United Kingdom Box Office for London Has Fallen (2016)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $15,936,896 | Details |
Worldwide Box Office | $195,194,085 | Details |
Home Market Performance | ||
North America DVD Sales | $8,771,830 | Details |
North America Blu-ray Sales | $11,030,047 | Details |
Total North America Video Sales | $19,801,877 | |
Further financial details... |
Synopsis
In London for the Prime Minister’s funeral, Mike Banning discovers a plot to assassinate all the attending world leaders.
Metrics
Movie Details
Production Budget: | $60,000,000 |
United Kingdom Releases: | March 4th, 2016 (Wide) |
Video Release: | May 31st, 2016 by Universal Home Entertainment |
MPAA Rating: | R for strong violence and language throughout. (Rating bulletin 2413 (Cert #49180), 2/24/2016) |
Running Time: | 99 minutes |
Franchise: | Has Fallen |
Keywords: | Set in London, Set in United Kingdom, Political Assassination, Terrorism, Secret Service Agent, Political Thriller |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Nu Image, Millennium Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for June 14th, 2016
June 14th, 2016
It is a much slower week than it was last time. In fact, the only two reviews this week were for releases that came out last week. That doesn't mean we don't have any good releases and there are a few contenders for Pick of the Week. Of these, Hello, My Name is Doris is the one I'm most interested in buying and the Blu-ray, while not loaded with extras, is the Pick of the Week. I'm also giving an honorary Puck of the Week to Dark Matter: Season 1, which is a Canadian Sci-fi series.
(On a side note, Amazon's list of new releases is a mess with a bunch of Game of Thrones and Star Trek titles, most of which don't even have images. This made sorting through the new releases a lot harder.)
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Home Market Releases for May 31st, 2016
May 29th, 2016
It's a big week for first-run releases with four such films coming out. However, none of them are top-notch releases. Race is the best, but even then it is only worth a rental. Sadly, none of the limited releases, TV on DVD releases, catalog releases, etc. are really big releases either. Hello, My Name is Doris is a great movie, but it is only coming out on Video on Demand this week. I'm going with Veggie Tales: And Now It's Time for Silly Songs with Larry: The Complete Collection on DVD as the Pick of the Week. It really is a slow week for new releases.
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International Box Office: Jungle Book Mauls the Competition with $136.1 million
April 21st, 2016
The Jungle Book roared to first place with $136.1 million in 49 markets for very early totals of $187.4 million internationally and $290.7 million worldwide. This includes a first-place, $49.26 million opening in China. It also dominated the chart in the U.K. with $14.80 million in 594 theaters. It also opened in first place in France ($7,99 million on 653 screens) and Germany ($5.13 million on 934). These openings are great, but not as great as its domestic debut. Then again, its domestic debut was stunning.
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International Box Office: Batman v Superman Maintains First Place with $31.92 million
April 15th, 2016
Batman v Superman: Dawn of Justice earned first place with $31.92 million in 67 theaters for totals of $486.8 million internationally and $783.4 million worldwide. At this pace, the film will hit $800 million early this weekend, but it looks like $900 million might be out of reach. This is bad news for the studio, as the film reportedly needed to hit $1 billion to break even. On other other hand, if the other films in the D.C. Extended Universe are good, then each time one of them comes out, BvS will gets a small boost on the home market. Maybe that will be enough to break even eventually.
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Thursday Night Previews: The Boss, Henry Don't Have Hardcore Starts
April 8th, 2016
The Boss pulled in $985,000 during its previews last night. This is below the $1.3 million earned by Tammy in 2014 and a little lower than the $1.08 million My Big Fat Greek Wedding 2 opened with a few weeks ago. The all three films earned similar reviews. This isn't terrible, but it does make matching our predictions harder.
