Slovakia Box Office for Menu (2022)
Theatrical Performance (US$) | ||
Slovakia Box Office | $124,339 | Details |
Worldwide Box Office | $75,820,378 | Details |
Home Market Performance | ||
North America DVD Sales | $502,109 | Details |
North America Blu-ray Sales | $679,782 | Details |
Total North America Video Sales | $1,181,891 | |
Further financial details... |
Synopsis
Set in the world of high-end culinary culture, a young couple visits an exclusive destination restaurant on a remote island where the acclaimed chef has prepared a lavish tasting menu, along with some shocking surprises.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Slovakia Releases: | November 17th, 2022 (Wide), released as Menu |
Video Release: | January 3rd, 2023 by Searchlight Pictures |
MPAA Rating: | R for strong/disturbing violent content, language throughout and some sexual references. (Rating bulletin 2732 (cert #53796), 5/18/2022) |
Running Time: | 107 minutes |
Keywords: | Restaurants, Black Comedy, Food, Surprise Twist |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Searchlight Pictures |
Production Countries: | United States |
Languages: | English |
Weekend predictions: Black Panther unchallenged at top of chart, The Menu looks like the best of the rest
November 18th, 2022
Black Panther: Wakanda Forever will easily win its second box office crown this weekend, helped by a lack of direct competition and the tailwinds of a $181-million opening weekend. Our model thinks $70 million will be around a par score for the Marvel movie, and no new release will come within $50 million of that. Three new films come in with a shot at second place: The Menu, She Said, and The Chosen. Of those three, our model thinks The Menu has the best shot at taking that honor.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/11/18 | 4 | $36,422 | 70 | $520 | $36,422 | 1 | |
2022/11/25 | 4 | $17,704 | -51% | 32 | $553 | $62,348 | 2 |
2022/12/02 | 5 | $11,771 | -34% | 24 | $490 | $78,750 | 3 |
2022/12/09 | 6 | $9,688 | -18% | 17 | $570 | $92,299 | 4 |
2022/12/16 | 7 | $5,267 | -46% | 14 | $376 | $100,074 | 5 |
2022/12/23 | 9 | $1,179 | -78% | 8 | $147 | $103,663 | 6 |
2022/12/30 | 8 | $2,908 | +147% | 6 | $485 | $110,629 | 7 |
2023/01/06 | 10 | $4,484 | +54% | 5 | $897 | $116,810 | 8 |
2023/01/13 | 9 | $4,242 | -5% | 8 | $530 | $124,339 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/17/2022 | $96,607 | 0 | 0 | 0 | $502,948 | 2/6/2023 |
Australia | 11/24/2022 | $481,166 | 336 | 338 | 1753 | $3,255,947 | 3/27/2023 |
Austria | 11/17/2022 | $119,847 | 0 | 0 | 0 | $597,185 | 2/13/2023 |
Belgium | 11/23/2022 | $97,605 | 0 | 0 | 0 | $487,790 | 2/13/2023 |
Brazil | 12/1/2022 | $155,077 | 0 | 0 | 0 | $519,310 | 1/3/2023 |
Chile | 12/1/2022 | $30,095 | 0 | 0 | 0 | $117,678 | 2/13/2023 |
Colombia | 12/1/2022 | $100,247 | 0 | 0 | 0 | $394,805 | 2/13/2023 |
Croatia | 11/17/2022 | $44,121 | 52 | 52 | 139 | $117,189 | 1/27/2023 |
Czech Republic | 11/17/2022 | $70,245 | 113 | 113 | 332 | $262,967 | 2/21/2023 |
Denmark | 11/17/2022 | $53,738 | 0 | 0 | 0 | $192,727 | 2/13/2023 |
