Spain Box Office for Antes de ti (2016)
Theatrical Performance (US$) | ||
Spain Box Office | $3,973,252 | Details |
Worldwide Box Office | $208,064,908 | Details |
Home Market Performance | ||
North America DVD Sales | $6,678,714 | Details |
North America Blu-ray Sales | $3,029,545 | Details |
Total North America Video Sales | $9,708,259 | |
Further financial details... |
Synopsis
Louisa Clark lives in a quaint town in the English countryside. With no clear direction in her life, the quirky and creative 26-year-old goes from one job to the next in order to help her tight-knit family make ends meet. Her normally cheery outlook is put to the test, however, when she faces her newest career challenge. Taking a job at the local "castle", she becomes caregiver and companion to Will Traynor, a wealthy young banker who became wheelchair bound in an accident two years prior, and whose whole world changed dramatically in the blink of an eye. No longer the adventurous soul he once was, the now cynical Will has all but given up. That is until Lou determines to show him that life is worth living. Embarking together on a series of adventures, both Lou and Will get more than they bargained for, and find their lives—and hearts—changing in ways neither one could have imagined.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Spain Releases: | July 1st, 2016 (Wide), released as Antes de ti |
Video Release: | August 16th, 2016 by Warner Home Video October 10th, 2016 by Warner Home Video |
MPAA Rating: | PG-13 for thematic elements and some suggestive material. (Rating bulletin 2403 (Cert #50078), 12/9/2015) |
Running Time: | 110 minutes |
Keywords: | Romance, Wheelchair User, Paralysis, Assisted Suicide, Accidental Injury, Romantic Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | New Line Cinema, Metro-Goldwyn-Mayer Pictures, Sunswept Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 30th, 2016
August 29th, 2016
We are in the heart of TV on DVD season with a dozen such releases on this week’s list. Unfortunately, while there are a few that are worth picking up, none of them have the extras needed to be Pick of the Week contenders. The biggest release of the week is The Jungle Book, which is one of the biggest hits of the year. I got a chance to review it, so you can compare my opinion to the critics. As for the best of the best, there weren’t a lot to choose from. In the end, I went with The Commitments, which is making its Blu-ray debut this week.
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Home Market Releases for August 16th, 2016
August 16th, 2016
There are a lot of releases on this week’s list, but most of them are like The Angry Birds Movie on DVD, Blu-ray Combo Pack, or 4K Combo Pack. They are good, but not good enough to be a Pick of the Week contender. The best new release is The Fits, but it is only coming out on Video on Demand.
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Friday Estimates: 38 Million Know Secrets while Mike and Dave go Stag
July 9th, 2016
The Secret Life of Pets had an amazing Friday, earning $38.33 million. This is nowhere near Finding Dory’s $54.7 million opening day, but it’s still very impressive. Unfortunately, for The Secret Life of Pets, its internal multiple likely won’t be as large. Its reviews have settled at 76%, while it earned an A- from CinemaScore and both of these results are lower than Finding Dory earned. Then again, an A- CinemaScore is still a good result, especially since there have been only three films to earn an A from audiences so far this year. (Finding Dory is one of them, Captain America: Civil War and Me Before You were the other two.) I’m increasing our prediction from $72 million to $88 million, which does mean $300 million domestically is now a reasonable final target.
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International Box Office: Independence Day gets Tricked out of Top Spot in China
June 30th, 2016
Independence Day: Resurgence started its international run in first place with $102.1 million in 57 markets. That's the good news. That bad news is that its biggest market was China, where it only managed second place with $36.09 million, including previews. In most of the rest of the world, the film did no better than it did here, relative to the size of the market. South Korea helped it out with a first place, $5.45 million opening on 926 screens over the weekend for a total opening of $7.49 million. It opened in second place in the U.K. with $6.91 million in 610 theaters, which is no better than its opening here. The film cost a lot to make, so it needs to do better than this to be seen as a financial hit.
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International Box Office: Dory Earns $50 Million to Dump Warcraft
June 22nd, 2016
Finding Dory started its international run in first place with $50.0 million in 29 markets. Its biggest market was China, where it earned second place with 18.15 million over the weekend and $18.18 million including previews. This is not a lot of money compared to last week's winner; however, China is not a market that is kind to animated films. Before this year, no animated movie had earned more than $100 million in China and the current record is held by Zootopia at $235.77 million. Zootopia only made $23.99 million during its opening weekend in China, so this isn't a bad start for Finding Dory. Additionally, Finding Dory doubled Zootopia's opening in Australia with $7.63 million on 524 screens. It also performed very well in Argentina ($3.5 million) and in Russia ($3.25 million on 1,220 screens). It is still too early to tell if Finding Dory will top $1 billion worldwide, but this start gives box office watchers a reason to be optimistic.