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International Box Office: Zootopia Remains Tops with International Haul of $64.8 million
March 23rd, 2016
Zootopia remained in first place with $64.8 million in 49 markets for totals of $389.9 million internationally and $590.8 million worldwide. The film's biggest opening was in Australia, where it earned first place with $3.08 million on 479 screens over the weekend for a total opening of $3.48 million including previews. It also topped the charts during its opening weekend in Brazil with $2.57 million on 774 screens. The film's biggest market overall was China, where it remained in first place with $37.24 million over the weekend for a three-week total of $172.79 million. This blows past Kung Fu Panda 3's record for an animated film and it will soon become the first such film to reach the $200 million mark in that market.
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Weekend Wrap-Up: Zootopia Doubles The Competition with $51.34 Million
March 15th, 2016
The weekend box office was mostly positive with both Zootopia and 10 Cloverfield Lane finishing on the very high end of expectations over the weekend. On the other hand, the less said about the other new wide releases the better. Overall, the box office fell from last weekend, down 17% to $135 million, but that's not a bad decline after Zootopia's monster opening. Compared to last year, the box office was up 2.5%, which isn't a great improvement, but any win now increases the chances 2016 will remain competitive with 2015 when we reach the point that Furious 7, The Avengers: Age of Ultron, and Jurassic World opened last year. Speaking of the year-over-year comparison, 2016's lead over 2015 slipped to 8.7% at $2.15 billion to $1.98 billion. That is still an impressive lead and one that will hopefully grow by the end of the month.
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Weekend Predictions: Clover Will Need Lots of Luck to Win Box Office Race
March 10th, 2016
There are four widish releases coming out this week, but only two of them are opening truly wide, while only one of them has any real box office power. That film is 10 Cloverfield Lane, which is the pseudo-sequel to Cloverfield. Very few people think it will match its predecessor, but it should open in a solid second place. That leaves Zootopia in the perfect spot to repeat on the top of the box office chart. This weekend last year, Cinderella led the way with $67.88 million. This is more than any one single film will make this year. However, the second biggest hit of last year was Run All Night at barely more than $11 million and no other film earned substantially more than $6 million. Perhaps the depth from 2016 will help it win in the year-over-year comparison. I'm not overly bullish that will happen, but we can't rule it out either.
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Weekend Wrap-Up: Zootopia Wins Weekend With Record-breaking Result of $75.06 million
March 8th, 2016
As expected Zootopia dominated the weekend box office earning $75.06 million. This is half of what The Hunger Games opened with, but it was still the fifth Biggest March Opening. It also broke a couple of smaller records, but more on that down below. Second place went to London Has Fallen, but it was way, way back with just $21.64 million. This is terrible for a film that cost more than $100 million to make. Overall, the box office was $159 million. This is 41% more than last weekend and 77% more than the same weekend last year. 2016's lead over 2015 rose to just a hair under 10% at $1.97 billion to $1.79 billion. Granted, by this time in 2015, none of the year's $1 billion hits had been released, so things can change rapidly, but this is still a great start so far.
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Weekend Estimates: Zootopia Starts March with $73.7 Million
March 6th, 2016
Buoyed by excellent reviews and limited competition, Zootopia will launch this weekend to a huge $73.7 million, the fourth-best weekend in March and best-ever weekend for Walt Disney Animation Studios, ahead of Frozen’s second weekend back in 2013. With a 93% favorability score among audiences, and an A CinemaScore, the film should enjoy long legs going into the Easter season. Aside from The Little Prince (which is expected to open in limited release), Zootopia doesn’t have much competition from other family films until The Jungle Book opens on April 15. It’s already shaping up to be another good year at the box office for Disney.
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Friday Estimates: Nature vs. Nurture
March 5th, 2016
Zootopia started its run with $19.47 million on Friday. This tops The Lorax's opening by almost exactly $2 million. The film’s reviews remain Oscar-worthy, and its CinemaScore is an A (A+ among its target demographic). This should result in a great internal multiplier, meaning a $75 million weekend is within reach, and becoming the Biggest March Opening for an animated film seems like a lock.
