Mexico Box Office for The Magnificent Seven (2016)
Theatrical Performance (US$) | ||
Mexico Box Office | $1,039,402 | Details |
Worldwide Box Office | $162,122,642 | Details |
Home Market Performance | ||
North America DVD Sales | $21,963,639 | Details |
North America Blu-ray Sales | $19,532,629 | Details |
Total North America Video Sales | $41,496,268 | |
Further financial details... |
Synopsis
With the town of Rose Creek under the deadly control of industrialist Bartholomew Bogue, the desperate townspeople employ protection from seven outlaws, bounty hunters, gamblers and hired guns — Sam Chisolm, Josh Farraday, Goodnight Robicheaux, Jack Horne, Billy Rocks, Vasquez, and Red Harvest. As they prepare the town for the violent showdown that they know is coming, these seven mercenaries find themselves fighting for more than money.
Metrics
Movie Details
Production Budget: | $90,000,000 |
Mexico Releases: | September 23rd, 2016 (Wide) |
Video Release: | December 6th, 2016 by Sony Pictures Home Entertainment January 23rd, 2017 by Sony Pictures |
MPAA Rating: | PG-13 for extended and intense sequences of Western violence, and for historical smoking, some language and suggestive material. (Rating bulletin 2426 (Cert #49887), 5/25/2016) |
Running Time: | 128 minutes |
Keywords: | Ensemble, Mercenaries, Death of a Spouse or Fiancée / Fiancé, Robber Baron, Remake, Foreign-Language Remake, IMAX: DMR, Revisionist Western |
Source: | Remake |
Genre: | Western |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Metro-Goldwyn-Mayer Pictures, Columbia Pictures, LStar Capital, Village Roadshow Productions, Pin High, Escape Artists |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 20th, 2016
December 19th, 2016
It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss.
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Home Market Releases for December 6th, 2016
December 5th, 2016
There are a few releases on this week’s list that are worth picking up. The Secret Life of Pets is by far the biggest release of the week. That said, Don’t Think Twice is the best and the Blu-ray is our Pick of the Week.
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Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million
October 11th, 2016
Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button.
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Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million
October 4th, 2016
The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former.
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Weekend Predictions: Will September end on a Disastrous Note?
September 29th, 2016
Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison.
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International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million
September 29th, 2016
Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record.
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Contest: Magnificent Prizes: Winning Announcement
September 29th, 2016
The winners of our Magnificent Prizes contest were determined and the entrants with the closest predictions for The Magnificent Seven opening weekend were...
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Theater Averages: The Week’s Best Average Money can Buy is $9,511
September 28th, 2016
Like last week, no films joined the $10,000 club this past weekend. Two came close though. Firstly, The Best Democracy Money Can Buy earned $9,511 in its lone theater. That’s excellent for a documentary and hopefully this start will help it be seen by more. The number one overall film, The Magnificent Seven, was close behind with an average of $9,446.
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Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues
September 27th, 2016
Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion.
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Weekend Estimates: Magnificent Seven Rides to $35 Million Opening
September 25th, 2016
The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition.
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Friday Estimates: Magnificent was Merely Okay with $12.7 million
September 24th, 2016
The Friday box office was not particularly good, as The Magnificent Seven led the way with just $12.7 million. This isn’t terrible. In fact, it is nearly the record for biggest opening day in September for a non-sequel. (Sweet Home Alabama still holds that record.) However, this is far below the nearly $20 million a lot were expecting. There are some positive signs going forward. The film’s reviews are good and it did earn an A- from CinemaScore, so that should help its legs. Likewise, Denzel Washington’s films do tend to have long legs. A $35 million opening weekend is likely on the cards and that could be enough to get to the century mark domestically. I’m not saying $100 million is likely, but I also wouldn’t bet against it.
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Thursday Night Previews: Magnificent Can’t Live Up to Name, but still Starts well with $1.75 million - Updated with Storks' Start
September 23rd, 2016
The Magnificent Seven earned $1.75 million during Thursday’s previews. This is not terrible; it is better than the $1.5 million The Equalizer made in 2014 and the $1.35 million Sully made two weeks ago. However, it is not as strong as most were expecting. Perhaps it will still match predictions, if the audience reaction is significantly better than its reviews. I wouldn’t bet on it. It will still likely earn first place, but now just under $40 million looks more likely than $50 million.
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Weekend Predictions: Will the New Releases be Magnificent?
September 22nd, 2016
It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it.
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Contest: Bewitching Prizes: Winning Announcement
September 22nd, 2016
The winners of our Bewitching Prizes contest were determined and the entrants with the closest predictions for Blair Witch opening weekend were...
