Venezuela Box Office for Man on a Ledge (2012)
Theatrical Performance (US$) | ||
Venezuela Box Office | $130,780 | Details |
Worldwide Box Office | $49,621,440 | Details |
Home Market Performance | ||
North America DVD Sales | $6,082,633 | Details |
North America Blu-ray Sales | $1,991,259 | Details |
Total North America Video Sales | $8,073,892 | |
Further financial details... |
Synopsis
Nick Cassidy makes a desperate and life-threatening move to prove his innocence after he is framed for the theft of a rare, prized diamond. Recently escaped from prison and with nowhere else to go, Nick climbs onto the ledge of a towering skyscraper, inviting the eyes of New York City to anxiously watch as one wrong step could mean plunging to his death. But as one police negotiator soon learns, Nick’s daredevil stunt, captivating the eyes of the public and media, masks a dangerous ploy to reveal the truth about his tarnished name. With the help of his brother and with time running out, Nick’s intricate plan must work perfectly, but when you’re on the 25th floor ledge of a building, going down takes on an entirely more hair-raising meaning.
Metrics
Movie Details
Production Budget: | $42,000,000 |
Venezuela Releases: | September 7th, 2012 (Wide) |
Video Release: | May 29th, 2012 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for violence and brief strong language. (Rating bulletin 2168, 4/20/2011) |
Running Time: | 102 minutes |
Keywords: | Revenge, Heist, Suicide, Framed, News, Action Thriller, Set in New York City, Set in New York, NYPD, Police Detective, Wrongfully Convicted, False Identity, Corrupt Cops |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Summit Entertainment, di Bonaventura Pictures |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: True to Form
June 13th, 2012
True Blood: Season Four led all new releases and earned top spot on the Blu-ray sales chart. During its first week of release, it sold 369,000 units and generated $12.93 million in revenue. Its opening week Blu-ray share was 34%, which is low for the format as a whole, but very strong for a TV on DVD release.
More...
DVD Sales: Truth Wins Out
June 12th, 2012
True Blood was the only major release on this week's DVD sales chart crushing newcomers and holdovers alike. It sold 717,000 units / $21.52 million during its opening week, which is fantastic for a TV on DVD release.
More...
DVD and Blu-ray Releases for May 29th, 2012
May 28th, 2012
It likely won't be a strong week on the home market. There's only one prime release, True Blood on DVD or Blu-ray Combo Pack. It is an excellent show and the Blu-ray is a clear contender for Pick of the Week, but as a TV on DVD release, I doubt it will sell as many units as the average first-run theatrical release sells. The biggest first run release is Man on a Ledge, but it did so poorly in theaters that I doubt it will have a real impact on the home market. True Blood isn't the only contender for Pick of the Week. Goon's Blu-ray Combo Pack is on that list. The price of the Combo Pack dropped since my review went online and at $15, it is the Pick of the Week, or should I say Puck of the Week. Also of note, Degrassi: Season 11, Part 1 - Buy from Amazon would also be a contender for Pick of the Week, but the full season set will likely be significantly cheaper on a price-per-minute basis.
More...
Weekend Wrap-Up: Many Reasons to Celebrate Weekend Results
February 7th, 2012
It was Super Bowl weekend, which apparently some people care about. (Not me. Go B.C. Lions!) The crossover audience between the Super Bowl and most movies is quite high, so it is no real shock that the box office was down compared to last weekend. However, it was only down 8% to $116 million. This was 33% higher than the same weekend last year. Both Chronicle and The Woman in Black topped expectations by significant degrees, while the weakest movie the top five missed weekend predictions by less than $1 million. Year-to-date, 2012 is ahead of 2011's pace by 12% at $964 million to $850 million. Before we get too excited, by this weekend in 2010, the box office had already pulled in $1.21 billion.
More...
Weekend Wrap-Up: Colorful Results over the Weekend
January 30th, 2012
January completed the sweep this weekend, despite slipping 6% from last weekend to $126 million over the weekend. This was still 16% higher than the same weekend last year, meaning three out of the four weekends in January saw double-digit gains over 2011 and by the end, 2012's lead over 2011 was 12% at $812 million to $726 million. I'm starting to get a little optimistic and hopefully this trend will continue next month.
More...
Weekend Estimates: The Grey Continues Bright Start to 2012
January 29th, 2012
The industry will enjoy another weekend of increased revenue compared to last year, based on studio estimates released on Sunday, with The Grey starting out on the high end of expectations with $20 million, according to Open Road -- comfortably beating the $9.3 million of their previous film, The Killer Elite. In third place, One for the Money will post a surprisingly strong $11.75 million, according to Lionsgate, which will get to claim bragging rights over its new division Summit Entertainment, which is predicting $8.25 million for its new release, Man on a Ledge. The two films would most likely have ended up on different weekends if the combined studio had have had longer to rearrange their schedules.
More...
Weekend Predictions: Will Grey Skies Clear Up?
January 26th, 2012
There are three important questions that need to be answered this weekend. Can the box office finish the January sweep this weekend? Will Liam Neeson's box office reliability overcome Open Road's inexperience? And shouldn't The Grey be spelled The Gray? That is how it is spelled in America, as opposed to the U.K. Last year the number one film, The Rite, opened with less than $15 million. However, there were a total of five films with more than $10 million over the weekend. This year does look weaker, but it should be close. All it will take is one film to be a surprise hit and 2012 can come out a head for the fourth weekend in a row.
More...