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Thursday Night Previews: Zootopia Hopps to the Top - Update
March 4th, 2016
Judy Hopps and the rest of the cast of Zootopia got off to a great start earning $1.7 million during its Thursday previews. This doesn't sound like a lot compared to Deadpool, which earned more than $12 million just a few weeks ago. However, family films rarely do this well during previews. In fact, Kung Fu Panda 3 didn't even bother with previews. A good comparison is Home, which opened this month last year. That film earned $650,000 during its previews and its reviews were only mixed. As expected, Zootopia is no longer earning 100% positive reviews, but its Tomatometer Score is still a stunning 99% positive. This should help its word-of-mouth and a record-breaking run is still well within reach.
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Weekend Predictions: Zootopia Hopes to Have a Wild Debut
March 4th, 2016
March begins with three wide releases and there is a potential record-breaker in that list, sort of. Zootopia isn't going to challenge The Hunger Games for Biggest March Opening, but it has a good shot at topping The Lorax for biggest opening for an animated film in March. London Has Fallen needs to make close to $30 million this weekend, if it is to have any real shot at breaking even any time soon. This isn't going to happen. Meanwhile, Whiskey Tango Foxtrot is just hoping to come close to $10 million over the weekend. This weekend last year, the box office was led by Chappie with just $13.35 million. Zootopia will earn way more than that on opening night. It should be a great weekend for 2016 in the year-over-year comparison.
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2016 Preview: March
March 1st, 2016
It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.
As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/03/04 | 1 | $4,594,786 | 513 | $8,957 | $4,594,786 | 1 | |
2016/03/11 | 3 | $2,597,412 | -43% | 518 | $5,014 | $9,297,275 | 2 |
2016/03/18 | 3 | $1,533,212 | -41% | 484 | $3,168 | $12,098,209 | 3 |
2016/03/25 | 6 | $798,518 | -48% | 360 | $2,218 | $13,470,189 | 4 |
2016/04/01 | 8 | $435,811 | -45% | 274 | $1,591 | $14,545,226 | 5 |
2016/04/08 | 9 | $291,377 | -33% | 205 | $1,421 | $14,959,487 | 6 |
2016/04/15 | 17 | $158,098 | -46% | 162 | $976 | $15,398,885 | 7 |
2016/04/22 | 16 | $66,053 | -58% | 119 | $555 | $15,709,411 | 8 |
2016/04/29 | - | $20,037 | -70% | 47 | $426 | $16,018,441 | 9 |
2016/05/06 | 29 | $4,570 | -77% | 25 | $183 | $15,835,189 | 10 |
2016/05/13 | 27 | $4,515 | -1% | 16 | $282 | $15,766,064 | 11 |
2016/05/20 | 53 | $743 | -84% | 6 | $124 | $15,927,778 | 12 |
2016/05/27 | 42 | $901 | +21% | 4 | $225 | $16,071,699 | 13 |
2016/06/03 | 41 | $168 | -81% | 2 | $84 | $15,936,896 | 14 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/7/2016 | $333,754 | 51 | 51 | 123 | $853,203 | 11/29/2018 |
