art Director |
Eric Gerlund | Set Decorator |
Jori Woodman | Costume Designer |
Rich Delia | Casting Director |
Mandy Spencer-Phillips | Unit Production Manager |
Kirk Johns | Location Manager |
John Portnoy | Post-Production Supervisor |
Norma Hill-Patton | Make up |
Kara Alaric | Hairstylist |
Zack Sinick | Music Supervisor |
Shawn Miller | Sound Mixer |
Jon Wakeham | Re-recording Mixer |
Ryan Collins | Re-recording Mixer |
Jon Wakeham | Supervising Sound Editor |
Ernest Jackson | Stunt Coordinator |
Jeffery Aro | Stunt Coordinator |
Jacob Rupp | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.