Argentina Box Office for Mama (2013)
Theatrical Performance (US$) | ||
Argentina Box Office | $2,515,508 | Details |
Worldwide Box Office | $148,095,566 | Details |
Home Market Performance | ||
North America DVD Sales | $8,150,167 | Details |
North America Blu-ray Sales | $4,305,692 | Details |
Total North America Video Sales | $12,455,859 | |
Further financial details... |
Synopsis
The day their father killed their mother, sisters Victoria and Lilly vanished near their suburban neighborhood. For five long years, their Uncle Lucas and his girlfriend, Annabel, have been madly searching for them. But when, incredibly, the kids are found alive in a decrepit cabin, the couple wonders if the girls are the only guests they have welcomed into their home. As Annabel tries to introduce the children to a normal life, she grows convinced of an evil presence in their house. Are the sisters experiencing traumatic stress, or is a ghost coming to visit them? How did the broken girls survive those years all by themselves? As she answers these disturbing questions, the new mother will find that the whispers she hears at bedtime are coming from the lips of a deadly presence.
Metrics
Movie Details
Production Budget: | $15,000,000 |
Argentina Releases: | March 7th, 2013 (Wide) |
Video Release: | May 7th, 2013 by Universal Home Entertainment |
MPAA Rating: | PG-13 for violence and terror, some disturbing images and thematic elements. (Rating bulletin 2248, 11/7/2012) |
Running Time: | 109 minutes |
Keywords: | Intertitle, Spree Killer, Suicide, Murder - Suicide, Prologue, Voiceover/Narration, Kidnap, Cabin in the Woods, Haunting, Punk Rock, Musicians, Twins, Dream Sequence, Same Actor, Multiple Roles, Young Child Dealing with the Death of a Parent, Abandoned Child, Unexpected Families, Director Remaking Their Own Movie, Supernatural Horror |
Source: | Based on Short Film |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | Universal Pictures, Guillermo del Toro, De Milo, Toma 78 |
Production Countries: | Canada, Spain |
Languages: | English |
Home Market Numbers: Massive Update: May 12th, 2013
June 22nd, 2013
There was a one-two punch when it came to new releases with Safe Haven topping the DVD chart, while Jack Reacher reached top spot on Blu-ray. Safe Haven sold 558,000 units / $9.54 million on DVD and 227,000 units / $5.22 million on Blu-ray. Its opening week Blu-ray share was 29%, which is better than expected, given its target demographic. In total, the film has sold 941,000 units / $16.09 million on DVD, while its Blu-ray running tallies are 373,000 units / $8.53 million. Jack Reacher opened in second place on the DVD chart with 320,000 units / $5.46 million, but earned first place on Blu-ray with 248,000 units / $5.01 million. An opening week Blu-ray share of 44% is good, but not great. After four weeks of release, the film has sold 539,000 units / $9.26 million on DVD and 383,000 units / $7.95 million on Blu-ray. I think the studio was expecting more.
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DVD and Blu-ray Releases for May 7th, 2013
May 7th, 2013
While there are a lot of new releases listed on Amazon.com, it isn't long before you run into filler. Worse still, the top two selling movies, Jack Reacher and Save Haven, are just mediocre movies. The Great Escape is coming out on Blu-ray this week, which would normally be a reason to celebrate. However, a lot of reviewers are complaining about the poor video quality. The film needed, and deserves, a full restoration, but that didn't happen. We need to look further down the list to find a Pick of the Week contender, and we find one in 30 Rock: Season Seven.
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Featured Blu-ray / DVD Review: Mama
May 5th, 2013
January is generally a terrible time of the year to release a movie. Not only are people still dealing with Christmas shopping bills, but there will be several Oscar contenders and holiday blockbusters that are still going strong. Because of this, January tends to be filled with bad films that struggle just to become midlevel hits. Mama opened in the middle of the month and earned enough during its opening weekend to cover its production budget. Worldwide, it managed $130 million on just a $15 million budget. Unless it cost an unreasonable amount to market, it has already broken even. Will it be an ever bigger hit on the home market?