2012 Preview: January
January 1st, 2012
2011 ended, and really that's the only good news we got from the entire month of December. That's not snark either. Of the eleven films opening or expanding wide that month, six will definitely miss expectations by significant margins and with the other five it is too soon to tell, (it depends on how well they hold up during the New Year's Day long weekend). Only Mission: Impossible: Ghost Protocol can be considered a pleasant surprise, and even then it might not match original expectations. Looking forward, the only really good piece of news for this January is that last January was a pretty bad as well. Only two films, The Green Hornet and No Strings Attached, beat expectations by significant margins, while The Dilemma bombed hard enough to nearly wipe out those gains. This time around, the biggest hit will likely be Beauty and the Beast's 3D re-release, but even then, I doubt it will do as well as The Lion King's 3D re-release. There's a good chance the year will start off on a sour note, just like 2011 ended.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/09/07 | 6 | $3,966 | 33,047 | $0 | $33,047 | 1 | |
2012/09/14 | 8 | $1,041 | -74% | 6,871 | $0 | $67,708 | 2 |
2012/09/21 | 8 | $1,512 | +45% | 10,464 | $0 | $87,672 | 3 |
2012/09/28 | 10 | $789 | -48% | 5,489 | $0 | $103,944 | 4 |
2012/10/05 | 12 | $735 | -7% | 5,797 | $0 | $117,360 | 5 |
2012/10/12 | 11 | $464 | -37% | 3,484 | $0 | $130,780 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Brazil | 2/3/2012 | $0 | 0 | 2 | 4 | $1,463,377 | 12/11/2015 |
Hong Kong | 4/5/2012 | $0 | 0 | 4 | 4 | $294,084 | 12/6/2015 |
Japan | 7/7/2012 | $556,799 | 305 | 305 | 898 | $3,758,102 | 12/11/2015 |
Kenya | 4/6/2012 | $0 | 0 | 4 | 8 | $25,546 | 12/29/2018 |
New Zealand | 5/17/2012 | $0 | 0 | 4 | 4 | $37,691 | 12/10/2015 |
North America | 1/27/2012 | $8,001,932 | 2,998 | 2,998 | 7,896 | $18,620,000 | 5/6/2019 |
Serbia and Montenegro | 3/22/2012 | $0 | 0 | 3 | 12 | $11,858 | 12/29/2018 |
Uruguay | 3/16/2012 | $0 | 0 | 2 | 4 | $63,110 | 12/29/2018 |
Venezuela | 9/7/2012 | $3,966 | 33047 | 33047 | 65152 | $130,780 | 12/12/2015 |
Rest of World | $25,216,892 | ||||||
Worldwide Total | $49,621,440 | 5/6/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Sam Worthington | Nick Cassidy |
Elizabeth Banks | Lydia Mercer |
Jamie Bell | Joey Cassidy |
Anthony Mackie | Mike Ackerman |
Edward Burns | Jack Dougherty |
Kyra Sedgwick | Suzie Morales |
Ed Harris | David Englander |
Supporting Cast
Mandy Gonzalez | Manager |
Bill Sadler | Valet |
Barbara Marineau | Screaming Woman |
J. Smith-Cameron | Psychiatrist |
Patrick Collins | Father Leo |
Genesis Rodriguez | Angie |
Afton Williamson | Janice Ackeman |
Robert Clohessy | Prison Guard |
Joe Lisi | Desk Sergeant |
Candice McKoy | Cop-Bullhorn |
John Solo | Cop-Room |
Titus Welliver | Dante Marcus |
James Yaegashi | Police Technician |
Daniel Sauli | Police Technician |
Frank Pando | Cameraman |
Jason Kolotouros | ESU |
Michael Lee Laurence | Bearded Guy |
Don Castro | CSI Tech |
Pooja Kumar | Englander's Assistant |
John Dossett | Ted Henry |
Sylvia Kauders | Angry Traffic Woman |
Felix Solis | Nestor |
Jabari Gray | Brooklyn Cop |
James Andrew O Conner | Brooklyn Cop |
Ann Arvia | Investor |
Jonathan Walker | Investor |
Liz Holtan | Cop |
Terry Serpico | Lutz |
Erin Quill | Cop - File |
Arthur Nascarella | Construction Worker |
Jimmy Palumbo | Detective |
Bernard J. Calloway | Detective |
Gerry Vichi | Older Orthodox Man |
Geoffrey Cantor | Gordon Evans |
Brett Smith | Tactical Leader |
John Comer | Correction Officer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Asger Leth | Director |
Pablo F. Fenjves | Screenwriter |
Lorenzo di Bonaventura | Producer |
Mark Vahradian | Producer |
Jake Myers | Executive Producer |
David Ready | Executive Producer |
Paul Cameron | Director of Photography |
Alec Hammond | Production Designer |
Kevin Stitt | Editor |
Richard Kidd | Visual Effects Supervisor |
Susan Lyall | Costume Designer |
Henry Jackman | Composer |
David Swayze | Art Director |
Chryss Hionis | Set Decorator |
Michael Barosky | Sound Mixer |
Jon Johnson | Supervising Sound Editor |
Jeffrey J. Haboush | Re-recording Mixer |
Greg P. Russell | Re-recording Mixer |
Conrad Brinks, Jr. | Special Effects Coordinator |
Stephen Pope | Stunt Coordinator |
David Wechsler | Assistant Director |
G. A. Aguilar | Second Unit Director |
Deborah Aquila | Casting Director |
Tricia Wood | Casting Director |
Julie Tucker | Casting Director |
Ross Meyerson | Casting Director |
Jojo Villanueva | Music Consultant |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.