New Zealand Box Office for The Lost City (2022)
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| Theatrical Performance (US$) | ||
| New Zealand Box Office | $1,614,968 | Details |
| Worldwide Box Office | $192,327,444 | Details |
| Home Market Performance | ||
| North America DVD Sales | $4,331,926 | Details |
| North America Blu-ray Sales | $2,726,861 | Details |
| Total North America Video Sales | $7,058,787 | |
| Further financial details... | ||
Synopsis
Brilliant, but reclusive author Loretta Sage has spent her career writing about exotic places in her popular romance-adventure novels featuring handsome cover model Alan, who has dedicated his life to embodying the hero character, “Dash.” While on tour promoting her new book with Alan, Loretta is kidnapped by an eccentric billionaire who hopes that she can lead him to the ancient lost city’s treasure from her latest story. Wanting to prove that he can be a hero in real life and not just on the pages of her books, Alan sets off to rescue her. Thrust into an epic jungle adventure, the unlikely pair will need to work together to survive the elements and find the ancient treasure before it’s lost forever.
Metrics
Movie Details
| Production Budget: | $74,000,000 |
| New Zealand Releases: | April 14th, 2022 (Wide) |
| Video Release: | May 10th, 2022 by Paramount Home Video |
| MPAA Rating: | PG-13 for violence and some bloody images, suggestive material, partial nudity and language. (Rating bulletin 2722 (cert #53462), 3/9/2022) |
| Running Time: | 112 minutes |
| Keywords: | Treasure Hunters, Writing and Writers, Action Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | 3dot Productions, Exhibit A Pictures, Fortis Films, Paramount Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Morbius set for disappointing $39.1-million opening
April 3rd, 2022
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We’re still at the point where new releases are graded on the pandemic curve, but even so Morbius is heading for an opening weekend just on the low side of decent, with Sony projecting this morning that it will make $39.1 million on debut. That’s notably lower than Uncharted’s $44-million opening in February, and breaks a streak of great openings for Sony’s standalone Marvel movies, in particular Venom: Let There Be Carnage, which made $90 million in October last year, when even Disney’s Marvel movies were landing in the $70-million to $80-million range.
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Weekend predictions: Morbius headed to $40-million debut
April 1st, 2022
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After a gigantic debut for Spider-Man: No Way Home and a pandemic-record-setting start for Venom: Let There Be Carnage, Sony is looking for a super hero three-peat this weekend with the release of Morbius. While another number one opening is guaranteed, we’re not looking at quite the same kind of numbers this time around, with our model predicting an opening weekend in the $41-million range.
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Weekend estimates: The Lost City tops with $31 million, RRR makes the top 3
March 27th, 2022
-1-News.jpg)
The Lost City looks as though it’ll post a weekend right in line with expectations, with Paramount projecting it’ll earn $31 million at the domestic box office this weekend. That’ll be enough for a comfortable weekend win, ahead of The Batman’s $20.5 million or so. Bollywood blockbuster RRR: Rise, Roar, Revolt will land in third with an impressive $9.5-million projected weekend.
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Weekend predictions: Lost City has the edge going into the weekend
March 25th, 2022
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The Lost City posted a very respectable $2.5 million in previews on Thursday ahead of its official release today, which puts it on course to win the weekend, although its race with The Batman could be close. Infinite Storm isn’t likely to be in the running for a place in the top three, but will provide a bit of extra oomph to the weekend and could help the market as a whole increase from last weekend. And RRR provides us with a wildcard element to keep things interesting for everyone.
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Weekend estimates: Jujutsu Kaisen headed to $17.7-million weekend, The Batman tops $300 million domestically
March 20th, 2022
-2-News.jpg)
The Batman will pass $300 million at the domestic box office today, based on Warner Bros. Sunday-morning projection. It’ll be close though: the studio has it reaching $300.1 million today. With Spider-Man: No Way Home likely to surpass $800 million domestically in the next week, things are looking good at the box office right now. Having five new releases in the top 11 also helps, although Jujutsu Kaisen 0: The Movie is the only one of those to really break out.
