Spain Box Office for La ciudad perdida Z (2017)
Theatrical Performance (US$) | ||
Spain Box Office | $1,837,422 | Details |
Worldwide Box Office | $19,358,084 | Details |
Home Market Performance | ||
North America DVD Sales | $373,980 | Details |
North America Blu-ray Sales | $888,294 | Details |
Total North America Video Sales | $1,262,274 | |
Further financial details... |
Synopsis
The true story of British explorer Percy Fawcett, who journeys into the Amazon at the dawn of the 20th century and discovers evidence of a previously unknown, advanced civilization that may have once inhabited the region. Despite being ridiculed by the scientific establishment who regard indigenous populations as “savages,” the determined Fawcett—supported by his devoted wife, son and aide-de-camp—returns time and again to his beloved jungle in an attempt to prove his case, culminating in his mysterious disappearance in 1925.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Spain Releases: | May 5th, 2017 (Wide), released as La ciudad perdida Z |
Video Release: | June 27th, 2017 by Broad Green |
MPAA Rating: | PG-13 for violence, disturbing images, brief strong language and some nudity. (re-rating) (Rating bulletin 2460 (Cert #50571), 1/25/2017) |
Running Time: | 140 minutes |
Keywords: | Set in Amazon Rainforest, 1920s, Romani, Explorer, Biography, Missing Person, 1910s, 1900s, On a Boat, Cannibalism, Biographical Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Sierra Films, Affinity, Plan B Entertainment, Inferno |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 11th, 2017
July 11th, 2017
This week, the home market is led by The Fate of the Furious, which is the number one film both in terms of worldwide box office and alphabetically. It earned well over $1 billion worldwide, but it is losing the charm the franchise thrived on during the past few installments. As for the Pick of the Week, I’m going with Underground, Season Two, or the Two-Season box set.
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Home Market Releases for June 27th, 2017
June 27th, 2017
It’s a really slow week on the home market. (Next week is even worse. ) The Fate of the Furious is the biggest release of the week, but it is only coming out on Video on Demand, so I would wait. The biggest release of the week is Power Rangers, but it feels like a pilot to a TV show and not a self-contained movie. The best new release of the week is T2: Trainspotting and the Blu-ray Combo Pack. That said, if you don’t have Home Movies yet, then buy the Complete Series right now.
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Theater Averages: Audiences Didn’t Wait to See Paris
May 16th, 2017
Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening.
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Theater Averages: Galaxy Grabs $33,704 on Theater Average Chart
May 10th, 2017
Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters.
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Theater Averages: Baahubali Won’t Conclude after a $24,712 opening
May 2nd, 2017
Baahubali 2: The Conclusion opened on top of the theater average chart with $24,712 in just over 400 theaters. It goes without saying that there will be another installment in this franchise; although I hear it won’t follow the same characters. The only other film in the $10,000 club was How to Be a Latin Lover, which earned an average of $10,959 in 1,118 theaters. Obit was relatively close to the $10,000 mark with an average of $8,093 in two theaters over the weekend; however, it was a Wednesday release earning an average of $17,604 over the five days.
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Theater Averages: Jane Towers Above the Competition with $15,726
April 26th, 2017
There were only two films in the $10,000 club on this week's theater average chart and both of them were biographical documentaries. Interesting coincidence. Citizen Jane: Battle for the City led the way with an average of $15,726 in two theaters. Meanwhile, Jeremiah Tower: The Last Magnificent just managed to hit the $10,000 mark with an average of $10,134, also in two theaters.
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Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million
April 25th, 2017
As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion.
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Weekend Estimates: Big Decline, Big Win for Fate of the Furious
April 23rd, 2017
A decline of 61% compared to its opening weekend still leaves The Fate of the Furious the big winner at the box office this weekend, with the five new wide releases combined making less than half the $38.7 million it will earn on its second weekend, according to Universal’s weekend estimate. The film’s domestic gross will end the weekend at about $163.6 million. As of last night, it has reached $636.3 million internationally, and it should end the weekend with $752.4 million overseas, for a global total of $916 million as of Sunday. $327.4 million of that will have come from China, where Fate is clocking up another $67 million this weekend.
