Spain Box Office for Maps to the Stars (2015)
| Theatrical Performance (US$) | ||
| Spain Box Office | $263,249 | Details |
| Worldwide Box Office | $884,136 | Details |
| Further financial details... | ||
Synopsis
Meet the Weiss family, who are making their way in Hollywood rife with money, fame, envy, and relentless hauntings. Stafford Weiss is a famed TV self-help therapist with an A-list celebrity clientele. Meanwhile, Cristina Weiss has her work cut out managing the career of their disaffected child-star son, Benjie, a fresh graduate of rehab at age 13. Yet unbeknownst to them, another member of the Weiss family has arrived in town - mysteriously scarred and tormented Agatha, just released from a psych ward and ready to start again. She soon works her way into a friendship with a limo driver and becomes personal assistant to unraveling actress Havana Segrand, who is beset by the ghost of her legendary mother, Clarice. But Agatha is on a quest for redemption - and even in this realm of the artificial, and the unearthly, she's determined to find it, no matter what it takes.
Metrics
Movie Details
| Spain Releases: | March 6th, 2015 (Wide) |
| Video Release: | February 27th, 2015 by Focus World |
| MPAA Rating: | R for strong disturbing violence and sexual content, graphic nudity, language and some drug material. (Rating bulletin 2304, 1/8/2014) |
| Running Time: | 111 minutes |
| Keywords: | Ensemble, Set in Hollywood, Movie Business, Film Actor, Rehab / Former Addict, Addiction, Mental Illness, Dysfunctional Family, Early / Simultaneous Video-on-Demand release |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Starmaps Productions, SBS Productions, Integral Productions, Telefilm Canada, Ontario Media Development Corporation, Harold Greenberg Fund |
| Production Countries: | Canada, United States |
| Languages: | English |
DVD and Blu-ray Releases for April 14, 2015
April 14th, 2015
It is a slow week on the home market. It is a really slow week on the home market. This should have helped me get caught up on all of the late screeners that arrived, but on Saturday I had a coughing fit and heard a loud crack in my ribs. It hurt so much that I couldn't even type. I'm feeling much better now. As for this week's releases, there are none that will likely be huge sellers, but The Babadook on DVD or Blu-ray Combo Pack is the best and the best-selling, at least according to Amazon.com. It is also the Pick of the Week.
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Per Theater Chart: '71 is Number One
March 4th, 2015
Only two films were in the $10,000 club at the box office this past weekend, and they were in a close race. '71 led the way with an average of $13,940 in four theaters. Meanwhile, The Hunting Ground was close behind with an average of $12,054 in two theaters.
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Limited Releases: Summer of '71
February 27th, 2015
There are a number of limited releases that are earning excellent reviews, including '71, which might be the biggest hit of the week. Or there might not be any limited release that will become a hit. Maps to the Stars has a great cast, but its reviews are only good. Plus is is playong on Video on Demand. Likewise, Wild Canaries is earning excellent reviews, but it is also playing on Video on Demand.
