Germany Box Office for The Matrix Resurrections (2021)
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| Theatrical Performance (US$) | ||
| Germany Box Office | $5,200,000 | Details |
| Worldwide Box Office | $159,197,755 | Details |
| Home Market Performance | ||
| North America DVD Sales | $2,466,851 | Details |
| North America Blu-ray Sales | $6,286,068 | Details |
| Total North America Video Sales | $8,752,919 | |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $190,000,000 |
| Germany Releases: | December 22nd, 2021 (Wide) |
| Video Release: | December 22nd, 2021 by Max |
| MPAA Rating: | R for violence and some language. (Rating bulletin 2703 (cert #53296), 10/20/2021) |
| Running Time: | 148 minutes |
| Franchise: | Matrix |
| Keywords: | Delayed Sequel, Action Adventure, Artificial Intelligence, Virtual Reality |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Village Roadshow Productions, Warner Bros., Venus Castina Productions |
| Production Countries: | Australia, United States |
| Languages: | English |
Weekend estimates: Spider-Man cruises past $600 million with a $52.7-million weekend
January 2nd, 2022
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Spider-Man: No Way Home continues to pulverize its competition at the box office this weekend with another $52.7 million taking it past the $600-million mark in the domestic market. With another $644.9 million overseas, Spidey has now amassed a breath-taking $1.255 billion after 17 days in theaters. It’s now in the top ten films of all time at the domestic box office and the top 20 worldwide, with plenty of gas in the tank as it heads into the New Year.
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Weekend estimates: Spider-Man rewrites pandemic rulebook with $253-million opening
December 19th, 2021
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After two dismal years for the theatrical business, Spider-Man has returned to change the rules of the game. Again. Back in 2002, the first Spider-Man movie set an all-time record by opening with $114.8 million—becoming the first film to top $100 million at the box office in a single weekend. That was arguably the beginning of the modern era at the box office.
This weekend, Spider-Man: No Way Home may be kicking off the post-pandemic era with a gargantuan $253-million opening. That’s not just the best result of the pandemic. It’s the best by a huge margin, more than doubling the opening of Venom: Let There Be Carnage, which itself significantly outperformed expectations. Even more impressively, it’s the third-best weekend of all time, behind only Avengers: Endgame ($357 million) and Avengers: Infinity War ($258 million). In fact, a good Sunday number would take it into second place on that list.
Oh, and it’s already the highest-grossing film of 2021.
More...
The Matrix Resurrections trailer
September 9th, 2021
Action movie directed by Lana Wachowski, starring Keanu Reeves and Carrie Anne Moss, opens in theaters and on HBO Max on December 22 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/12/24 | - | $1,700,000 | 824 | $2,063 | $1,700,000 | 1 | |
| 2021/12/31 | - | $957,000 | -44% | 795 | $1,204 | $3,900,000 | 2 |
| 2022/01/07 | - | $777,000 | -19% | 650 | $1,195 | $5,200,000 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/22/2021 | $977,508 | 277 | 382 | 1374 | $5,630,825 | 10/20/2022 |
| Brazil | 12/22/2021 | $1,200,000 | 974 | 974 | 974 | $1,200,000 | 12/28/2021 |
| China | 1/14/2022 | $7,520,000 | 82346 | 82346 | 148075 | $13,550,000 | 2/18/2022 |
| Czech Republic | 12/24/2021 | $119,228 | 140 | 140 | 473 | $554,765 | 10/20/2022 |
| Finland | 12/24/2021 | $115,157 | 83 | 83 | 424 | $515,615 | 10/20/2022 |
| France | 12/22/2021 | $3,000,000 | 707 | 707 | 1963 | $6,800,000 | 10/20/2022 |
| Germany | 12/22/2021 | $1,700,000 | 824 | 824 | 2269 | $5,200,000 | 10/20/2022 |
| Hong Kong | 12/23/2021 | $1,400,000 | 159 | 159 | 159 | $1,400,000 | 12/28/2021 |
| India | 12/22/2021 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 1/1/2022 | $877,308 | 603 | 603 | 603 | $2,994,537 | 10/20/2022 |
| Japan | 12/17/2021 | $3,900,000 | 822 | 822 | 3130 | $11,200,000 | 10/20/2022 |
| Kazakhstan | 12/16/2021 | $306,000 | 0 | 0 | 0 | $306,000 | 10/20/2022 |
| Lithuania | 12/24/2021 | $31,508 | 18 | 18 | 54 | $220,132 | 2/9/2022 |
| Mexico | 12/22/2021 | $1,714,452 | 0 | 0 | 0 | $5,012,703 | 10/20/2022 |
| Netherlands | 1/27/2022 | $228,635 | 146 | 146 | 585 | $846,385 | 3/9/2022 |
| New Zealand | 12/26/2021 | $138,752 | 93 | 95 | 438 | $946,832 | 10/20/2022 |
| North America | 12/22/2021 | $10,749,011 | 3,552 | 3,552 | 14,355 | $40,463,197 | |
