Croatia Box Office for Metallica Through the Never (2013)
Theatrical Performance (US$) | ||
Croatia Box Office | $12,792 | Details |
Worldwide Box Office | $9,082,906 | Details |
Home Market Performance | ||
North America DVD Sales | $387,143 | Details |
North America Blu-ray Sales | $986,438 | Details |
Total North America Video Sales | $1,373,581 | |
Further financial details... |
Synopsis
A band crew member is sent out on a mission during Metallica's live set in front of a sold-out arena. While on this mission, he unexpectedly has his life turned completely upside down.
Metrics
Movie Details
Production Budget: | $18,000,000 |
Croatia Releases: | December 5th, 2013 (Wide) |
Video Release: | January 28th, 2014 by Blackened Records |
MPAA Rating: | R for some violent content and language. (Rating bulletin 2282, 7/24/2013) |
Running Time: | 93 minutes |
Keywords: | Rock 'n' Roll, Musicians, 3-D, Heavy Metal, Digital Cinematography, 3-D - Shot in 3-D, IMAX: DMR |
Source: | Based on Musical Group |
Genre: | Concert/Performance |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Blackened |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for January 28th, 2014
January 28th, 2014
There are a large number of first run releases coming out this week on the home market, five in total. This is a huge amount. This week, the latest season of Downton Abby also comes out on the home market, and it is the best selling new release of the week, at least according to Amazon.com. So at the top, it is a really busy week. On the other hand, there's very little depth. Beyond those six releases, there's not a lot to talk about. Out of all of the movies on this week's list, Rush is the best movie, but the DVD and Blu-ray Combo Pack are only good and not great. On the other hand, Cloudy with a Chance of Meatballs 2 on Blu-ray or 3D Blu-ray is the best total package. Meanwhile, I finally got a chance to review Carrie (the screener arrived late) and it was better than I thought it would be and the Blu-ray Combo Pack is worth picking up, especially if you haven't seen the original movie.
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Per Theater Chart: Gravity Completes its Second Orbit
October 15th, 2013
Gravity remained on top of the Per Theater Chart with an average of $11,800. Unfortunately, it was the only film in the $10,000 club.
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Per Theater Chart: Gravity Escapes Massive Competition
October 9th, 2013
There were a ton of new releases this week, but Gravity was pulled down by the mass of new releases. It lead the way on the Per Theater Chart with an average of $15,604. The only other film in the $10,000 club was Linsanity, which earned an average of $11,051 in nine theaters.
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Per Theater Chart: Shoals Muscles the Competition
October 2nd, 2013
There were only two films to reach the $10,000 mark on the Per Theater Chart, and they were practically tied. Muscle Shoals led the way with $13,901 in its lone theater, while Atharintiki Daaredi earned an average of $13,393 in 112 theaters.
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Weekend Estimates: Meatballs Makes Tasty Debut
September 29th, 2013
As expected, Cloudy with a Chance of Meatballs 2 will be the comfortable winner of this weekend's box office race with a healthy $35 million beginning, according to Sony's Sunday estimate. That puts the film on course for the 4th-biggest weekend in September and is about $5 million ahead of the opening for the first film in the franchise. Given hopes of a $40 million debut, the film could be said to have underperformed slightly (and it will almost certainly not top the original's $124.8 million domestic total), but given the timing of the release, the studio will have reason for modest celebration in the midst of their worst year since 2005. The top of the chart in general has a middling-to-good-enough look to it this weekend.
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Limited Releases Are What They Are
September 27th, 2013
There are a lot of limited releases on this week's list, including a few earning stellar reviews. There are also a few with weak reviews or that are the wrong genre to thrive in limited release. One film fits into both ends of the spectrum, We Are What We Are, which is earning great reviews, but as a horror film, likely won't find an audience till the home market. Hopefully I am wrong. Inequality for All is earning even better reviews, but it is a documentary, so it have very little chance to expand. On the Job has the best reviews of the week, but it is a foreign-language action film, so it will likely not earn breakout success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/12/06 | 12 | $3,832 | 4 | $958 | $3,832 | 1 | |
2013/12/13 | 10 | $2,964 | -23% | 4 | $741 | $9,066 | 2 |
2013/12/20 | 10 | $1,350 | -54% | 4 | $338 | $12,792 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/7/2013 | $0 | 0 | 1 | 1 | $155,634 | 12/30/2018 |
Australia | 10/11/2013 | $0 | 0 | 1 | 1 | $357,828 | 1/24/2018 |
Brazil | 10/4/2013 | $0 | 0 | 1 | 1 | $122,702 | 12/13/2015 |
Croatia | 12/5/2013 | $3,832 | 4 | 4 | 12 | $12,792 | 12/30/2018 |
Lebanon | 11/14/2013 | $0 | 0 | 1 | 2 | $8,306 | 12/30/2018 |
North America | 9/27/2013 | $1,576,561 | 305 | 589 | 1,250 | $3,419,967 | 6/6/2014 |
Rest of World | $5,005,677 | ||||||
Worldwide Total | $9,082,906 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Dane DeHaan | Trip |
Lars Ulrich | Himself |
James Hetfield | Himself |
Kirk Hammett | Himself |
Robert Trujillo | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nimrod Antal | Director |
Nimrod Antal | Screenwriter |
James Hetfield | Screenwriter |
Lars Ulrich | Screenwriter |
Kirk Hammett | Screenwriter |
Robert Trujillo | Screenwriter |
Charlotte Huggins | Producer |
Adam Ellison | Co-Producer |
Tony DiCioccio | Executive Producer |
Marc Reiter | Executive Producer |
Doug Merrifield | Executive Producer |
Cliff Burnstein | Executive Producer |
Peter Mensch | Executive Producer |
Greg Fidelman | Music Producer |
John Broderick | Concert Lighting Designer |
Mark Fisher | Concert Show Designer |
Dan Braun | Concert Show Producer |
Gyula Pados | Director of Photography |
Helen Jarvis | Production Designer |
Joe Hutshing | Editor |
Istvan Kiraly | Editor |
Paul Barry | First Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.