Australia | 3/18/2016 | $1,654,587 | 218 | 219 | 936 | $4,282,424 | 6/9/2016 |
Austria | 3/11/2016 | $229,834 | 52 | 52 | 279 | $847,167 | 6/9/2016 |
Belgium | 3/2/2016 | $306,053 | 50 | 51 | 185 | $1,075,837 | 6/9/2016 |
Brazil | 4/7/2016 | $852,401 | 278 | 278 | 490 | $2,406,346 | 11/15/2018 |
Bulgaria | 3/4/2016 | $70,736 | 37 | 37 | 180 | $327,219 | 2/26/2019 |
Central America | 3/17/2016 | $31,558 | 63 | 63 | 138 | $779,912 | 4/19/2016 |
Chile | 4/7/2016 | $0 | 0 | 22 | 22 | $138,322 | 12/31/2018 |
China | 4/7/2016 | $24,510,000 | 65555 | 65555 | 99595 | $52,302,200 | 8/24/2018 |
Colombia | 4/7/2016 | $265,337 | 150 | 150 | 150 | $265,337 | 12/31/2018 |
Croatia | 3/17/2016 | $44,784 | 30 | 31 | 95 | $140,818 | 12/31/2018 |
Czech Republic | 4/7/2016 | $51,891 | 55 | 55 | 124 | $117,267 | 12/31/2018 |
Denmark | 3/31/2016 | $0 | 0 | 61 | 61 | $367,820 | 6/9/2016 |
Ecuador | 4/15/2016 | $38,503 | 32 | 32 | 32 | $38,503 | 12/31/2018 |
Finland | 4/15/2016 | $56,553 | 45 | 45 | 45 | $56,553 | 6/9/2016 |
France | 3/2/2016 | $1,174,419 | 204 | 204 | 406 | $2,290,641 | 6/9/2016 |
Germany | 3/10/2016 | $893,349 | 289 | 323 | 1644 | $3,486,396 | 6/9/2016 |
Greece | 3/3/2016 | $181,660 | 64 | 64 | 158 | $818,352 | 6/9/2016 |
Hong Kong | 3/3/2016 | $728,269 | 42 | 93 | 219 | $2,183,407 | 6/9/2016 |
Hungary | 3/10/2016 | $134,586 | 52 | 52 | 260 | $403,906 | 12/31/2018 |
Iceland | 3/4/2016 | $0 | 0 | 5 | 10 | $65,878 | 12/31/2018 |
Iraq | 3/3/2016 | $36,067 | 4 | 4 | 23 | $139,466 | 12/31/2018 |
Italy | 3/3/2016 | $1,417,063 | 337 | 337 | 900 | $3,190,949 | 6/9/2016 |
Kuwait | 3/3/2016 | $15,412 | 1 | 1 | 2 | $22,951 | 12/31/2018 |
Lebanon | 3/3/2016 | $99,789 | 6 | 13 | 47 | $859,898 | 12/31/2018 |
Lithuania | 3/18/2016 | $23,888 | 0 | 5 | 5 | $72,347 | 6/9/2016 |
Malaysia | 3/3/2016 | $1,270,344 | 124 | 124 | 352 | $3,025,750 | 6/9/2016 |
Mexico | 3/11/2016 | $1,944,433 | 0 | 765 | 765 | $4,114,913 | 6/9/2016 |
Netherlands | 3/3/2016 | $584,192 | 87 | 92 | 876 | $2,940,910 | 6/9/2016 |
New Zealand | 3/11/2016 | $36,908 | 9 | 67 | 264 | $602,250 | 6/9/2016 |
North America | 3/4/2016 | $21,635,601 | 3,490 | 3,492 | 15,999 | $62,524,260 | |
Norway | 3/4/2016 | $0 | 0 | 9 | 14 | $327,566 | 6/9/2016 |
Oman | 3/3/2016 | $71,981 | 9 | 9 | 23 | $224,610 | 12/31/2018 |
Peru | 3/10/2016 | $371,609 | 113 | 113 | 217 | $1,114,815 | 12/31/2018 |
Philippines | 3/3/2016 | $711,857 | 146 | 146 | 176 | $743,211 | 12/31/2018 |
Poland | 3/4/2016 | $0 | 0 | 123 | 123 | $444,713 | 12/31/2018 |
Portugal | 3/3/2016 | $248,900 | 68 | 68 | 445 | $1,490,089 | 6/9/2016 |
Russia (CIS) | 3/17/2016 | $1,231,889 | 966 | 966 | 1816 | $2,323,333 | 12/31/2018 |
Serbia and Montenegro | 3/17/2016 | $18,480 | 18 | 18 | 35 | $60,029 | 12/31/2018 |
Singapore | 3/3/2016 | $577,590 | 42 | 44 | 133 | $1,360,646 | 6/9/2016 |