| Portugal | 12/22/2021 | $155,960 | 99 | 99 | 455 | $376,545 | 10/20/2022 |
| Romania | 12/24/2021 | $147,292 | 90 | 90 | 453 | $528,432 | 10/20/2022 |
| Russia (CIS) | 12/16/2021 | $3,874,832 | 1546 | 1567 | 5881 | $9,301,829 | 10/20/2022 |
| Slovakia | 1/27/2022 | $23,517 | 75 | 75 | 113 | $47,039 | 3/1/2022 |
| South Korea | 12/22/2021 | $865,943 | 832 | 832 | 1331 | $1,777,680 | 2/23/2022 |
| Spain | 12/22/2021 | $776,134 | 345 | 359 | 1852 | $3,884,543 | 2/16/2022 |
| Thailand | 12/17/2021 | $795,000 | 568 | 568 | 568 | $795,000 | 10/20/2022 |
| Turkey | 12/24/2021 | $565,113 | 632 | 632 | 1739 | $2,552,614 | 10/20/2022 |
| United Kingdom | 12/22/2021 | $3,603,037 | 595 | 638 | 2990 | $10,272,989 | 2/23/2022 |
| Rest of World | $32,820,093 | ||||||
| Worldwide Total | $159,197,755 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Keanu Reeves | Neo/Thomas Anderson |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Lana Wachowski | Director |
| Lana Wachowski | Screenwriter |
| David Mitchell | Screenwriter |
| Aleksandar Hemon | Screenwriter |
| David Robert Mitchell | Screenwriter |
| Grant Hill | Producer |
| Lana Wachowski | Producer |
| James McTeigue | Producer |
| Daniele Massaccesi | Director of Photography |
| John Toll | Director of Photography |
| Hugh Bateup | Production Designer |
| Peter Walpole | Production Designer |
| Joseph Jett Sally | Editor |
| Johnny Klimek | Composer |
| Tom Tykwer | Composer |
| Scott Rogers | Stunt Coordinator |
| Jonathan Eusebio | Martial Arts Stunt Coordinator |
| Joshua Grothe | Fight Choreographer |
| Dan Glass | Visual Effects Supervisor |
| Lindsay Pugh | Costume Designer |
| Carmen Cuba | Casting Director |
| Garrett Grant | Unit Production Manager |
| Toby Pease | Unit Production Manager |
| Miki Emmrich | Unit Production Manager |
| Michael Salven | First Assistant Director |
| Aimee Allegretti | Executive Producer |
| Henning Molfenter | Co-Producer |
| Charlie Woebcken | Co-Producer |
| Christoph Fisser | Co-Producer |
| Miki Emmrich | Co-Producer |
| Matt Bilski | Associate Producer |
| Loranne Turgeon | Associate Producer |
| Dane A. Davis | Sound Designer |
| Dane A. Davis | Supervising Sound Editor |
| Stephan Gessler | Supervising Art Director |
| Anja Müller | Art Director |
| Wolfgang Metschan | Art Director |
| Esther Schreiner | Art Director |
| Tarnia Nicol | Art Director |
| Josef Brandl | Assistant Art Director |
| Marc Bitz | Assistant Art Director |
| Stephanie Rass | Assistant Art Director |
| Stefanie Übelhör | Set Designer |
| Serban Rotariu | Set Designer |
| Mariana Vasconcellos | Set Designer |
| Claudia Granucci | Set Designer |
| Alice Wong | Set Designer |
| Celina Hollaender | Set Designer |
| Lisa Brennan | Set Decorator |
| Julie Brown | Script Supervisor |
| Barry O'Sullivan | Production Sound Mixer |
| Caroline Kiera Hill | Costume Supervisor |
| Alanna Reynolds | Assistant Costume Designer |
| Anna Munro | Assistant Costume Designer |
| Flora Moody | Hair Designer/ Hair Department Head |
| Shunika Terry | Hair Department Head |
| Heike Merker | Makeup Department Head |
| Katharina Gapski | Production Supervisor |
| François Doge | Stunt Department Coordinators |
| Lena Mary Plass* | Stunt Department Coordinators |
| Angie Uhl | Stunt Department Coordinators |
| Marco Giacalone | Location Manager |
| J.D. Schwalm | Special Effects Supervisor |
| Brendon O'Dell | Special Effects Supervisor |
| Carlos Lagunas | Special Effects Designer |
| Tina Mersmann | Post-Production Supervisor |
| Katharina Gapski | Post-Production Supervisor |
| Toska Hartmann | First Assistant Editor |
| Stephanie Flack | Supervising Sound Editor |
| Matthias Lempert | Re-recording Mixer |
| Lars Ginzel | Re-recording Mixer |
| Bryan Watkins | Sound Effects Editor |
| Jeremy Peirson | Sound Effects Editor |
| Markus Stemler | Sound Effects Editor |
| Michael Schapiro | Sound Effects Editor |
| Eric Lindemann | Sound Effects Editor |
| Albert Gasser | Sound Effects Editor |
| Laurent Kossayan | Sound Effects Editor |
| Caron Weidner | Sound Effects Editor |
| Immo Trümpelmann | Dialogue Editor |
| Dominik Schleier | Dialogue Editor |
| Benjamin Hörbe | Dialogue Editor |
| Marek Forreiter | Dialogue Editor |
| Frank Kruse | Foley Supervisor |
| Hanse Warns | Foley Mixer |
| Kuen-Il Song | Foley Editor |
| Nina Fallon | Visual Effects Producer |
| Muriel Gérard | Visual Effects Coordinator |
| Elena Pagliei | Visual Effects Coordinator |
| José Velásquez | Visual Effects Coordinator |
| Marcel Wehe | Visual Effects Coordinator |
| Gareth James Daley* | Visual Effects Coordinator |
| Michael Brazelton | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.