United Kingdom Box Office for McFarland (2015)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $31,658 | Details |
Worldwide Box Office | $45,707,924 | Details |
Home Market Performance | ||
North America DVD Sales | $8,331,466 | Details |
North America Blu-ray Sales | $1,052,956 | Details |
Total North America Video Sales | $9,384,422 | |
Further financial details... |
Synopsis
The true against-all-odds story of the 1987 McFarland high school cross country team in an economically challenged community.
Metrics
Movie Details
Production Budget: | $17,000,000 |
United Kingdom Releases: | September 25th, 2015 (Wide), released as McFarland |
Video Release: | June 2nd, 2015 by Buena Vista Home Entertainment |
MPAA Rating: | PG for thematic material, some violence and language. (Rating bulletin 2322, 5/14/2014) |
Running Time: | 128 minutes |
Keywords: | Inspirational Sports, Miscellaneous Sports, Miscellaneous Racing, Track and Field, Inspirational Coach, Hispanic, Poverty, Life on a Farm, 1980s, Football, Set in California, Sports Drama |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Mayhem Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Numbers: SpongeBob Soaks Up the Competition
June 22nd, 2015
It was a busy week on the home market, sort of. There were plenty of new releases on the video chart, with new releases earning five of the top six spots. However, the number one film, The SpongeBob Movie: Sponge Out of Water wasn't a major hit, selling 584,000 units / $11.52 million. Its opening week Blu-ray share was 47%, which is really good for an animated film aimed at kids. Overall, this isn't a bad start, but I was really hoping for more. Its box office numbers were much better than expected, plus it was a great movie, but its home market debut is only good.
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Home Market Releases for June 2nd, 2015
June 3rd, 2015
Welcome to the column formerly known as the DVD and Blu-ray release report! In response to the changing home market landscape, we have renamed it the Home Market Release Report, and will now be including Video-on-Demand releases. It was a bad week to try and change the format, as there were a ton of great releases contending for Pick of the Week. Most of these contenders are TV on DVD releases, including Parks & Recreation: Season 7. There is also one limited release, Spring on Blu-ray, and one first-run releases, The SpongeBob Movie: A Sponge Out of Water on 3D Combo Pack. It was a close race, but I choose SpongeBob in the end.
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Weekend Wrap-Up: Box Office Loses Focus
March 3rd, 2015
As expected, Focus led the way at the box office, but sadly did so with a much lower opening weekend result than predicted. The rest of the top five were a little stronger than predicted each earning between $10 million and $12 million. That said, the overall box office was still weak, down 10% from last week to $107 million. It was also down 13% from last year. This caused 2015's lead over 2014 to drop. Granted, 2015 is still ahead of 2014 by $110 million or 6.8% at $1.74 billion to $1.63 billion, so it would take a while to lose that lead at this pace.
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Weekend Wrap-Up: New Releases are the DUFFs to the Holdovers
February 24th, 2015
While there were three new releases to reach the top ten, the top three spots were held by holdovers. As expected, Fifty Shades of Grey won the box office race, but it did so with a much lower number. McFarland, USA was the strongest of the three new releases, while The DUFF earned the best per theater average. The less said about Hot Tub Time Machine 2's debut, the better. Overall, the box office fell 45% to $119 million compared to last weekend. At first glance, this is a disaster; however, this is a post holiday weekend and last week's number one film was artificially inflated at the box office due to hype and Valentine's Day. Compared to last year, the box office was 7% higher. This helped push 2015's lead over 2015 to 8.5% or $1.60 billion to $1.48 billion.
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Weekend Estimates: Fifty Shades Holds Top Spot After Big Fall
February 22nd, 2015
A 73% second-weekend drop won’t be enough to keep Fifty Shades of Grey out of its top spot on the weekend box office chart, according to studio estimates released on Sunday. With another $23.25 million in the bank, the erotic drama has amassed $130 million after two weekends domestically, and has now taken over $400 million worldwide.