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International Box Office: Oz Powers Its Way to the Top
March 15th, 2013
Oz the Great and Powerful began its international run in first place with $69.2 million on 11,250 screens in 46 markets. It crushed the competition is Russia with $14.65 million on 1,137 screens, but this particular market tends to reward fantasy films. It wasn't quite as strong in the U.K., but still earned first place with $5.53 million on 530 screens. It also topped the charts in Mexico ($5.26 million on 207 screens); in Australia ($4.88 million on 268); in Brazil ($4.39 million 732); Italy ($3.76 million 588); Germany ($3.74 million on 548); and in Spain ($2.62 million on 649). On the other hand, it had to settle for second place in Japan with $2.81 million on 584 screens over the weekend for a total opening of $3.50 million. It could do no better than fourth in South Korea with $1.58 million on 425 screens over the weekend for a total opening of $1.73 million. It is too soon to tell where it will end up, but this is a good start.
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Weekend Wrap-Up: Warm Bodies is a Silver Lining for Slow Weekend
February 4th, 2013
There were a number of factors that hurt the box office over the weekend, not the least of which was the rather exciting Super Bowl game. (At least it sounds like it was exciting. I Googled the score a couple times, but I didn't watch the game.) Warm Bodies easily won the weekend race and finished on the high end of expectations, while Silver Linings Playbook remains on pace to reach $100 million. On the other hand, Bullet to the Head bombed. Overall, the box office fell 21% to just $89 million. Again, the Super Bowl had a lot to do with that. Compared to last year, the box office was down 23%. 2013 is still ahead of 2012 by 3.4% at $917 million to $887 million but that lead could be gone by the end of next weekend.
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Weekend Predictions: Will the Box Office Warm Up?
January 31st, 2013
February begins with two wide releases, Warm Bodies and Bullet to the Head. Both will have to deal with holdovers, and more importantly, The Super Bowl. Bullet to the Head's target audience is nearly identical to that for the Super Bowl, while at least Warm Bodies has at least some chance of a breakout success. Last year there were three wide releases, two of which opened with more than $20 million. It is going to be almost impossible for 2013 to match that result.
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Weekend Wrap-Up: New Releases Become the Hunted
January 28th, 2013
January ended, and we should all be glad it did. Hansel and Gretel: Witch Hunters did beat modest expectations, but most of the rest failed that test with Movie 43 crashing worse than even my low expectations. The overall box office fell 20% from last weekend to $112 million. This was 11% less than the same weekend last year; fortunately, this was the first miss of 2013 and the year still has a lead of 10% over 2012 at $797 million to $721 million.
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Weekend Predictions: Hunting the Competition
January 24th, 2013
There are three wide releases during the final weekend of January, but it looks like none of them will please critics. As I write this, the three films have a total of seven reviews on Rotten Tomatoes, none of them are positive. Hansel and Gretel: Witch Hunters should easily be the biggest hit of the three new films, but not everyone thinks it will come out on top, as Mama could remain potent. Parker and Movie 43 will likely struggle and getting to just $10 million over the weekend might be asking too much. Fortunately, the combination of new releases and holdovers is very similar to last year, so 2013 could win yet another weekend to start the year.
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Contest: Coming Home: Winning Announcement
January 23rd, 2013
The winners of our Coming Home contest were determined and they are...
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Per Theater Chart: Love Leads the Way
January 23rd, 2013
Amour continues to show legs most limited releases can only dream of. Despite expanding its theater count to 36, the film topped the per theater chart with an average of $11,479. It is very rare for a wide release to reach the $10,000 level during this time of year, but that's exactly what Mama did, as it opened with an average of $10,730 during the three-day portion of the weekend. Quartet might have reached the $10,000 mark. We are still relying on studio estimates and at the moment the studio says it made $320,000 in 32 theaters for an average of exactly $10,000.