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2015 Preview: February
February 1st, 2015
It was a record-breaking January thanks entirely to American Sniper, which set records, both during its limited release run and especially when it expanded wide. There were a couple of other films that did well, but for the most part, it was a typical January. The question is, will American Sniper boost the overall box office, which would help February, or will its effects fade as it does? There are ten wide releases in February; there are a few films that may or may not open in the top ten. Of these, there are only two that have a real shot at true box office success. The biggest film in terms of buzz is Fifty Shades of Grey, which looks so, so bad. Personally, I would rather watch The SpongeBob Movie: Sponge Out of Water a hundred times than sit through just the trailer for Fifty Shades of Grey. If Fifty Shades of Grey becomes the biggest hit of the month, it will mrean the end of civilization. Because. I. Will. End. Civilization. Last February was mostly mediocre, except for The LEGO Movie which was a huge early year hit. There's no chance any film opening this month will match The LEGO Movie; the top two films likely won't match The LEGO Movie. Because of this, 2015 will need to rely on depth to come out ahead. I'm not sure how likely that will be.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/04/10 | 39 | $4,043 | 8 | $505 | $4,043 | 6 | |
| 2015/09/18 | 75 | $94 | 1 | $94 | $263,249 | 29 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Brazil | 3/20/2015 | $63,442 | 33 | 33 | 53 | $93,085 | 11/6/2018 |
| Hong Kong | 4/10/2015 | $13,354 | 6 | 6 | 10 | $20,990 | 11/26/2018 |
| North America | 2/27/2015 | $143,422 | 66 | 66 | 158 | $350,741 | |
| Spain | 3/6/2015 | $80,811 | 63 | 63 | 235 | $263,249 | 11/27/2018 |
| Turkey | 1/9/2015 | $21,294 | 22 | 22 | 37 | $43,582 | 12/30/2018 |
| Venezuela | 7/31/2015 | $48,389 | 7 | 7 | 11 | $112,489 | 8/11/2015 |
| Worldwide Total | $884,136 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Julianne Moore | Havana Segrand |
| Mia Wasikowska | Agatha Weiss |
| John Cusack | Dr. Stafford Weiss |
| Robert Pattinson | Jerome Fontana |
Supporting Cast
| Olivia Williams | Weiss |
| Evan Bird Cristina* | Benjie Weiss |
| Sarah Gadon | Clarice Taggart |
| Niamh Wilson | Sam |
| Dawn Greenhalgh | Genie |
| Kiara Glasco | Cammy |
| Jonathan Watton | Sterl Carruth |
| Jennifer Gibson | Starla Gent |
| Gord Rand | Damien Javitz |
| Justin Kelly | Rhett |
| Clara Pasieka | Gretchen Voss |
| Emilia McCarthy | Kayla |
| Allegra Fulton | Harriet |
| Domenic Ricci | Micah |
| Jayne Heitmeyer | Azita Wachtel |
| Sean Robertson | Roy |
| Ari Cohen | Jeb |
| Joe Pingue | Arnold |
| Christian Lloyd | Stu |
| Donald Burda | Hank |
| Amanda Brugel | Star! Channel Interviewer |
| Alden Adair | 2nd AD (Blue Matrix) |
| David Amito | PA (Blue Matrix) |
| Dan Lett | Talkshow Host |
| Sandra Battaglini | Havana's Housekeeper |
| Joanne Reece | Nurse |
| Chris Anton | Rusty |
| George Kolitsopoulos | Dispatcher |
| Joseph Murray | Young Intern |
| Adrienne Wilson | Wife |
| Murray Furrow | Husband |
| Neil Girvan | Bad Babysitter 2 Director |
Cameos
| Carrie Fisher | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| David Cronenberg | Director |
| Bruce Wagner | Screenwriter |
| Martin Katz | Producer |
| Said Ben Said | Producer |
| Michel Merkt | Producer |
| Alfred Hurmer | Co-Producer |
| Renee Tab | Executive Producer |
| Patrice Theroux | Executive Producer |
| Benedict Carver | Executive Producer |
| Deirdre Bowen | Casting Director |
| Joseph Boccia | Line Producer |
| Howard Shore | Composer |
| Denise Cronenberg | Costume Designer |
| Ronald Sanders | Editor |
| Carol Spier | Production Designer |
| Peter Suschitzky | Director of Photography |
| Walter Gasparovic | Co-Producer |
| Joseph Boccia | Unit Production Manager |
| Walter Gasparovic | First Assistant Director |
| Jack Boem | Second Assistant Director |
| Melissa Girotti | Production Supervisor |
| Lori Waters | Post-Production Supervisor |
| Elinor Rose Galbraith | Art Director |
| Peter Nicolakakos | Set Decorator |
| Caitlin Cronenberg | Stills Photographer |
| Douglas Rotstein | Script Supervisor |
| Nicolas Cantin | Sound Mixer |
| Lou Decampo | Assistant Costume Designer/Costume Supervisor |
| Chris Bridges | Special Make-up Effects |
| Cliona Furey | Hairstylist |
| Warren Appleby | Special Effects Coordinator |
| Michael O'Farrell | Supervising Sound Editor |
| Alastair Gray | Dialogue Editor |
| Robert Bertola | Sound Effects Editor |
| Jennifer Dunnington | Music Editor |
| Orest Sushko | Re-recording Mixer |
| Christian T. Cooke | Re-recording Mixer |
| Itsuko Kurono | Set Designer |
| Jamie Jones | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.