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Contest: Magnificent Prizes
September 16th, 2016
There are a pair of wide releases coming out next week, The Magnificent Seven and Storks. Both films have a shot at $100 million domestically, but because Storks is a family film, The Magnificent Seven should get off to a faster start. Therefore, The Magnificent Seven is the better choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Magnificent Seven.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Twin Peaks: The Original Series, Fire Walk With Me & The Missing Pieces on Blu-ray.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a previously reviewed TV on DVD release.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a previously reviewed TV on DVD release.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: September
September 1st, 2016
August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/09/23 | 8 | $321,655 | 187 | $1,720 | $321,655 | 1 | |
2016/09/30 | 11 | $119,353 | -63% | 141 | $846 | $597,981 | 2 |
2016/10/07 | - | $44,861 | -62% | 52 | $863 | $691,967 | 3 |
2016/10/14 | - | $15,537 | -65% | 23 | $676 | $730,453 | 4 |
2016/10/21 | - | $36,417 | +134% | 27 | $1,349 | $775,419 | 5 |
2016/10/28 | - | $10,874 | -70% | 17 | $640 | $804,022 | 6 |
2016/11/04 | - | $14,448 | +33% | 13 | $1,111 | $828,527 | 7 |
2016/11/11 | - | $76,692 | +431% | 77 | $996 | $910,641 | 8 |
2016/11/18 | - | $36,150 | -53% | 57 | $634 | $987,649 | 9 |
2016/11/25 | - | $12,988 | -64% | 26 | $500 | $1,027,952 | 10 |
2016/12/02 | - | $1,953 | -85% | 4 | $488 | $1,037,250 | 11 |
2016/12/09 | - | $1,073 | -45% | 2 | $537 | $1,039,402 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/22/2016 | $294,636 | 110 | 110 | 205 | $670,160 | 11/30/2018 |
Aruba | 9/22/2016 | $4,429 | 2 | 3 | 11 | $21,993 | 12/31/2018 |
Australia | 9/23/2016 | $174,778 | 116 | 371 | 1458 | $6,066,648 | 10/20/2022 |
Austria | 9/23/2016 | $172,398 | 79 | 79 | 330 | $617,462 | 11/14/2016 |
Belgium | 9/28/2016 | $213,664 | 47 | 47 | 205 | $563,059 | 11/14/2016 |
Bolivia | 9/29/2016 | $21,725 | 15 | 15 | 29 | $54,843 | 12/31/2018 |
Brazil | 9/22/2016 | $1,167,998 | 252 | 252 | 759 | $2,997,144 | 11/29/2016 |
Bulgaria | 9/23/2016 | $55,640 | 0 | 0 | 0 | $173,376 | 2/26/2019 |
Cambodia | 9/22/2016 | $12,478 | 24 | 24 | 24 | $14,941 | 12/31/2018 |
Central America | 9/22/2016 | $189,537 | 125 | 125 | 235 | $375,801 | 10/18/2016 |
Chile | 9/22/2016 | $112,082 | 46 | 48 | 111 | $260,323 | 12/31/2018 |
Colombia | 9/22/2016 | $275,273 | 180 | 180 | 335 | $560,425 | 12/31/2018 |
Croatia | 9/22/2016 | $34,550 | 35 | 35 | 106 | $103,991 | 12/31/2018 |
Curacao | 9/22/2016 | $6,073 | 4 | 4 | 10 | $18,478 | 12/31/2018 |
Czech Republic | 9/23/2016 | $54,009 | 78 | 78 | 146 | $135,578 | 12/31/2018 |
Dominican Republic | 9/22/2016 | $38,999 | 18 | 25 | 43 | $63,519 | 12/31/2018 |
East Africa | 9/30/2016 | $0 | 0 | 1 | 2 | $5,271 | 10/18/2016 |
Ecuador | 9/23/2016 | $54,406 | 40 | 40 | 106 | $160,313 | 12/31/2018 |
Estonia | 9/23/2016 | $23,264 | 17 | 17 | 45 | $70,419 | 10/25/2016 |
France | 9/28/2016 | $1,863,752 | 400 | 400 | 1712 | $5,062,649 | 11/8/2016 |
Germany | 9/22/2016 | $1,270,898 | 494 | 549 | 2322 | $4,809,894 | 11/29/2016 |
Ghana | 9/23/2016 | $0 | 0 | 3 | 15 | $20,636 | 12/31/2018 |
Greece | 9/22/2016 | $133,114 | 92 | 92 | 182 | $391,566 | 11/1/2016 |
Hong Kong | 10/13/2016 | $237,940 | 70 | 70 | 125 | $448,358 | 11/1/2016 |