This relative weakness in Fifty Shades' second outing isn’t a big surprise given its fervent fanbase, who are more likely to attend on the first weekend, its mediocre reviews, and the fact that last weekend was a holiday, which can increase the box office take substantially. Perhaps more to the point, taking the top spot twice and reaching $400 million is enough. Universal already has every incentive to continue the franchise.
Second and third places this weekend go to two other returning films that are also set to fall more than 50% from last weekend’s totals: Kingsman: The Secret Service will post $17.5 million for $67 million after two weekends, and The SpongeBob Movie: Sponge Out of Water adds $15.5 million to take its tally to $125 million after three. While it is a substantial decrease, this is a more typical second-weekend drop.
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Weekend Predictions: In Fifty Shades' Shadow
February 20th, 2015
Fifty Shades of Grey will again win the weekend box office race. In fact, it could make more than the three new wide releases make combined. The biggest of these three wide releases is Hot Tub Time Machine 2, but it is unfortunately earning terrible reviews. The DUFF's reviews were amazing, but it has since settled on merely good. McFarland, USA is earning the best reviews, but unfortunately its buzz is really quiet. Granted, its target audience doesn't tend to get hyped about movies, but this still isn't a good sign. This weekend last year, The LEGO Movie remained in first place with just over $30 million. This is about the same as Fifty Shades is expected to earn. If 2015 is to win, it will need to rely on depth. Since we could have seven films earning $10 million or more, that won't be an issue.
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Contest: Time and Time Again
February 13th, 2015
Next weekend, there are three wide releases, none of which are expected to do well. Hot Tub Time Machine 2 is opening wider than McFarland, USA and has louder buzz, but McFarland is going after a more mature target audience, so it is harder to gauge the buzz online. (The DUFF won't even be a factor in this race.) I think Hot Tub Time Machine 2 has a slight lead over McFarland, USA and as such, it is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Hot Tub Time Machine 2.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize, featuring Big Bad Wolves on DVD, among other prizes.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, also featuring Big Bad Wolves on DVD, among other prizes.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2015 Preview: February
February 1st, 2015
It was a record-breaking January thanks entirely to American Sniper, which set records, both during its limited release run and especially when it expanded wide. There were a couple of other films that did well, but for the most part, it was a typical January. The question is, will American Sniper boost the overall box office, which would help February, or will its effects fade as it does? There are ten wide releases in February; there are a few films that may or may not open in the top ten. Of these, there are only two that have a real shot at true box office success. The biggest film in terms of buzz is Fifty Shades of Grey, which looks so, so bad. Personally, I would rather watch The SpongeBob Movie: Sponge Out of Water a hundred times than sit through just the trailer for Fifty Shades of Grey. If Fifty Shades of Grey becomes the biggest hit of the month, it will mrean the end of civilization. Because. I. Will. End. Civilization. Last February was mostly mediocre, except for The LEGO Movie which was a huge early year hit. There's no chance any film opening this month will match The LEGO Movie; the top two films likely won't match The LEGO Movie. Because of this, 2015 will need to rely on depth to come out ahead. I'm not sure how likely that will be.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/25 | 34 | $19,379 | 115 | $169 | $19,379 | 1 | |