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Weekend Wrap-Up: Conjuring Conquers Competition with $40.41 million
June 14th, 2016
As anticipated, The Conjuring 2: The Enfield Poltergeist led the weekend box office with ease pulling in $40.41 million. The second place film, Warcraft, earned 40% less. Now You See Me 2 only managed third place and it will need a lot of help to break even. The overall box office was $152 million, which is 13% more than last weekend. However, it was also more than $100 million less than this weekend last year. Normally a 44% collapse like this only happens when there is a misalignment in holidays. In this case, it's because of Jurassic World. 2016 is still ahead of 2015 by a substantial margin at $4.76 billion to $4.54 billion. 2016's lead is now 4.8%, more than a full percentage point lower than it was this time last week, but hopefully Finding Dory will help prevent a similar descent this week.
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Weekend Predictions: Will the New Releases Scare the Industry?
June 9th, 2016
If this weekend is as bad as some fear it will be, it could begin to cause a panic among some studio executives. Two of the three wide releases are sequels and there are some who expect both to fail to match their predecessors by significant margins. If this happens, we will have six sequels failing to match expectations during a four-week stretch. Worse still, there are more than six additional sequels left to open before the end of summer. (Finding Dory seems safe, but the rest could flop as well.) The Conjuring 2: The Enfield Poltergeist should come out on top at the box office, but with less than the original made. Now You See Me 2 will likely continue Lionsgate's losing streak. Meanwhile, Warcraft could do well enough in China to justify a sequel, which is great news, because it will likely bomb here. This weekend last year, Jurassic World opened with $208 million. There's no way the entire box office will make that much this year. 2016 is going to get pummeled in the year-over-year comparison.
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Weekend Wrap-Up: Turtles Open First, but Isn't Powerful with a $35.32 Million Opening
June 7th, 2016
Two of the three new wide releases failed to make much of an impact at the box office over the weekend. This includes the overall number one film, Teenage Mutant Ninja Turtles: Out of the Shadows. It earned $35.32 million during its opening weekend, which isn't as bad as some feared, but it is also well below its predecessor's opening. Me Before You did very well in a counter-programming role with $18.72 million. Finally, Popstar: Never Stop Never Stopping barely topped the Mendoza Line. Overall, the box office earned $133 million, which is 19% lower than last weekend, but that is an acceptable post-holiday decline. Compared to last year, the box office this year was lower, but by less than 0.1%. Year-to-date, 2016's lead has grown to $250 million or 5.9% at $4.56 billion to $4.30 billion.
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Weekend Estimates: Turtles Power to $35.25 Million Debut
June 5th, 2016
Teenage Mutant Ninja Turtles: Out of the Shadows will top the box office chart this weekend with a respectable $35.25 million, according to studio estimates released on Sunday. The weekend as a whole is looking fairly ordinary though, thanks in large part to the muted debuts of X-Men: Apocalypse and Alice Through the Looking Glass last weekend, and their predictably-steep post-Memorial-Day declines. Apocalypse is off 66% this weekend to $22.325 million and $116.5 million in total. Alice will eke out $10.7 million or so for a two-week total of $50.8 million. Overall, the market will be down about 1% from the same weekend last year, and 20% below the comparable weekend from 2014.
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Friday Estimates: Turtles Take Top Spot with $12.5 million
June 4th, 2016
Teenage Mutant Ninja Turtles: Out of the Shadows bounced back from Thursday’s weak previews with $12.5 million on Friday. There was further good news, as the film’s CinemaScore was an A-, up nearly a full letter grade from the B its predecessor earned. This will be enough for first place over the weekend with $33 million. That’s not a good enough opening to get to $100 million, so the film will need to perform well internationally to break even any time soon. On the other hand, reports have the film performing better with kids than adults, so it could break even on merchandising alone.
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Thursday Night Previews: Me, Me, Me
June 3rd, 2016
Oh no. Teenage Mutant Ninja Turtles: Out of the Shadows earned the best Thursday night previews, but did so with just $2 million. That's a mere fraction of the $4.5 million Teenage Mutant Ninja Turtles and could spell real trouble for the film's box office chances. The reviews are a little better than its predecessor's reviews were, but it is also a sequel and those tend to have shorter legs. It might struggle to top $30 million and that means first place isn't a sure thing anymore.
