Mexico Box Office for Asesino Sin Memoria (2022)
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| Theatrical Performance (US$) | ||
| Mexico Box Office | $2,063,875 | Details |
| Worldwide Box Office | $12,430,986 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,171,298 | Details |
| North America Blu-ray Sales | $925,351 | Details |
| Total North America Video Sales | $2,096,649 | |
| Further financial details... | ||
Synopsis
Alex Lewis is a hired assassin at a turning point. Living in El Paso, Texas, and coming to grips with a faltering memory just as he plans to retire, Alex is ready to conclude a long career of violence and secrecy when an old contact gives him a final assignment. However, the job isn’t what Alex bargained for, and leads him into an FBI sting operation led by agent Vincent Serra. When Alex finds a trail of abuse leading from a child prostitution ring south of the border to a wealthy, influential El Paso real estate magnate and her son, Alex secretly guides Serra’s FBI team in the right direction. Though his inability to remember details is putting him in ever greater danger, Alex uses the skills he’s honed from a lifetime in the shadows to force ugliness into the light — but he has to do it before powerful forces destroy Alex and erase Serra’s mission to get at the truth.
Metrics
Movie Details
| Mexico Releases: | May 12th, 2022 (Wide), released as Asesino Sin Memoria |
| Video Release: | July 5th, 2022 by Universal Home Entertainment |
| MPAA Rating: | R for violence, some bloody images and language throughout. (Rating bulletin 2719 (cert #53548), 2/16/2022) |
| Running Time: | 114 minutes |
| Keywords: | Action Thriller, Remake, Foreign-Language Remake |
| Source: | Remake |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Black Bear, Welle Entertainment, Briarcliff Entertainment, Open Road Films, Saville Productions, Arthur Sarkissian |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/05/13 | 3 | $730,362 | 0 | $745,268 | 1 | ||
| 2022/05/20 | 3 | $669,587 | -8% | 0 | $1,429,794 | 2 | |
| 2022/05/27 | 5 | $412,828 | -38% | 0 | $1,832,553 | 3 | |
| 2022/06/03 | 6 | $137,748 | -67% | 0 | $1,999,898 | 4 | |
| 2022/06/10 | 9 | $65,281 | -53% | 0 | $2,033,745 | 5 | |
| 2022/06/17 | 10 | $29,798 | -54% | 0 | $2,063,875 | 6 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| China | 6/22/2023 | $0 | 0 | 0 | 0 | $40,000 | 6/27/2023 |
| Finland | 6/3/2022 | $16,527 | 43 | 43 | 149 | $62,515 | 8/3/2022 |
| Germany | 10/3/2024 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 9/15/2022 | $191,012 | 0 | 0 | 0 | $459,198 | 9/26/2022 |
| Japan | 5/12/2023 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 5/12/2022 | $730,362 | 0 | 0 | 0 | $2,063,875 | 6/20/2022 |
| Netherlands | 6/16/2022 | $110,749 | 80 | 80 | 727 | $695,625 | 9/16/2024 |
| North America | 4/29/2022 | $3,113,298 | 2,555 | 2,555 | 6,143 | $7,329,043 | |
| Portugal | 5/19/2022 | $46,509 | 46 | 46 | 153 | $120,600 | 8/3/2022 |
| Russia (CIS) | 5/12/2022 | $385,166 | 1259 | 1259 | 2984 | $922,684 | 6/8/2022 |
| South Korea | 7/14/2022 | $4,751 | 37 | 37 | 37 | $7,380 | 7/20/2022 |
| Spain | 7/22/2022 | $203,445 | 204 | 240 | 952 | $709,744 | 7/18/2024 |
| Turkey | 6/17/2022 | $10,344 | 153 | 153 | 203 | $20,322 | 7/1/2022 |
| Worldwide Total | $12,430,986 | 9/16/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Liam Neeson | Alex Lewis |
Supporting Cast
| Guy Pearce | Serra |
| Monica Bellucci | Davana Sealman |
| Taj Atwal | Linda Armistead |
| Ray Fearon | |
| Harold Torres | Hugo Marquez |
| Ray Stevenson | Det. Danny Mora |
| Josh Taylor | Randy Sealman |
| Antonio Jaramillo | Papa Leon |
| Lee Boardman | Mauricio |
| Daniel De Bourg | William Borden |
| Scot Williams | Ellis Van Camp |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Martin Campbell | Director |
| Dario Scardapane | Screenwriter |
| Jef Geeraerts | Story based on the book “De Zaak Alzheimer” by |
| Cathy Schulman | Producer |
| Moshe Diamant | Producer |
| Rupert Maconick | Producer |
| Michael Heimler | Producer |
| Arthur Sarkissian | Producer |
| Teddy Schwartzman | Executive Producer |
| Ben Stillman | Executive Producer |
| Peter Bouckaert | Executive Producer |
| Rudy Durand | Executive Producer |
| Tom Ortenberg | Executive Producer |
| James Masciello | Executive Producer |
| Matthew Sidari | Executive Producer |
| David Tattersall | Director of Photography |
| Jo Francis | Editor |
| Wolf Kroeger | Production Designer |
| Irina Kotcheva | Costume Designer |
| Rupert Parkes | Composer |
| Dan Hubbard | Casting Director |
| Pam Dixon | Casting Director |