Finland | 11/18/2022 | $50,001 | 70 | 70 | 347 | $405,218 | 2/13/2023 |
France | 11/23/2022 | $734,836 | 0 | 0 | 0 | $2,896,967 | 2/13/2023 |
Germany | 11/17/2022 | $678,283 | 0 | 0 | 0 | $3,312,473 | 2/13/2023 |
Hong Kong | 12/1/2022 | $225,709 | 0 | 0 | 0 | $681,500 | 1/23/2023 |
India | 11/18/2022 | $25,883 | 0 | 0 | 0 | $40,076 | 12/5/2022 |
Indonesia | 11/18/2022 | $133,633 | 0 | 0 | 0 | $659,825 | 1/17/2023 |
Italy | 11/17/2022 | $678,261 | 0 | 0 | 0 | $2,202,760 | 2/6/2023 |
Japan | 11/18/2022 | $347,253 | 0 | 0 | 0 | $1,281,202 | 1/30/2023 |
Malaysia | 11/17/2022 | $72,159 | 0 | 0 | 0 | $316,762 | 1/17/2023 |
Mexico | 11/17/2022 | $376,871 | 0 | 0 | 0 | $1,732,079 | 2/14/2023 |
Netherlands | 11/24/2022 | $354,395 | 204 | 204 | 681 | $2,327,968 | 2/18/2023 |
New Zealand | 11/24/2022 | $81,364 | 99 | 99 | 537 | $440,923 | 2/20/2023 |
North America | 11/18/2022 | $9,004,957 | 3,211 | 3,228 | 16,939 | $41,280,699 | |
Norway | 11/18/2022 | $45,981 | 0 | 0 | 0 | $201,703 | 2/6/2023 |
Philippines | 11/16/2022 | $45,261 | 0 | 0 | 0 | $84,369 | 1/30/2023 |
Poland | 11/18/2022 | $147,522 | 0 | 0 | 0 | $722,131 | 2/14/2023 |
Portugal | 12/1/2022 | $73,905 | 58 | 58 | 222 | $335,754 | 3/7/2023 |
Romania | 11/18/2022 | $108,150 | 75 | 75 | 318 | $428,443 | 1/26/2023 |
Russia (CIS) | 11/17/2022 | $160,332 | 111 | 117 | 228 | $318,580 | 11/30/2022 |
Saudi Arabia | 11/18/2022 | $400,000 | 0 | 0 | 0 | $400,000 | 11/20/2022 |
Singapore | 11/17/2022 | $54,741 | 0 | 0 | 0 | $322,149 | 2/14/2023 |
Slovakia | 11/17/2022 | $36,422 | 70 | 70 | 184 | $124,339 | 3/7/2023 |
South Korea | 12/7/2022 | $92,277 | 177 | 177 | 265 | $244,041 | 1/30/2023 |
Spain | 12/2/2022 | $330,298 | 308 | 312 | 1224 | $1,563,039 | 2/15/2023 |
Sweden | 11/18/2022 | $36,864 | 0 | 0 | 0 | $265,598 | 2/14/2023 |
Switzerland | 11/17/2022 | $138,062 | 0 | 0 | 0 | $874,908 | 2/14/2023 |
Taiwan | 12/2/2022 | $151,934 | 0 | 0 | 0 | $521,196 | 1/17/2023 |
Thailand | 11/17/2022 | $62,968 | 0 | 0 | 0 | $194,312 | 1/30/2023 |
Turkey | 11/18/2022 | $53,451 | 48 | 48 | 152 | $229,806 | 1/26/2023 |
United Kingdom | 11/18/2022 | $1,109,294 | 605 | 605 | 2814 | $4,963,012 | 2/14/2023 |
Worldwide Total | $75,820,378 | 3/27/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ralph Fiennes | Chef Slowik |
Anya Taylor-Joy | Margot |
Nicholas Hoult | Tyler |
Supporting Cast
Hong Chau | Elsa |
Janet McTeer | Lillian Bloom |
Judith Light | Anne |
Reed Birney | Richard |
Paul Adelstein | Ted |
Aimee Carrero | Felicity |
Arturo Castro | Soren |
Mark St. Cyr | Dave |
Rob Yang | Bryce |
John Leguizamo | unnamed Movie Star |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mark Mylod | Director |
Will Tracy | Screenwriter |
Seth Reiss | Screenwriter |
Adam McKay | Producer |
Betsy Koch | Producer |
Will Ferrell | Producer |
Michael Sledd | Executive Producer |
Seth Reiss | Executive Producer |
Will Tracy | Executive Producer |
Peter Deming | Director of Photography |
Ethan Tobman | Production Designer |
Christopher Tellefsen | Editor |
Colin Stetson | Composer |
Amy Westcott | Costume Designer |
Mary Vernieu | Casting Director |
Bret Howe | Casting Director |