Russia (CIS) Box Office for Лука (2021)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $9,544,644 | Details |
Worldwide Box Office | $51,112,314 | Details |
Home Market Performance | ||
North America DVD Sales | $3,080,346 | Details |
North America Blu-ray Sales | $3,679,624 | Details |
Total North America Video Sales | $6,759,970 | |
Further financial details... |
Synopsis
Set in a beautiful seaside town on the Italian Riviera, Disney, “Luca” is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface.
Metrics
Movie Details
Russia (CIS) Releases: | June 17th, 2021 (Wide), released as Лука |
Video Release: | June 18th, 2021 by Disney+ |
MPAA Rating: | PG for rude humor, language, some thematic elements and brief violence. (Rating bulletin 2680 (cert #53150), 5/12/2021) |
Running Time: | 95 minutes |
Keywords: | Family Adventure, Underwater, Set in Italy, Coming of Age, Disrupted by 2020 COVID-19 pandemic |
Source: | Original Screenplay |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | Disney-Pixar |
Production Countries: | United States |
Languages: | English, Italian |
Weekend predictions: Ghostbusters looking to scare up $40 million on debut
March 22nd, 2024
Ghostbusters: Frozen Empire will top the box office chart this weekend fairly comfortably, knocking Kung Fu Panda 4 into second or third place, depending on how it holds on compared to Dune: Part Two. After a long dry spell, this could be the first weekend since August 4 last year to have three films earn over $20 million.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/06/18 | 1 | $1,854,947 | 1,960 | $946 | $1,854,947 | 1 | |
2021/06/25 | 1 | $1,206,338 | -35% | 1,917 | $629 | $3,913,673 | 2 |
2021/07/02 | 1 | $853,725 | -29% | 1,835 | $465 | $5,280,130 | 3 |
2021/07/09 | 2 | $465,143 | -46% | 1,323 | $352 | $6,117,751 | 4 |
2021/07/16 | 3 | $333,013 | -28% | 1,087 | $306 | $6,709,790 | 5 |
2021/07/23 | 5 | $295,970 | -11% | 765 | $387 | $7,216,612 | 6 |
2021/07/30 | 5 | $215,579 | -27% | 612 | $352 | $7,641,170 | 7 |
2021/08/06 | 4 | $178,551 | -17% | 498 | $359 | $8,045,446 | 8 |
2021/08/13 | 6 | $105,040 | -41% | 366 | $287 | $8,107,474 | 9 |
2021/08/20 | 11 | $31,686 | -70% | 246 | $129 | $8,058,039 | 10 |
2021/08/27 | 20 | $13,694 | -57% | 98 | $140 | $8,182,556 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 6/17/2021 | $0 | 0 | 235 | 241 | $65,875 | 4/29/2024 |
Belgium | 5/1/2024 | $0 | 0 | 0 | 0 | $0 | |
China | 8/20/2021 | $5,110,000 | 60415 | 60415 | 113661 | $13,720,000 | 9/24/2021 |
Czech Republic | 6/18/2021 | $28,904 | 114 | 114 | 565 | $476,619 | 10/20/2022 |
Finland | 5/10/2024 | $4,895 | 35 | 35 | 35 | $4,895 | 5/13/2024 |
Hong Kong | 6/18/2021 | $0 | 0 | 0 | 0 | $3,254,845 | 9/14/2021 |
Israel | 6/17/2021 | $0 | 0 | 0 | 0 | $1,400,000 | 10/20/2022 |
Italy | 4/25/2024 | $216,128 | 0 | 0 | 0 | $216,233 | 4/29/2024 |
Japan | 3/29/2024 | $0 | 0 | 0 | 0 | $0 | |
Lithuania | 7/23/2021 | $31,586 | 19 | 19 | 132 | $264,186 | 10/20/2022 |
Mexico | 3/21/2024 | $0 | 0 | 0 | 0 | $308,019 | 4/2/2024 |
Netherlands | 4/11/2024 | $8,425 | 69 | 69 | 69 | $86,608 | 4/16/2024 |
New Zealand | 6/19/2021 | $464 | 2 | 50 | 71 | $9,082 | 4/2/2024 |
North America | 6/18/2021 | $558,396 | 1,390 | 1,390 | 2,780 | $1,324,302 | |
Poland | 6/18/2021 | $136,783 | 0 | 0 | 0 | $3,621,257 | 10/20/2022 |
Russia (CIS) | 6/17/2021 | $1,854,947 | 1960 | 1960 | 10707 | $9,544,644 | 10/20/2022 |
Saudi Arabia | 6/18/2021 | $0 | 0 | 0 | 0 | $2,200,000 | 10/20/2022 |
Slovakia | 6/18/2021 | $26,123 | 58 | 58 | 275 | $287,066 | 3/1/2022 |
South Korea | 6/17/2021 | $939,298 | 854 | 854 | 2773 | $2,999,777 | 8/20/2021 |
Spain | 3/22/2024 | $32,932 | 198 | 198 | 331 | $77,229 | 4/4/2024 |
Sweden | 4/12/2024 | $0 | 0 | 0 | 0 | $0 | |
Taiwan | 6/18/2021 | $0 | 0 | 0 | 0 | $366,926 | 10/20/2022 |
Turkey | 9/3/2021 | $136,300 | 266 | 284 | 1898 | $1,070,982 | 10/20/2022 |
United Arab Emirates | 6/18/2021 | $0 | 0 | 0 | 0 | $1,600,000 | 7/12/2021 |
United Kingdom | 6/18/2021 | $0 | 0 | 556 | 556 | $140,177 | 4/10/2024 |
Rest of World | $8,073,592 | ||||||
Worldwide Total | $51,112,314 | 5/13/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Enrico Casarosa | Director |
Andrea Warren | Producer |
Pete Docter | Executive Producer |
Peter Sohn | Executive Producer |
Kiri Hart | Executive Producer |
Catherine Apple | Editor |
Jason Hudak | Editor |
Jesse Andrews | Screenwriter |
Mike Jones | Screenwriter |
David Ryu | Visual Effects Supervisor |
Michael Venturini | Animation Supervisor |
David Juan Bianchi | Director of Photography |
Kim White | Director of Photography |
Daniela Strijleva | Production Designer |
Dan Romer | Composer |