Mexico Box Office for The Look of Love (2013)
Theatrical Performance (US$) | ||
Mexico Box Office | $70,504 | Details |
Worldwide Box Office | $603,119 | Details |
Further financial details... |
Synopsis
“THE LOOK OF LOVE” is the true-life story of Paul Raymond, the man behind Soho’s norotious Raymond Revue Bar and Men Only magazine. Paul Raymond began his professional life with an end of the pier mind0reading act. He soon realized that the audience were more interested in watching his beautiful assistance, and that they liked it even more if she was topless. He quickly became one of Britain’s leading nude revue producers. In 1958 he opened his revue Bar in Soho, the heart of London’s West End. As it was a private club, the nudes were allowed to move. A huge success, it became the cornerstone of a Soho empire, prompting the Sunday Times in 1992 to crown him the richest man in Britain. The film focuses on Raymond’s relationships with the three most important women in his life: his wife Jean, his lover Fiona, and his daughter Debbie (Imogen Poots). It is a modern day King Midas story, with Raymond acquiring fabulous wealth, but at the cost of losing the people who are closest to him.
Metrics
Movie Details
Mexico Releases: | July 10th, 2014 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 97 minutes |
Keywords: | Biography, Porn Business, Rags to Riches, Narcotics, Addiction, Dysfunctional Family |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | StudioCanal, Film4, Anton Capital Entertainment, Lipsync Productions, Revolution Films, Baby Cow |
Production Countries: | United Kingdom |
Languages: | English |
Per Theater Chart: Way Way is Strong Strong
July 9th, 2013
The Way Way Back earned top spot on the per theater chart with an average of $29,094 in nineteen theaters. This suggests a lot of room to expand, while it should reach its first milestone shortly. The overall box office leader, Despicable Me 2 was next with an average of $20,895. Kevin Hart: Let Me Explain was a surprise entrant in the $10,000 club with an average of $11,450 in nearly 900 theaters. The final film in the $10,000 club was Museum Hours with an average of $10,427 in three theaters.
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Limited Releases will have to go Way Back to Look for a Big Hit
July 5th, 2013
It's a pretty busy week for limited releases with several films having openings spread out from Wednesday through Friday. However, while it is a busy week, only two of them are earning overall good reviews. Big Star: Nothing Can Hurt Me is earning the best reviews, but as a documentary, its chances of expanding are limited. On the other hand, The Way Way Back is not only earning great reviews, but its cast is better than most wide releases could hope for.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/07/11 | 11 | $28,630 | 35 | $818 | $34,162 | 1 | |
2014/07/18 | 16 | $8,200 | -71% | 21 | $390 | $61,803 | 2 |
2014/07/25 | 20 | $3,097 | -62% | 6 | $516 | $70,504 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Mexico | 7/10/2014 | $28,630 | 35 | 35 | 62 | $70,504 | 12/17/2015 |
North America | 7/5/2013 | $5,105 | 3 | 6 | 11 | $16,119 | |
United Kingdom | 4/26/2013 | $322,700 | 209 | 209 | 209 | $322,700 | 12/14/2015 |
Rest of World | $193,796 | ||||||
Worldwide Total | $603,119 | 12/17/2015 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Steve Coogan | Paul Raymond |
Anna Friel | Jean Raymond |
Imogen Poots | Debbie Raymond |
Tamsin Egerton | Fiona Richmond |
Supporting Cast
Chris Addison | Tony Power |
James Lance | Carl Snitcher |
Shirley Henderson | Rusty Humphries |
David Williams | Vicar Edwyn Young |
Matt Lucas | Divine |
Simon Bird | Jonathan Hodge |
Stephen Fry | Barrister |
Dara O'Briain | Comedian |
Kieran O'Brien | Jimmy Humphries |
Miles Jupp | Interviewer |
Peter Wight | Police Inspector |
Matthew Beard | Howard Raymond |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michael Winterbottom | Director |
Melissa Parmenter | Producer |
Matt Greenhalgh | Screenwriter |
Andrew Eaton | Executive Producer |
Jenny Borgars | Executive Producer |
Katherine Butler | Executive Producer |
Norman Merry | Executive Producer |
Danny Perkins | Executive Producer |
Piers Wenger | Executive Producer |
Josh Hyams | Co-Producer |
Alice Dawson | Co-Producer |
Mags Arnold | Editor |
Hubert Taczanowski | Director of Photography |
Antony Genn | Composer |
Martin Slattery | Composer |
Jacqueline Abrahams | Production Designer |
Stephanie Collie | Costume Designer |
Jina Jay | Casting Director |
Loz Schiavo | Make up |
Fiona Fellows | Hair Designer |
Joakim Sundstrom | Supervising Sound Editor |
Will Whale | Recordist |