New Zealand Box Office for Lyle, Lyle, Crocodile (2022)
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| Theatrical Performance (US$) | ||
| New Zealand Box Office | $669,791 | Details |
| Worldwide Box Office | $107,192,068 | Details |
| Home Market Performance | ||
| North America DVD Sales | $3,182,092 | Details |
| North America Blu-ray Sales | $1,927,963 | Details |
| Total North America Video Sales | $5,110,055 | |
| Further financial details... | ||
Synopsis
When the Primm family moves to New York City, their young son Josh struggles to adapt to his new school and new friends. All of that changes when he discovers Lyle — a singing crocodile who loves baths, caviar and great music-living in the attic of his new home. The two become fast friends, but when Lyle’s existence is threatened by evil neighbor Mr. Grumps, the Primm’s must band together with Lyle’s charismatic owner, Hector P. Valenti, to show the world that family can come from the most unexpected places and there’s nothing wrong with a big singing crocodile with an even bigger personality.
Metrics
Movie Details
| Production Budget: | $50,000,000 |
| New Zealand Releases: | October 6th, 2022 (Wide) |
| Video Release: | November 22nd, 2022 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG for mild peril and thematic elements. (Rating bulletin 2749 (cert #53498), 9/14/2022) |
| Running Time: | 106 minutes |
| Keywords: | Animal Lead, Talking Animals, New Guy/Girl in School, Set in New York City, Set in New York, Neighbors from Hell, Family Musical |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Musical |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Columbia Pictures, Hutch Parker, Eagle Pictures |
| Production Countries: | United States |
| Languages: | English |
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/10/07 | 3 | $151,679 | 105 | $1,445 | $151,679 | 1 | |
| 2022/10/14 | 2 | $171,174 | +13% | 108 | $1,585 | $467,104 | 2 |
| 2022/10/21 | 6 | $22,075 | -87% | 102 | $216 | $496,328 | 3 |
| 2022/10/28 | 10 | $22,646 | +3% | 83 | $273 | $550,089 | 4 |
| 2022/11/04 | 12 | $10,515 | -54% | 68 | $155 | $565,235 | 5 |
| 2022/11/11 | 6 | $14,572 | +39% | 61 | $239 | $590,269 | 6 |
| 2022/11/18 | 9 | $16,202 | +11% | 52 | $312 | $619,240 | 7 |
| 2022/11/25 | 13 | $4,776 | -71% | 30 | $159 | $640,829 | 8 |
| 2022/12/02 | 19 | $3,394 | -29% | 20 | $170 | $653,318 | 9 |
| 2022/12/09 | 18 | $5,475 | +61% | 30 | $183 | $675,163 | 10 |
| 2022/12/16 | 18 | $1,305 | -76% | 10 | $131 | $682,746 | 11 |
| 2022/12/23 | 20 | $832 | -36% | 12 | $69 | $670,019 | 12 |
| 2022/12/30 | - | $433 | -48% | 11 | $39 | $675,717 | 13 |
| 2023/01/06 | 19 | $1,718 | +297% | 4 | $430 | $677,872 | 14 |
| 2023/01/20 | - | $92 | 2 | $46 | $681,675 | 16 | |
| 2023/03/17 | - | $128 | 1 | $128 | $669,791 | 24 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/26/2022 | $1,056,067 | 353 | 405 | 3033 | $8,136,425 | 11/27/2023 |
| Brazil | 11/3/2022 | $560,000 | 0 | 0 | 0 | $560,000 | 11/6/2022 |
| China | 4/15/2023 | $640,000 | 18286 | 18286 | 22351 | $830,000 | 4/24/2023 |
| Croatia | 12/29/2022 | $21,199 | 44 | 45 | 246 | $98,941 | 3/24/2023 |
| Czech Republic | 10/27/2022 | $17,691 | 18 | 159 | 675 | $691,839 | 2/21/2023 |
| Finland | 11/4/2022 | $48,013 | 91 | 91 | 282 | $170,000 | 12/13/2022 |
| France | 11/30/2022 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 10/20/2022 | $640,000 | 0 | 0 | 0 | $640,000 | 10/23/2022 |
| Italy | 10/27/2022 | $216,738 | 0 | 0 | 0 | $853,288 | 11/21/2022 |
| Japan | 3/24/2023 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 10/27/2022 | $630,549 | 0 | 0 | 0 | $2,565,813 | 11/29/2022 |
| Middle East Region | 10/20/2022 | $615,000 | 0 | 0 | 0 | $615,000 | 10/23/2022 |
| Netherlands | 12/8/2022 | $0 | 0 | 187 | 1388 | $2,451,343 | 4/4/2023 |
| New Zealand | 10/6/2022 | $151,679 | 105 | 108 | 699 | $669,791 | 3/20/2023 |
| North America | 10/7/2022 | $11,401,182 | 4,350 | 4,350 | 28,107 | $46,888,441 | |
| Portugal | 10/27/2022 | $78,667 | 74 | 75 | 490 | $554,118 | 1/10/2023 |
| Romania | 12/23/2022 | $45,367 | 66 | 66 | 321 | $383,738 | 3/22/2023 |
| Russia (CIS) | 10/27/2022 | $164,349 | 135 | 135 | 467 | $754,061 | 11/23/2022 |
| Slovakia | 10/27/2022 | $45,987 | 66 | 66 | 400 | $284,651 | 3/7/2023 |
| South Korea | 1/18/2023 | $130,224 | 384 | 384 | 539 | $390,899 | 2/15/2023 |
| Spain | 10/20/2022 | $592,589 | 369 | 393 | 2409 | $2,482,326 | 2/15/2023 |
| Turkey | 11/18/2022 | $94,999 | 111 | 111 | 270 | $150,397 | 4/4/2024 |
| United Kingdom | 10/14/2022 | $3,119,886 | 652 | 707 | 5255 | $15,529,977 | 1/11/2023 |
| Rest of World | $21,491,020 | ||||||
| Worldwide Total | $107,192,068 | 4/4/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Winslow Fegley | Josh |
| Shawn Mendes | Lyle |
Supporting Cast
| Brett Gelman | Mr. Grumps |
| Javier Bardem | Valenti |
| Constance Wu | |
| Scoot McNairy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Will Speck | Director |
| Josh Gordon | Director |
| Will Davies | Screenwriter |
| Will Speck | Producer |
| Josh Gordon | Producer |
| Hutch Parker | Producer |
| Dan Wilson | Executive Producer |
| Kevin K. Vafi | Executive Producer |
| Benj Pasek | Executive Producer |
| Justin Paul | Executive Producer |
| Robert J. Dohrmann | Executive Producer |
| Tarak Ben Ammar | Executive Producer |
| Andy Mitchell | Executive Producer |
| Matt Cavanaugh | Sound Effects Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.