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Weekend Predictions: Throwing Shade on the New Releases
June 2nd, 2016
It's one of those weekends where the bigger the release is, the worse its reviews are. Teenage Mutant Ninja Turtles: Out of the Shadows is the only film expected to top $100 million domestically and its reviews are just 31% positive. Me Before You is expected to be a midlevel hit, but its reviews have slipped to 47% positive. Meanwhile, most analysts think Popstar: Never Stop Never Stopping will bomb, but its reviews are by far the best at 81% positive. This weekend last year, Spy opened with just under $30 million. Out of the Shadows should top that, while both years have similar depth. Hopefully 2016 will win the year-over-year comparison.
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2016 Preview: June
June 1st, 2016
May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand.
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Contest: Turtle Power
May 26th, 2016
Next week is the first weekend of June and there are three wide releases opening that week: Teenage Mutant Ninja Turtles: Out of the Shadows, Me Before You, and Popstar: Never Stop Never Stopping. The TMNT is the only film that has a shot at being a $100 million hit. There's a chance it will make more during its opening weekend than the combined totals of the other two films. It is the only real choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number forTeenage Mutant Ninja Turtles: Out of the Shadows.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of The Confirmation on Blu-ray, plus a randomly selected previously reviewed movie.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize, consisting of two previously reviewed movies. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win another Frankenprize, consisting of two previously reviewed movies.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/07/01 | 4 | $705,256 | 255 | $2,766 | $705,256 | 1 | |
2016/07/08 | 6 | $400,576 | -43% | 260 | $1,541 | $1,795,690 | 2 |
2016/07/15 | 9 | $300,764 | -25% | 269 | $1,118 | $2,613,405 | 3 |
2016/07/22 | 9 | $191,259 | -36% | 239 | $800 | $3,140,261 | 4 |
2016/07/29 | 11 | $113,283 | -41% | 171 | $662 | $3,538,251 | 5 |
2016/08/05 | 13 | $55,466 | -51% | 103 | $539 | $3,699,978 | 6 |
2016/08/12 | 17 | $34,832 | -37% | 61 | $571 | $3,840,508 | 7 |
2016/08/19 | 22 | $20,895 | -40% | 32 | $653 | $3,964,602 | 8 |
2016/08/26 | 26 | $12,285 | -41% | 19 | $647 | $3,969,655 | 9 |
2016/09/02 | 37 | $4,854 | -60% | 13 | $373 | $3,959,333 | 10 |
2016/09/09 | 42 | $3,917 | -19% | 6 | $653 | $3,988,081 | 11 |
2016/09/16 | - | $1,825 | -53% | 1 | $1,825 | $3,973,252 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 6/24/2016 | $431,500 | 120 | 155 | 509 | $1,987,719 | 11/30/2018 |
Australia | 6/16/2016 | $2,115,163 | 228 | 231 | 1453 | $9,134,822 | 10/20/2022 |
Brazil | 6/17/2016 | $3,100,000 | 0 | 0 | 0 | $20,729,128 | 11/16/2018 |
Bulgaria | 6/24/2016 | $18,567 | 0 | 0 | 0 | $118,205 | 2/26/2019 |
Czech Republic | 6/30/2016 | $79,282 | 71 | 71 | 227 | $370,979 | 12/31/2018 |
France | 6/24/2016 | $179,777 | 0 | 0 | 0 | $897,108 | 8/17/2018 |
Germany | 6/24/2016 | $3,200,000 | 509 | 509 | 509 | $19,815,768 | 8/19/2018 |
Italy | 9/1/2016 | $2,126,034 | 0 | 0 | 0 | $7,816,684 | 10/5/2016 |
Lithuania | 6/3/2016 | $0 | 0 | 104 | 290 | $138,532 | 7/28/2016 |
Mexico | 6/24/2016 | $3,130,906 | 0 | 0 | 0 | $11,420,842 | 7/27/2016 |
Netherlands | 6/16/2016 | $321,374 | 85 | 91 | 708 | $2,050,493 | 9/1/2016 |