India | 9/23/2016 | $365,716 | 482 | 482 | 562 | $607,575 | 10/25/2016 |
Indonesia | 9/21/2016 | $739,570 | 260 | 260 | 573 | $1,285,646 | 12/31/2018 |
Italy | 9/22/2016 | $705,432 | 363 | 363 | 901 | $1,924,842 | 10/25/2016 |
Jamaica | 9/21/2016 | $28,470 | 5 | 5 | 19 | $79,459 | 12/31/2018 |
Japan | 1/27/2017 | $737,582 | 291 | 291 | 1188 | $2,659,550 | 3/14/2017 |
Kenya | 9/23/2016 | $19,841 | 14 | 14 | 30 | $53,063 | 12/31/2018 |
Latvia | 9/23/2016 | $13,196 | 8 | 8 | 15 | $36,095 | 12/31/2018 |
Lithuania | 9/23/2016 | $20,276 | 101 | 101 | 142 | $42,449 | 10/13/2016 |
Malaysia | 9/22/2016 | $504,820 | 279 | 279 | 670 | $1,138,903 | 11/8/2016 |
Mexico | 9/23/2016 | $321,655 | 187 | 187 | 626 | $1,039,402 | 12/13/2016 |
Mongolia | 10/14/2016 | $9,260 | 5 | 5 | 12 | $26,650 | 12/31/2018 |
Netherlands | 9/22/2016 | $436,020 | 104 | 104 | 521 | $1,655,577 | 11/14/2016 |
New Zealand | 9/23/2016 | $35,415 | 25 | 76 | 398 | $1,047,576 | 12/6/2016 |
Nigeria | 9/23/2016 | $26,551 | 26 | 27 | 83 | $129,104 | 12/31/2018 |
North America | 9/23/2016 | $34,703,397 | 3,674 | 3,696 | 19,075 | $93,432,655 | 2/22/2018 |
Pakistan | 9/23/2016 | $14,326 | 22 | 22 | 34 | $41,725 | 12/31/2018 |
Peru | 9/22/2016 | $86,601 | 57 | 57 | 68 | $172,349 | 12/31/2018 |
Philippines | 9/21/2016 | $452,437 | 185 | 185 | 300 | $740,955 | 12/31/2018 |
Poland | 9/23/2016 | $193,653 | 0 | 0 | 0 | $611,785 | 11/18/2018 |
Portugal | 9/23/2016 | $179,905 | 82 | 82 | 272 | $467,511 | 11/10/2016 |
Russia (CIS) | 9/22/2016 | $1,858,587 | 1028 | 1028 | 2720 | $3,441,114 | 12/31/2018 |
Serbia and Montenegro | 9/22/2016 | $11,432 | 25 | 25 | 59 | $39,268 | 12/31/2018 |
Singapore | 9/22/2016 | $352,013 | 39 | 39 | 107 | $710,985 | 11/1/2016 |
Slovakia | 9/23/2016 | $37,310 | 73 | 73 | 121 | $75,912 | 10/19/2016 |
Slovenia | 9/22/2016 | $10,579 | 21 | 21 | 54 | $37,455 | 10/25/2016 |
South Africa | 9/23/2016 | $130,864 | 67 | 72 | 317 | $520,788 | 12/6/2016 |
South Korea | 9/14/2016 | $2,937,889 | 579 | 579 | 1201 | $6,684,317 | 2/8/2018 |
Spain | 9/23/2016 | $1,162,394 | 449 | 449 | 1661 | $3,538,440 | 12/13/2016 |
Suriname | 9/22/2016 | $934 | 1 | 1 | 4 | $3,302 | 12/31/2018 |
Switzerland | 9/22/2016 | $199,032 | 60 | 88 | 261 | $693,507 | 11/14/2016 |
Taiwan | 10/7/2016 | $215,618 | 63 | 63 | 118 | $437,348 | 11/1/2016 |
Thailand | 10/13/2016 | $134,221 | 109 | 109 | 226 | $428,833 | 11/8/2016 |
Trinidad | 9/21/2016 | $74,838 | 20 | 20 | 62 | $189,766 | 12/31/2018 |
Turkey | 9/23/2016 | $159,934 | 164 | 164 | 437 | $470,419 | 2/26/2019 |
Ukraine | 9/22/2016 | $215,727 | 227 | 227 | 598 | $447,114 | 12/31/2018 |
United Kingdom | 9/23/2016 | $2,763,521 | 543 | 543 | 2002 | $7,921,183 | 12/13/2016 |
Uruguay | 9/22/2016 | $17,492 | 12 | 12 | 28 | $34,032 | 12/31/2018 |
Venezuela | 9/23/2016 | $20,702 | 45 | 45 | 131 | $83,036 | 11/8/2016 |
Vietnam | 9/23/2016 | $139,128 | 98 | 98 | 204 | $334,014 | 12/31/2018 |
Rest of World | $5,172,091 | ||||||
Worldwide Total | $162,122,642 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Denzel Washington | Chisolm |
Chris Pratt | Josh Faraday |
Ethan Hawke | Goodnight Robicheaux |
Vincent D'Onofrio | Jack Horne |
Byung-hun Lee | Billy Rocks |
Manuel Garcia Rulfo | Vasquez |
Martin Sensmeier | Red Harvest |
Supporting Cast
Peter Sarsgaard | Bartholomew Bogue |
Haley Bennett | Emma Cullen |
Luke Grimes | Teddy Q |
Matt Bomer | Matthew Cullen |
Jonathan Joss | Denali |
Cam Gigandet | McCann |