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Weekend Wrap-Up: Mama Mia!
January 22nd, 2013
Mama easily won the box office race over the Martin Luther King, Jr. long weekend, with Zero Dark Thirty earning a solid second place. Unfortunately, the other two new releases, Broken City and The Last Stand, were weak and weaker. The overall box office was on par with last week, down less than 1% to $139 million, over the three-day weekend. This was 6% higher than the same weekend last year, over the same period. Adding on Monday, and the total weekend was $165 million, or about 1% higher than last year. It is still way too early to pay real attention to the year-to-date stats, but 2013 is ahead of 2012 by a 7.0% margin at $658 million to $615 million.
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Weekend Estimates: Mama Wins MLK Weekend
January 20th, 2013
For all the Oscar hype, moviegoers are voting with their feet this MLK weekend for a more straightforward entertainment bang for their buck. Mama is set to win the weekend by a large margin, with Universal estimating a $28.1 million three-day weekend and about $33 million over four days. With the film playing in a relatively modest 2,647 theaters, that translates into a per theater average of $10,625, comfortably ahead of any other wide release. Jessica Chastain has dual reasons to celebrate, with Zero Dark Thirty set to finish second for the weekend with $17.6 million. Fellow Oscar-hopeful Silver Linings Playbook will be third with about $11.35 million over three days in its first weekend in wide release.
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Weekend Predictions: Will Zero Remain Number One?
January 17th, 2013
There are a trio of new releases opening on Martin Luther King, Jr. weekend, but it looks like Zero Dark Thirty has a good chance to remain in first place. Mama is earning pretty good buzz, even if its reviews are only mixed. The Last Stand is the widest release of the week and the reviews are positive, but the buzz is mixed, to be kind. Finally, there's Broken City, which has the quietest buzz and the weakest reviews. Last year, Underworld: Awakening opened with just over $25 million and there's almost no chance that will happen again this year. Then again, we might have better depth.
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Contest: Coming Home
January 11th, 2013
Next week there are three films opening wide: Broken City, The Last Stand, and Mama. All three of them appear to be on track for a $15 million to $20 million opening, and none of them appear to be runaway favorites for top spot. To pick the target film for this week's box office prediction contest, I flipped a coin and Mama came out on top. In order to win, one must simply predict the opening weekend box office number for Mama.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Winx Club: The Secret of the Lost Kingdom Movie on DVD.
Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Winx Club: The Secret of the Lost Kingdom Movie on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2013 Preview: January