Slovakia | 4/7/2016 | $30,388 | 57 | 57 | 111 | $61,624 | 6/9/2016 |
Slovenia | 3/17/2016 | $19,171 | 17 | 17 | 54 | $725,930 | 6/9/2016 |
South Africa | 3/4/2016 | $158,012 | 81 | 86 | 254 | $932,402 | 6/9/2016 |
South Korea | 3/10/2016 | $1,959,133 | 523 | 523 | 1529 | $4,989,750 | 6/9/2016 |
Spain | 4/8/2016 | $919,297 | 284 | 294 | 1659 | $3,091,884 | 6/30/2016 |
Sweden | 3/4/2016 | $0 | 0 | 79 | 161 | $751,832 | 6/9/2016 |
Switzerland | 3/10/2016 | $0 | 0 | 14 | 14 | $596,918 | 6/9/2016 |
Taiwan | 3/4/2016 | $1,187,823 | 57 | 58 | 255 | $3,672,026 | 6/9/2016 |
Thailand | 3/3/2016 | $709,040 | 210 | 210 | 429 | $1,445,653 | 4/12/2016 |
Turkey | 3/4/2016 | $216,550 | 170 | 170 | 353 | $575,035 | 2/26/2019 |
United Arab Emirates | 3/3/2016 | $1,220,812 | 42 | 68 | 181 | $3,554,378 | 12/31/2018 |
United Kingdom | 3/4/2016 | $4,594,786 | 513 | 518 | 2735 | $15,936,896 | 6/9/2016 |
Uruguay | 4/7/2016 | $14,113 | 6 | 7 | 13 | $29,543 | 12/31/2018 |
Worldwide Total | $195,194,085 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Gerard Butler | Mike Banning |
Aaron Eckhart | Benjamin Asher |
Morgan Freeman | VP Trumbull |
Supporting Cast
Alon Aboutboul | Aamir Barkawi |
Angela Bassett | Lynne Jacobs |
Robert Forster | General Edward Clegg |
Melissa Leo | DS Ruth McMillan |
Radha Mitchell | Leah Banning |
Jackie Earle Haley | DC Mason |
Sean O'Bryan | NSA Ray Monroe |
Charlotte Riley | MI6 Jacqueline Marshall |
Waleed Zuaiter | Kamran Barkawi |
Adel Bencherif | Raza Mansoor |
Mehdi Dehbi | Sultan Mansoor |
Shivani Ghai | Amal Mansoor |
Martin Petrushev | UAV Reaper Pilot |
Owen Davis | Jsoc Officer |
Michael Wildman | Agent Voight |
Stacy Shane | Stern-Faced Advisor |
Penny Downie | HS Rose Kenter |
Clarkson Guy Williams | PM Leighton |
Patrick Kennedy | MI5 Intel John Lancaster |
Colin Salmon | Chief Hazard |
Deborah Grant | Doris |
Andrew Pleavin | Agent Bronson |
Nancy Baldwin | Chancellor Bruckner |
Madison Lowry | Young Girl |
Nigel Whitmey | Bowman |
Julia Montgomery Brown | Bowman's Wife |
Tsuwayuki Saotome | Nakushima |
Sadao Ueda | Driver |
Alex Giannini | Antoni Gusto |
Elsa Mollien | Viviana Gusto |
Philip Delancy | Jacques Mainard |
Jean Baptiste Fillon | Steward |
Kemi Bo Jacobs | Intel Officer |
Simon Harrison | Intel Officer 2/Technician |
Simon Connolly | Marine One Pilot 1 |
Scott Sparrow | Marine One Pilot 2 |
Ginny Holder | EMT/MED Dept. Head |
Terence Beesley | Fire Dept. Head |
Bryan Larkin | SAS SGT |
Terence Randall | Met Police Colleague |
Joe Fidler | Agent Henderson |
Boian Anev | This Bad Guy |
Nikesh Patel | Pradhan |
Julian Kostov | Aide |
Lucy Newman-Williams | Aide |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Babak Najafi | Director |
Creighton Rothenberger | Screenwriter |
Katrin Benedikt | Screenwriter |
Christian Gudegast | Screenwriter |
Chad St. John | Screenwriter |
Creighton Rothenberger | Story by |