New Zealand | 6/17/2016 | $412,142 | 89 | 95 | 575 | $1,684,509 | 8/8/2016 |
North America | 6/3/2016 | $18,723,269 | 2,704 | 2,762 | 11,324 | $56,245,075 | 9/10/2018 |
Norway | 6/3/2016 | $0 | 0 | 0 | 0 | $1,900,000 | 12/20/2018 |
Poland | 6/10/2016 | $262,161 | 0 | 0 | 0 | $1,572,000 | 11/17/2018 |
Portugal | 8/12/2016 | $76,417 | 29 | 29 | 118 | $331,918 | 10/5/2016 |
Russia (CIS) | 7/7/2016 | $1,477,084 | 807 | 807 | 2415 | $3,865,895 | 12/31/2018 |
Slovakia | 6/30/2016 | $72,883 | 63 | 63 | 172 | $283,911 | 8/18/2016 |
Slovenia | 6/24/2016 | $18,479 | 19 | 19 | 87 | $130,271 | 10/3/2016 |
South Korea | 6/1/2016 | $1,297,733 | 476 | 476 | 1668 | $6,786,417 | 10/19/2016 |
Spain | 7/1/2016 | $705,256 | 255 | 269 | 1429 | $3,973,252 | 9/23/2016 |
Turkey | 6/17/2016 | $208,758 | 121 | 134 | 786 | $1,101,584 | 2/26/2019 |
United Kingdom | 6/3/2016 | $2,600,054 | 445 | 565 | 2918 | $12,540,423 | 8/24/2016 |
Rest of World | $43,169,373 | ||||||
Worldwide Total | $208,064,908 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Emilia Clarke | Lou Clark |
Sam Claflin | Will Traynor |
Supporting Cast
Janet McTeer | Camila Traynor |
Charles Dance | Stephen Traynor |
Brendan Coyle | Bernard Clark |
Vanessa Kirby | Alicia |
Eileen Dunwoodie | Cafe Customer |
Pablo Raybould | Frank |
Gabrielle Downey | Daphne |
Henri Kirkham | Thomas Clark |
Samantha Spiro | Josie Clark |
Jenna Coleman | Katrina "Treena" Clark |
Alan Breck | Grandad |
Matthew Lewis | Patrick |
Muzz Khan | Syed |
Stephen Peacocke | Nathan |
Ben Lloyd-Hughes | Rupert |
Richard Goulding | Freddie Foster |
Diane Morgan | Sharon the Waitress |
Stephen Chance | Michael Lawler |
Joanna Lumley | Mary Rawlinson |
Sharon Ballard | Hotel Receptionist |
Lily Travers | Karen |
Chuku Modu | Mauritian Waiter |
Verity Marshall | Anna |
Manuel Severi | French Waiter |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Thea Sharrock | Director |
Jojo Moyes | Screenwriter |
Jojo Moyes | Based on the novel by |
Karen Rosenfelt | Producer |
Alison Owen | Producer |
Sue Baden-Powell | Executive Producer |
Remi Adefarasin | Director of Photography |
Andrew McAlpine | Production Designer |
John Wilson | Editor |
Craig Armstrong | Composer |
Jill Taylor | Costume Designer |
Karen Elliott | Music Supervisor |
Kate Dowd | Casting Director |
Sue Baden-Powell | Unit Production Manager |
Phil Booth | First Assistant Director |
James Manning | Second Assistant Director |
Joan Schneider | Line Producer |
Nick Dent | Supervising Art Director |
Rebecca Milton | Art Director |
Sara Wan | Set Decorator |
Drew McOnie | Choreography |
Emma Mallett | Production Supervisor |
Tim Fraser | Sound Mixer |
Hayley Williams | Special Effects Supervisor |
Gabrielle Spanswick | Costume Supervisor |
Rachel Speke | Make-up and Hair Designer |
Emanuel Millar | Hairstylist |
Sue Field | Script Supervisor |
Richard George | Supervising Location Manager |
Paul Tomlinson | Location Manager |
Clare Harlow | Casting Associate |
Emma Bolton | Casting Assistant |
Balazs Bolygo | Second Unit Camera |
Mike Prestwood Smith | Re-recording Mixer |
James Mather | Re-recording Mixer |
James Mather | Supervising Sound Editor |
Simon Chase | Dialogue Editor |
Richard Frazer | Visual Effects Supervisor |
Jan Guilfoyle | Visual Effects Producer |
Angela Barson | Visual Effects Supervisor |
Lucy Ainsworth-Taylor | Visual Effects Executive Producer |
Emma Ford | Score Supervisor |
James Grogan | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.