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The Lost City trailer
March 7th, 2022
Treasure hunt adventure comedy starring Sandra Bullock, Channing Tatum, and Daniel Radcliffe opens in theaters on March 25 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/04/15 | 2 | $288,929 | 88 | $3,283 | $397,572 | 1 | |
| 2022/04/22 | 2 | $318,621 | +10% | 86 | $3,705 | $911,423 | 2 |
| 2022/04/29 | 4 | $220,797 | -31% | 90 | $2,453 | $1,258,693 | 3 |
| 2022/05/06 | 3 | $108,747 | -51% | 78 | $1,394 | $1,407,437 | 4 |
| 2022/05/13 | 4 | $82,298 | -24% | 75 | $1,097 | $1,508,498 | 5 |
| 2022/05/20 | 6 | $66,873 | -19% | 67 | $998 | $1,588,529 | 6 |
| 2022/05/27 | 12 | $15,015 | -78% | 38 | $395 | $1,614,449 | 7 |
| 2022/06/03 | 14 | $24,087 | +60% | 35 | $688 | $1,671,223 | 8 |
| 2022/06/10 | 17 | $6,614 | -73% | 19 | $348 | $1,688,179 | 9 |
| 2022/06/17 | - | $2,095 | -68% | 11 | $190 | $1,656,954 | 10 |
| 2022/06/24 | - | $57 | -97% | 3 | $19 | $1,639,443 | 11 |
| 2022/07/01 | - | $100 | +75% | 3 | $33 | $1,646,936 | 12 |
| 2022/07/15 | - | $74 | 2 | $37 | $1,614,968 | 14 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/24/2022 | $0 | 0 | 431 | 2453 | $10,846,696 | 1/16/2023 |
| China | 7/29/2022 | $240,000 | 26275 | 26275 | 26275 | $350,000 | 8/15/2022 |
| Czech Republic | 3/25/2022 | $128,193 | 163 | 163 | 333 | $417,282 | 10/20/2022 |
| Denmark | 4/28/2022 | $0 | 0 | 0 | 0 | $0 | |
| Finland | 4/15/2022 | $94,876 | 66 | 66 | 321 | $373,486 | 8/10/2022 |
| France | 4/20/2022 | $0 | 0 | 0 | 0 | $0 | |
| Germany | 4/21/2022 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 4/21/2022 | $458,593 | 0 | 0 | 0 | $982,422 | 5/17/2022 |
| Japan | 6/24/2022 | $0 | 0 | 0 | 0 | $0 | |
| Lithuania | 4/8/2022 | $65,475 | 16 | 16 | 43 | $151,764 | 5/4/2022 |
| Mexico | 4/21/2022 | $1,698,503 | 0 | 0 | 0 | $5,412,989 | 6/7/2022 |
| Netherlands | 4/15/2022 | $392,339 | 109 | 110 | 857 | $2,213,788 | 7/8/2022 |
| New Zealand | 4/14/2022 | $288,929 | 88 | 90 | 595 | $1,614,968 | 7/18/2022 |
| North America | 3/25/2022 | $30,453,269 | 4,253 | 4,283 | 28,480 | $105,344,029 | 11/13/2023 |
| Norway | 4/22/2022 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 4/14/2022 | $130,777 | 66 | 75 | 477 | $716,218 | 7/20/2022 |
| Romania | 3/25/2022 | $239,025 | 81 | 81 | 507 | $924,283 | 8/17/2022 |
| Russia (CIS) | 4/14/2022 | $195,534 | 83 | 99 | 328 | $927,296 | 5/18/2022 |
| Slovakia | 3/25/2022 | $49,990 | 63 | 63 | 203 | $226,987 | 5/30/2022 |
| South Korea | 4/20/2022 | $315,360 | 726 | 726 | 1200 | $788,505 | 6/29/2022 |
| Spain | 4/13/2022 | $685,532 | 342 | 370 | 2462 | $3,468,066 | 7/8/2022 |
| Turkey | 3/25/2022 | $61,909 | 165 | 165 | 370 | $129,381 | 10/20/2022 |
| United Kingdom | 4/15/2022 | $3,584,491 | 617 | 637 | 4142 | $12,941,249 | 6/22/2022 |
| Rest of World | $44,498,035 | ||||||
| Worldwide Total | $192,327,444 | 11/13/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Sandra Bullock | Loretta Sage |
| Channing Tatum | Alan Caprison |
| Daniel Radcliffe | Fairfax |
| Oscar Nuñez | Adrian Austin |
| Da’Vine Joy Randolph | Beth |
| Patti Harrison | Pratt Caprison |
Supporting Cast
| Brad Pitt | CIA agent Jack Trainer |
| Raymond Lee | Officer Gomez |
| Bowen Yang | Tomshi |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Adam Nee | Director |
| Aaron Nee | Director |
| Dana Fox | Screenwriter |
| Seth Gordon | Story by |
| Sandra Bullock | Producer |
| Liza Chasin | Producer |
| Seth Gordon | Producer |