Netherlands Box Office for Loro 1 (2018)
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| Theatrical Performance (US$) | ||
| Netherlands Box Office | $374,999 | Details |
| Worldwide Box Office | $6,446,340 | Details |
| Further financial details... | ||
Synopsis
Sex, drugs, power, and vice: welcome to the mid-2000s Italy of Silvio Berlusconi, the egomaniac billionaire Prime Minister who presides over an empire of scandal and corruption. Sergio is an ambitious young hustler managing an escort service catering to the rich and powerful. Determined to move up in the world, Sergio sets his sights on the biggest client of all: Berlusconi, the disgraced, psychotically charming businessman and ex-PM currently plotting his political comeback. As Berlusconi attempts to bribe his way back to power, Sergio devises his own equally audacious scheme to win the mogul’s attention.
Metrics
Movie Details
| Netherlands Releases: | November 2nd, 2018 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 104 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Indigo Film, Pathe, France 2 Cinema, OCS., Ministero Dei Beni e Delle Attivita Culturali e del Turismo, Regione Lazio, Oceania Produzioni Internazionali Cinematografiche, Progetto Cofinanziato Dall’Unione Europea, Fondazione Sardegna Film Commission, Fondo Sardegna Ospitalita, Fondo Filming Olbia, Universal Pictures, France Television |
| Production Countries: | France, Italy |
| Languages: | Italian |
Theater Averages: Where’s The $10,000 Club?
September 26th, 2019
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The $10,000 Club didn’t have many members this week and none of them were really able to shine. Where’s My Roy Cohn? did the best with an average of $10,591 in four theaters. Meanwhile the overall number one film, Downton Abbey, was close behind with an average of $10,079.
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Limited and VOD Releases: The Pros and Cons of Limited Releases
September 20th, 2019
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Most of the positively reviewed films on this week’s list are documentaries, including Midnight Traveler, which could find a receptive audience on the art house circuit. On the other hand, Promare is the film I’m most interested in seeing.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/11/02 | 16 | $78,085 | 34 | $2,297 | $100,631 | 1 | |
| 2018/11/09 | 19 | $65,005 | -17% | 32 | $2,031 | $197,240 | 2 |
| 2018/11/16 | 18 | $41,173 | -37% | 32 | $1,287 | $263,753 | 3 |
| 2018/11/23 | 20 | $27,274 | -34% | 29 | $940 | $307,636 | 4 |
| 2018/11/30 | 20 | $22,779 | -16% | 25 | $911 | $340,533 | 5 |
| 2018/12/07 | 24 | $14,115 | -38% | 24 | $588 | $365,007 | 6 |
| 2018/12/14 | 29 | $7,111 | -50% | 19 | $374 | $374,999 | 7 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/11/2019 | $12,688 | 18 | 21 | 100 | $236,078 | 3/20/2023 |
| Bulgaria | 1/11/2019 | $1,953 | 0 | 0 | 0 | $4,491 | 1/22/2019 |
| Czech Republic | 11/16/2018 | $12,591 | 21 | 21 | 76 | $64,317 | 1/4/2019 |
| France | 11/2/2018 | $153,018 | 70 | 71 | 141 | $237,927 | 11/16/2018 |
| Italy | 4/24/2018 | $1,246,058 | 0 | 493 | 986 | $4,746,815 | 6/1/2018 |
| Lithuania | 1/4/2019 | $28,865 | 34 | 34 | 100 | $83,576 | 2/5/2019 |
| Netherlands | 11/2/2018 | $78,085 | 34 | 34 | 195 | $374,999 | 1/3/2019 |
| New Zealand | 8/16/2019 | $26 | 1 | 2 | 18 | $3,850 | 12/7/2020 |
| North America | 9/20/2019 | $5,317 | 1 | 11 | 17 | $35,613 | |
| Poland | 12/28/2018 | $156,513 | 110 | 110 | 110 | $189,642 | 1/4/2019 |
| Portugal | 12/7/2018 | $4,050 | 11 | 11 | 21 | $11,143 | 12/27/2018 |
| Russia (CIS) | 10/25/2018 | $97,952 | 133 | 133 | 330 | $269,398 | 3/15/2019 |
| Slovakia | 4/26/2019 | $3,152 | 10 | 10 | 10 | $5,670 | 4/30/2019 |
| South Korea | 3/7/2019 | $21,833 | 42 | 42 | 84 | $58,310 | 3/29/2019 |
| Spain | 1/4/2019 | $69,153 | 90 | 90 | 90 | $69,153 | 1/10/2019 |
| Turkey | 3/29/2019 | $2,446 | 14 | 14 | 35 | $8,008 | 4/18/2019 |
| United Kingdom | 4/19/2019 | $47,350 | 42 | 42 | 42 | $47,350 | 4/25/2019 |
| Worldwide Total | $6,446,340 | 3/20/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Toni Servillo | Silvio Berlusconi |
Supporting Cast
| Elena Sofia Ricci | Veronica |
| Riccardo Scamarcio | Sergio Morra |
| Kasia Smutniak | Kira |
| Euridice Axen | Tamara |
| Fabrizio Bentivoglio | Santino Recchia |
| Roberto de Francesco | Fabrizio Sala |
| Dario Cantarelli | Paolo Spagnolo |
| Anna Bonaiuto | Cupa Caiafa |
| Giovanni Esposito | Mariano |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Paolo Sorrentino | Director |
| Paolo Sorrentino | Story by |
| Paolo Sorrentino | Screenwriter |
| Umberto Contarello | Screenwriter |
| Luca Bigazzi | Director of Photography |
| Cristiano Travaglioli | Editor |
| Lele Marchitelli | Composer |
| Stefania Cella | Production Designer |
| Carlo Poggioli | Costume Designer |
| Emanuele Cecere | Sound Mixer |
| Silvia Moraes | Sound Editor |
| Davide Bertoni | First Assistant Director |
| Nicola Giuliano | Producer |
| Francesca Cima | Producer |
| Carlotta Calori | Producer |
| Viola Prestieri | Producer |
| Jerome Seydoux | Co-Producer |
| Ardavan Safaee | Co-Producer |
| Muriel Sauzay | Co-Producer |