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Friday Estimates: Furious Falls 75%, Still Dominates Friday with $11.2 million
April 22nd, 2017
The Fate of the Furious dominated the box office chart on Friday with $11.2 million. This could be more than any other film will earn during the entire weekend. That’s the good news. The bad news is this still represents a decline of just over 75% from its opening Friday. This is not good by any stretch of the word, but it is also not unexpected. The film will rebound on Saturday, and earn about $35.5 million over the weekend, according to Universal, which is close to our prediction and will lift the film’s running tally to $160 million. This keeps The Fate of the Furious on pace for $200 million and the film should become the third film released in 2017 to get to that milestone. It might overtake Logan on the yearly chart, but Guardians of the Galaxy, Vol. 2 will probably get there first.
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Theater Averages: Going From A to Zed with $27,544
April 19th, 2017
The Lost City of Z led the way on the theater average chart with an average of $27,544 in four theaters. The film is expanding into several hundred more theaters this Friday, so this is a great start. The overall number one film, The Fate of the Furious, was next with an average of $22,920. Norman: The Moderate Rise and Tragic Fall of a New York Fixer opened with nearly $100,000 in five theaters for an average of $19,842. The final film in the $10,000 club was Chasing Trane with $16,626 in its lone theater.
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Weekend Estimates: Fate’s $100 Million Stateside Dwarfed by Huge International Haul
April 16th, 2017
The Fate of the Furious is, as expected, posting great opening numbers domestically, with Universal projecting a $100.2 million opening weekend, but the real news this weekend is the record breaking in international markets. Helped by a gigantic $190 million in China—the biggest-ever three-day weekend in that territory—Fate is headed for an overseas debut of $432.2 million, according to the studio. That’s easily the biggest international weekend of all time, beating Jurassic World’s $316.7 million. It’s also ahead of the inflation-adjusted international opening for Harry Potter and the Deathly Hallows, Part II, which earned $314 million on its first weekend internationally, roughly equivalent to $375 million today.
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Limited and VOD Releases: Don’t Get Lost on the Way to the Theater
April 14th, 2017
We have a bumper crop of limited releases this week, with several that are earning outstanding reviews. Unfortunately, this means there’s way too much competition for all of them to thrive. The Lost City of Z has the loudest buzz and I think that will give it the edge at the box office.
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The Lost City of Z Trailer
March 17th, 2017
Historical adventure starring Charlie Hunnam, Robert Pattinson, and Sienna Miller opens April 14 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/05/05 | 4 | $395,084 | 223 | $1,772 | $395,084 | 1 | |
2017/05/12 | 4 | $310,264 | -21% | 270 | $1,149 | $1,089,273 | 2 |
2017/05/19 | 6 | $193,432 | -38% | 301 | $643 | $1,454,496 | 3 |
2017/05/26 | 10 | $80,870 | -58% | 215 | $376 | $1,606,446 | 4 |
2017/06/02 | 14 | $61,053 | -25% | 154 | $396 | $1,730,806 | 5 |
2017/06/09 | 20 | $17,222 | -72% | 77 | $224 | $1,767,574 | 6 |
2017/06/16 | 29 | $7,340 | -57% | 47 | $156 | $1,789,447 | 7 |
2017/06/23 | 34 | $3,339 | -55% | 16 | $209 | $1,797,365 | 8 |