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/03/08 | 1 | $403,253 | 52 | $7,755 | $403,253 | 1 | |
2013/03/15 | 1 | $436,232 | +8% | 74 | $5,895 | $985,392 | 2 |
2013/03/22 | 2 | $321,178 | -26% | 72 | $4,461 | $1,443,718 | 3 |
2013/03/29 | 4 | $292,878 | -9% | 56 | $5,230 | $1,841,856 | 4 |
2013/04/05 | 5 | $190,048 | -35% | 63 | $3,017 | $2,187,324 | 5 |
2013/04/12 | 5 | $123,113 | -35% | 53 | $2,323 | $2,357,946 | 6 |
2013/04/19 | 8 | $73,197 | -41% | 49 | $1,494 | $2,461,242 | 7 |
2013/04/26 | 9 | $32,478 | -56% | 35 | $928 | $2,515,508 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/7/2013 | $403,253 | 52 | 74 | 454 | $2,515,508 | 12/30/2018 |
Australia | 3/14/2013 | $121,162 | 41 | 41 | 81 | $241,572 | 12/14/2015 |
Austria | 4/19/2013 | $309,054 | 69 | 69 | 138 | $557,646 | 12/14/2015 |
Bolivia | 2/7/2013 | $0 | 0 | 6 | 16 | $52,095 | 12/30/2018 |
Brazil | 4/5/2013 | $923,486 | 181 | 182 | 665 | $3,406,194 | 12/14/2015 |
Bulgaria | 1/18/2013 | $20,521 | 17 | 17 | 62 | $78,646 | 2/26/2019 |
Colombia | 3/1/2013 | $322,426 | 111 | 111 | 502 | $1,693,816 | 12/30/2018 |
Croatia | 3/7/2013 | $15,701 | 9 | 12 | 51 | $54,648 | 12/30/2018 |
Czech Republic | 3/21/2013 | $68,455 | 59 | 59 | 150 | $194,226 | 12/30/2018 |
Egypt | 2/27/2013 | $19,676 | 10 | 10 | 62 | $128,275 | 12/30/2018 |
Estonia | 2/22/2013 | $17,375 | 8 | 8 | 17 | $54,735 | 12/14/2015 |
Finland | 3/22/2013 | $99,423 | 51 | 51 | 210 | $489,713 | 12/14/2015 |
Germany | 4/18/2013 | $1,459,060 | 328 | 368 | 696 | $2,965,357 | 12/14/2015 |
Hong Kong | 3/14/2013 | $161,067 | 35 | 35 | 59 | $330,792 | 12/14/2015 |
India | 2/8/2013 | $37,596 | 50 | 50 | 50 | $37,596 | 12/14/2015 |
Indonesia | 2/8/2013 | $33,131 | 94 | 105 | 418 | $1,680,789 | 12/30/2018 |
Israel | 4/4/2013 | $0 | 0 | 16 | 28 | $172,863 | 12/30/2018 |
Italy | 3/21/2013 | $1,127,132 | 241 | 241 | 519 | $3,125,266 | 12/14/2015 |
Latvia | 3/15/2013 | $11,439 | 5 | 5 | 19 | $61,552 | 12/30/2018 |
Lebanon | 2/21/2013 | $39,692 | 12 | 12 | 24 | $95,934 | 12/30/2018 |
Lithuania | 3/1/2013 | $16,355 | 6 | 6 | 34 | $71,787 | 12/14/2015 |
Malaysia | 1/17/2013 | $260,399 | 64 | 64 | 205 | $889,129 | 12/14/2015 |
Mexico | 2/1/2013 | $0 | 0 | 406 | 942 | $9,823,169 | 12/14/2015 |
Netherlands | 3/7/2013 | $329,108 | 40 | 43 | 246 | $1,172,943 | 12/14/2015 |
North America | 1/18/2013 | $28,402,310 | 2,647 | 2,781 | 14,716 | $71,628,180 | 8/19/2015 |
Norway | 4/5/2013 | $123,801 | 85 | 85 | 204 | $350,130 | 12/14/2015 |
Peru | 2/7/2013 | $323,156 | 87 | 87 | 279 | $1,145,136 | 12/30/2018 |
Philippines | 2/6/2013 | $161,553 | 71 | 71 | 109 | $278,075 | 12/30/2018 |
Poland | 2/22/2013 | $126,260 | 47 | 47 | 131 | $335,818 | 12/30/2018 |
Portugal | 3/7/2013 | $61,335 | 24 | 24 | 93 | $211,985 | 7/14/2016 |
Romania | 3/1/2013 | $24 | 1 | 6 | 21 | $123,365 | 12/30/2018 |
Russia (CIS) | 3/7/2013 | $0 | 0 | 498 | 1010 | $6,027,432 | 12/30/2018 |
Serbia and Montenegro | 3/7/2013 | $6,033 | 7 | 7 | 49 | $24,020 | 12/30/2018 |