Emil Beheshti | Maxwell |
Mark Ashworth | Preacher |
Billy Slaughter | Josiah |
Dodge Prince | Anthony |
Matthew Posey | Hank Stoner |
Carrie Lazar | Leni Frankel |
Jody Mullins | Caleb Frankel |
Clint James | Fenton |
Dane Rhodes | Sheriff Harp |
Ritchie Montgomery | Gavin David |
Sean Bridgers | Fanning |
William Lee Scott | Moody |
David Kallaway | Turner/Blacksmith |
Griff Furst | Phillips |
Alix Angelis | Clara Winthrop (Teacher) |
Sean Boyd | Topper |
Rob Mello | Mine Paymaster |
Walker Babington | Dicky |
Thomas Blake, Jr. | Earl |
Ryan Brown | Ken Pigeon |
Derek Lacasa | Len Pigeon |
John Wylie | Station Master |
Chad Randall | Bartender/Powder Dan |
Kevin Wayne | Monday Durant |
Wally Welch | Sheriff |
Ed Lowry | Stablemaster |
David Manzanares | Referee/Eddy |
Dylan Kenin | Cowboy |
Kevin Wiggins | Another Cowboy |
Jackson Beals | One Eyed Lucas |
Miles Doleac | Faraday Card Game #2 |
Heath Lemme | Heath |
Charles Bickham | Rose Creek Boy |
Gregory Chase Williams | Undertaker's Assistant |
Fionn Camp | Rose Creek Girl |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Antoine Fuqua | Director |
Roger Birnbaum | Producer |
Todd Black | Producer |
Nic Pizzolatto | Screenwriter |
Richard Wenk | Screenwriter |
Walter Miresch | Executive Producer |
Antoine Fuqua | Executive Producer |
Bruce Berman | Executive Producer |
Ben Waisbren | Executive Producer |
Mauro Fiore | Director of Photography |
Derek R. Hill | Production Designer |
John Refoua | Editor |
Sharen Davis | Costume Designer |
James Horner | Composer |
Simon Franglen | Composer |
Sean Devereaux | Visual Effects Supervisor |
Kat Samick | Co-Producer |
Mary Vernieu | Casting Director |
Lindsay Graham | Casting Director |
Udi Nedivi | Unit Production Manager |
Wendy S. Williams | Unit Production Manager |
David Valdes | Unit Production Manager |
Joe Camp III | First Assistant Director |
Kevin Lum | Second Assistant Director |
Leslie McDonald | Art Director |
Sean Ryan Jennings | Art Director |
Merissa Lombardo | Set Decorator |
Bradford Johnson | Set Decorator |
John Berger | Set Designer |
Al Hobbs | Set Designer |
Karl Martin | Set Designer |
Molly Mikula | Set Designer |
Heidi Anna Erl | Production Supervisor |
Ed Novick | Sound Mixer |
Robert Q. Mathews | Costume Supervisor |
Liz Bernstrom | Make up |
Carla Chao Brenholtz | Make up |
Mary Mastro | Hairstylist |
Donna Spahn-Jones | Hairstylist |
Dawn Gilliam | Script Supervisor |
Ed Lipscomb | Location Manager |
Jeff Dashnaw | Second Unit Director |
Lukasz Jogalla | Second Unit Director of Photography |
Leslie Rodier | Post-Production Supervisor |
William Paley | Additional Editor |
Joe E. Rand | Music Editor |
Jim Henrikson | Music Editor |
Rowan Maher | Assistant Editor |
Bart Breve | Assistant Editor |
Jamal McLemore | Assistant Editor |
Matt Evans | Assistant Editor |
Scott Shapiro | Visual Effects Producer |
Steve Pederson | Re-recording Mixer |
Daniel J. Leahy | Re-recording Mixer |
Mandell Winter | Supervising Sound Editor |
David Esparza | Supervising Sound Editor |
Ryan Collins | Sound Effects Editor |
Julie Feiner | Dialogue Editor |
Russell Farmarco | Dialogue Editor |
Christopher T. Welch | Dialogue Editor |
Henry Auerbach | Dialogue Editor |
James Ashwill | Foley Mixer |
Richard Duarte | Foley Mixer |
Simon Rhodes | Additional Music |
Kevin Globerman | Recordist |
Jeff Dashnaw | Stunt Coordinator |
Chad Dashnaw | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.