2017/06/30 | - | $1,329 | -60% | 13 | $102 | $1,837,422 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/25/2017 | $14,479 | 10 | 10 | 38 | $47,596 | 9/25/2017 |
Brazil | 6/2/2017 | $106,523 | 0 | 0 | 0 | $106,523 | 6/26/2018 |
Bulgaria | 3/15/2017 | $0 | 0 | 0 | 0 | $6,257 | 2/26/2019 |
China | 6/2/2017 | $670,000 | 18069 | 18069 | 18069 | $1,009,562 | 8/14/2018 |
Czech Republic | 4/21/2017 | $46,078 | 97 | 97 | 185 | $106,118 | 1/1/2019 |
France | 3/17/2017 | $770,719 | 0 | 0 | 0 | $2,592,994 | 6/27/2018 |
Italy | 6/23/2017 | $219,329 | 0 | 0 | 0 | $735,929 | 8/11/2017 |
Lithuania | 3/21/2017 | $0 | 0 | 78 | 140 | $42,611 | 5/19/2017 |
Netherlands | 4/26/2017 | $42,021 | 22 | 33 | 107 | $173,873 | 11/3/2018 |
North America | 4/14/2017 | $110,175 | 4 | 866 | 3,413 | $8,574,339 | 8/2/2022 |
Portugal | 5/5/2017 | $47,178 | 33 | 33 | 80 | $115,832 | 6/1/2017 |
Russia (CIS) | 4/28/2017 | $316,490 | 484 | 484 | 944 | $649,590 | 1/1/2019 |
Slovakia | 4/21/2017 | $16,482 | 37 | 37 | 66 | $34,388 | 5/12/2017 |
South Korea | 9/14/2017 | $0 | 0 | 398 | 448 | $318,298 | 10/11/2017 |
Spain | 5/5/2017 | $395,084 | 223 | 301 | 1316 | $1,837,422 | 7/6/2017 |
Turkey | 4/21/2017 | $24,287 | 44 | 44 | 44 | $44,920 | 1/1/2019 |
United Kingdom | 3/24/2017 | $337,421 | 282 | 282 | 457 | $699,838 | 4/5/2017 |
Rest of World | $2,261,994 | ||||||
Worldwide Total | $19,358,084 | 8/2/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Charlie Hunnam | Col Percival Fawcett |
Supporting Cast
Robert Pattinson | Henry Costin |
Sienna Miller | Nina Fawcett |
Tom Holland | Jack Fawcett |
Angus MacFadyen | James Murray |
Ian McDiarmid | Sir George Goldie |
Clive Francis | Sir John Scott Keltie |
Edward Ashley | Arthur Manley |
Pedro Coello | Tadjui |
Matthew Sunderland | Dan |
Johann Myers | Willis |
Aleksandar Jovanovic | Urquhart |
Elena Solovey | Madame Kumel |
Bobby Smalldridge | Jack Fawcett (7 Yr Old) |
Tom Mulheron | Jack Fawcett (3 Yr Old) |
Daniel Huttlestone | Brian Fawcett (15 Yr Old) |
Nathaniel Bates Fisher | Brian Fawcett (7 Yr Old) |
Murray Melvin | Lord James Bernard |
Harry Melling | William Barclay |
Michael Jenn | Brig. Gen Thorton |
Michael Ford-Fitzgerald | Hunt Leader |
Franco Nero | Baron De Gondoriz |
Frank Clem | Texan Gunman |
Bethan Coomber | Joan Fawcett (7 Yr Old) |
David Calder | Secretary Bryce |
Stacy Shane | American Reporter |
Pat Mooney | Random Scientist 3 |
Colin Carnegie | Random Scientist 2 |
Anthony Boyle | Trench Runner |
Neil Bromley | Reporter 2 |
Bill Hurst | Reporter 1 |
Richard Croxford | Officer Thomas Busby |
Louise Parker | Random Woman |
Jose Pereira | Chief Guarayo |
Gustavo Duque | Crew Member |
Fernando Vigui | Diminutive Latino Man |
Nicholas Agnew | John Coundley |
Robert Fawsitt | Random Man at Port |
Patrick McBrearty | Whipping Officer |
Gary Crossan | Waiter at Savage Club |
Niall Cusack | Random Scientist |
Nick Sampson | Doctor |
Ruairi Heading | Other Soldier 1 |
David Coon | Random Scientist 4 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Gray | Director |
James Gray | Screenwriter |
David Grann | Based on the book by |
Brad Pitt | Producer |
Dede Gardner | Producer |
Jeremy Kleiner | Producer |
Dale Johnston | Producer |
Anthony Katagas | Producer |
Marc Butan | Executive Producer |
Mark Huffam | Executive Producer |
Felipe Aljure | Executive Producer |
Brad Pitt | Executive Producer |
Darius Khondji | Director of Photography |
Jean-Vincent Puzo | Production Designer |
John Axelrad | Editor |
Lee Haugen | Editor |
Christopher Spelman | Composer |
George Drakoulias | Music Supervisor |
Randall Poster | Music Supervisor |
Sonia Grande | Costume Designer |
Aidan Elliott | Co-Producer |
Doug Torres | Co-Producer |
Kate Ringsell | Casting Director |