Singapore | 1/17/2013 | $293,209 | 29 | 29 | 73 | $610,043 | 12/14/2015 |
Slovakia | 3/21/2013 | $27,203 | 33 | 33 | 70 | $70,269 | 12/14/2015 |
Slovenia | 2/21/2013 | $10,661 | 7 | 7 | 49 | $60,367 | 12/14/2015 |
Spain | 2/8/2013 | $3,582,150 | 345 | 361 | 1997 | $10,287,633 | 12/14/2015 |
Sweden | 4/3/2013 | $134,728 | 51 | 51 | 187 | $500,532 | 12/14/2015 |
Switzerland | 4/18/2013 | $136,169 | 22 | 22 | 44 | $249,909 | 12/14/2015 |
Taiwan | 3/8/2013 | $273,803 | 58 | 60 | 210 | $946,996 | 12/14/2015 |
Thailand | 2/7/2013 | $78,202 | 35 | 35 | 68 | $154,025 | 12/14/2015 |
Turkey | 1/18/2013 | $134,572 | 76 | 76 | 260 | $669,813 | 12/30/2018 |
Ukraine | 1/17/2013 | $113,320 | 47 | 52 | 149 | $284,997 | 12/30/2018 |
United Arab Emirates | 2/14/2013 | $310,052 | 29 | 29 | 56 | $762,155 | 12/30/2018 |
United Kingdom | 2/22/2013 | $2,373,248 | 392 | 399 | 1763 | $8,331,347 | 12/14/2015 |
Uruguay | 3/15/2013 | $25,471 | 7 | 8 | 47 | $152,561 | 12/30/2018 |
Venezuela | 4/19/2013 | $286,302 | 45 | 45 | 88 | $893,040 | 12/14/2015 |
Vietnam | 1/18/2013 | $209,049 | 35 | 35 | 93 | $856,728 | 12/30/2018 |
Rest of World | $13,246,759 | ||||||
Worldwide Total | $148,095,566 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jessica Chastain | Annabel |
Supporting Cast
Nikolaj Coster-Waldau | Lucas/Jeffrey |
Megan Charpentier | Victoria |
Isabelle Nelisse | Lilly |
Daniel Kash | Dr. Dreyfuss |
Javier Botet | Mama |
Jane Moffat | Jean Podolski/Mama Voice |
Morgan McGarry | Young Victoria |
David Fox | Burnsie |
Domenic Cuzzocrea | Ron |
Chris Marren | Cop |
Julia Chantrey | Nina |
Ray Kahnert | Judge |
Diane Gordon | Lousie |
Matthew Edison | Young Cop |
Maya Dawe | Young Lilly |
Sierra Dawe | Young Lilly |
Nick Hall | Annabel's Bandmate |
Joey Proulx | Annabel's Bandmate |
Hannah Cheesman | Beautiful Mama/Skinny Woman |
Elvamai Hoover | Dr. Dreyfuss' Secretary |
Pamela Susan Farrauto | Nun |
Chrys Hobbs | Nun 2 |
Laura Guiteras | Mama Voice |
Melina Matthews | Mama Voice |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Andy Muschietti | Director |
Neil Cross | Screenwriter |
Andy Muschietti | Screenwriter |
Barbara Muschietti | Screenwriter |
Andy Muschietti | Story Creator |
Barbara Muschietti | Story Creator |
J. Miles Dale | Producer |
Barbara Muschietti | Producer |
Guillermo del Toro | Executive Producer |
Christina Lera Gracia | Associate Producer |
Antonio Riestra | Director of Photography |
Michele Conroy | Editor |
Luis Sequeira | Costume Designer |
Fernando Velazquez | Composer |
Anastasia Masaro | Production Designer |
Robin D. Cook | Casting |
Dennis Chapman | Unit Production Manager |
Ingrid Fdez De Castro | Line Producer |
Jeff Authors | First Assistant Director |
Penny Charter | Assistant Director |
Mariano Liwski | Post-Production Supervisor |
Elis Lam | Art Director |
Arlene Lott | 1st Assistant Director |
Julie Lugosi | 1st Assistant Director |
Aleks Marinkovich | 1st Assistant Director |
Patricia Cuccia | Set Decorator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.