2015/10/30 | 73 | $60 | 1 | $60 | $31,525 | 6 | |
2015/11/27 | 75 | $45 | 1 | $45 | $31,658 | 10 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/12/2015 | $0 | 0 | 0 | 0 | $0 | |
Ecuador | 3/6/2015 | $0 | 0 | 2 | 2 | $110,792 | 12/30/2018 |
Mexico | 2/27/2015 | $84,853 | 0 | 0 | 0 | $424,265 | 8/30/2018 |
North America | 2/20/2015 | $11,020,798 | 2,755 | 2,792 | 16,421 | $44,480,275 | |
Turkey | 6/26/2015 | $3,829 | 18 | 18 | 29 | $10,697 | 12/30/2018 |
United Kingdom | 9/25/2015 | $19,379 | 115 | 115 | 117 | $31,658 | 12/1/2015 |
Rest of World | $650,237 | ||||||
Worldwide Total | $45,707,924 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Kevin Costner | Jim White |
Michael Aguero | Damacio Diaz |
Sergio Avelar | Victor Puentes |
Hector Duran | Johnny Sameiego |
Rafael Martinez | David Diaz |
Johnny Ortiz | Jose Cardenas |
Carlos Pratts | Thomas Valles |
Ramiro Rodriguez | Danny Diaz |
Supporting Cast
Maria Bello | Cheryl White |
Morgan Saylor | Julie White |
Martha Higareda | Lupe |
Danny Mora | Sammy |
Valente Rodriguez | Principal Camillo |
Vanessa Martinez | Maria Marsol |
Diana-Maria Riva | Senora Diaz |
Elsie Fisher | Jamie White |
Ben Bray | Ernesto Valles |
Rigo Sanchez | Javi |
Chris Ellis | Coach Jenks |
Eloy Casados | Dale Padilla |
Josh Clark | Coach Jameson |
Chelsea Rendon | Sonia Rosaldo |
Daniel Moncada | Eddie |
Chad Moncada | Clovis Coach |
J. Downing | State Race Official |
Brian Connors | Park Aide |
Vincent Martella | Brandon |
Juana Flores | Senora Soto |
Regi Davis | Centennial Coach |
Connor Weil | Palo Alto Runner #1 |
Brian Hayes Currie | Stevens Creek Coach |
Sarah Benoit | Principal Camillo's Assistant |
Salvador Perez | Player #1 |
Rebecca Silva | Grandmother Valles |
John Funk | Centennial Assistant Coach |
Jeffrey Sheller | Palo Alto Assistant Coach |
Alfredo Lopez | Mariachi Singer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Niki Caro | Director |
Christopher Cleveland | Screenwriter |
Bettina Gilois | Screenwriter |
Grant Thompson | Screenwriter |
Christopher Cleveland | Story Creator |
Bettina Gilois | Story Creator |
Gordon Gray | Producer |
Mark Ciardi | Producer |
Mario Iscovich | Executive Producer |
Mary Martin | Executive Producer |
Adam Arkapaw | Director of Photography |
Richard Hoover | Production Designer |
David Coulson | Editor |
Sophie de Rakoff | Costume Designer |
Antonio Pinto | Composer |
Victor Constantino | Co-Producer |
Margaret Hilliard | Unit Production Manager |
Karen Steward | Supervising Art Director |
Alice Baker | Set Decorator |
Cameron Birnie | Set Designer |
Ronald Judkins | Sound Mixer |
Gwendolyn Yates Whittle | Supervising Sound Editor |
Kyrsten Mate | Sound Designer |
Dean A. Zupancic | Re-recording Mixer |
Anna Behlmer | Re-recording Mixer |
J.D. Schwalm | Special Effects Supervisor |
Gintar Repecka | Special Effects Coordinator |
Patrick McClung | Visual Effects Supervisor |
Liz Tan | Assistant Director |
Stephanie Tull | Assistant Director |
Ryan D. Craig | Assistant Director |
Leslie Rodier | Post-Production Supervisor |
Susan Malerstein-Watkins | Script Supervisor |
Dyanna Taylor | Director of Photography |
Robin Whittaker | Music Editor |
John Kurlander | Score Recordist |
John Kurlander | Score Mixer |
Sophie Carbonell | Costume Designer |
David Swope | Costume Supervisor |
Francisco X. Perez | Make up |
RaMona Fleetwood | Hairstylist |
Robert Shoup | Sound Effects Editor |
Teresa Eckton | Sound Effects Editor |
Jeremy Paul Bowker | Sound Effects Editor |
Pete Horner | Sound Effects Editor |
Daniel Laurie | Dialogue/ADR Editor |
Cheryl Nardi | Dialogue Editor |
Corey Tyler | Foley Mixer |
Terry Porter | Re-recording Mixer |
Sheila Jaffe | Casting Director |
Yolanda Guillen | Casting Director |
J.C. Cantu | Casting Director |
Steve M. Davison* | Stunt Coordinator |
Robert F. Brown* | Stunt Coordinator |
Mark R. Ellis* | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.