Katrin Benedikt | Story by |
Creighton Rothenberger | Based on Characters Created by |
Katrin Benedikt | Based on Characters Created by |
Gerard Butler | Producer |
Alan Siegel | Producer |
Mark Gill | Producer |
John Thompson | Producer |
Matt O'Toole | Producer |
Les Weldon | Producer |
Avi Lerner | Executive Producer |
Trevor Short | Executive Producer |
Boaz Davidson | Executive Producer |
Christine Otal Crow* | Executive Producer |
Heidi Jo Markel | Executive Producer |
Zygi Kamasa | Executive Producer |
Guy Avshalom | Executive Producer |
Ed Wild | Director of Photography |
Joel Collins | Production Designer |
Peter Heslop | Co-Producer |
Paul Martin Smith | Editor |
Michael J. Duthie | Editor |
Stephanie Collie | Costume Designer |
Trevor Morris | Composer |
Elaine Grainger | Casting Director |
Sean Farrow | Senior Visual Effects Supervisor |
Vesselin Karadjov | Line Producer-Bulgaria |
Valentin Dimitrov | Line Producer-Bulgaria |
Samantha Waite | Unit Production Manager |
Alison Banks | Unit Production Manager |
Ben Burt | First Assistant Director |
Paul Taylor | Second Assistant Director |
Stewart Hamilton | Second Assistant Director |
Lonnie Ramati | Co-Executive Producer |
Danielle Robinson | Co-Producer |
Daniel Kaslow | Associate Producer |
Amar Ingreji | Associate Editor |
Anna James | Visual Effects Producer |
Jeanette Haley | Post-Production Supervisor |
Beverley Winston | Script Supervisor |
Bill Crutcher | Supervising Art Director-U.K. |
Kess Bonnett | Supervising Art Director-Bulgaria |
Robyn Paiba | Senior Art Director |
Caroline Barclay | Art Director |
Nick Dent | Art Director |
Rebecca Milton | Art Director |
Emil Gigov | Art Director-Bulgaria |
Ivan Ranghelov | Art Director-Bulgaria |
Nikolay Nikolov | Set Designer |
Stefan Manchev | Set Designer |
Ivaylo Nikolov | Set Designer |
Aleksandar Lozanov | Set Designer |
Vasil Vasilev | Set Designer |
Vladimir Lozanov | Set Designer |
Aleksey Karagyaur | Set Designer |
Richard Roberts | Set Decorator |
Vladimir Kaloyanov | Sound Mixer |
Beth Lewis | Costume Supervisor |
Anna Gelinova | Costume Supervisor |
Lynda Armstrong | Make-up and Hair Designer |
Sofi Hvarleva | Make up-Bulgaria |
Mark Meddings | Special Effects Supervisor |
Ivo Jivkov | Special Effects Supervisor |
Jivko Chakarov | Post Production Supervisor-Bulgaria |
Lee Walpole | Supervising Sound Editor |
Lee Walpole | Sound Designer |
Jeff Richardson | Supervising Dialogue & ADR Editor |
Joel Beal | Sound Effects Editor |
Jim Goddard | Sound Effects Editor |
Chris David | Re-recording Mixer |
Stuart Hilliker | Re-recording Mixer |
Steve Griffin | Second Unit Director |
Steve Griffin | Stunt Coordinator |
Diyan Hristov | Stunt Coordinator-Bulgaria |
Borislav Iliev | Stunt Coordinator-Fight Choreographer |
Trayan Milenov Troy | Fight Choreographer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.