Australia Box Office for Lo And Behold, Reveries Of The Connected World (2016)
| Theatrical Performance (US$) | ||
| Australia Box Office | $1,488 | Details |
| Worldwide Box Office | $1,041,280 | Details |
| Further financial details... | ||
Synopsis
Chronicles the virtual world from its origins to its outermost reaches, exploring the digital landscape with the same curiosity and imagination he previously trained on earthly destinations as disparate as the Amazon, the Sahara, the South Pole and the Australian outback. The film leads viewers on a journey through a series of provocative conversations that reveal the ways in which the online world has transformed how virtually everything in the real world works - from business to education, space travel to healthcare, and the very heart of how we conduct our personal relationships.
Metrics
Movie Details
| Australia Releases: | February 10th, 2017 (Wide), released as Lo And Behold, Reveries Of The Connected World |
| Video Release: | August 19th, 2016 by Magnolia Home Entertainment |
| MPAA Rating: | PG-13 for brief strong language and some thematic elements. (Rating bulletin 2431 (Cert #50530), 6/29/2016) |
| Running Time: | 98 minutes |
| Keywords: | Internet, Social Media, Robot, Medical and Hospitals |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | NETSCOUT, Saville Productions, Pereira O'Dell Productions, Skellig Rock, Magnolia Entertainment |
| Production Countries: | United States |
| Languages: | English |
Theater Averages: Darkness has a Lovely Start with an Average of $18,585
August 24th, 2016
Natalie Portman’s feature-length directorial debut, A Tale of Love and Darkness, was the only film in the $10,000 club earning an average of $18,585 in two theaters.
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Limited and VOD Releases: No Monster Releases
August 19th, 2016
There are a number of interesting limited releases on this week’s list, including Lo And Behold, Reveries Of The Connected World, Morris from America, Imperium, and Closet Monster. Unfortunately, while all of them are earning good reviews, none of them are likely to be hits in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/02/10 | - | $1,488 | 1 | $1,488 | $1,488 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 12/9/2016 | $0 | 0 | 0 | 0 | $21,051 | 1/1/2019 |
| Australia | 2/10/2017 | $1,488 | 1 | 1 | 1 | $1,488 | 2/20/2017 |
| Netherlands | 9/15/2016 | $11,861 | 15 | 15 | 15 | $12,946 | 9/21/2016 |
| North America | 8/19/2016 | $114,273 | 39 | 51 | 254 | $594,912 | 9/28/2018 |
| Portugal | 11/25/2016 | $1,533 | 11 | 11 | 11 | $1,533 | 12/1/2016 |
| Russia (CIS) | 10/28/2016 | $9,627 | 21 | 21 | 42 | $9,627 | 11/15/2018 |
| United Kingdom | 10/28/2016 | $24,232 | 19 | 19 | 19 | $131,418 | 9/8/2018 |
| Rest of World | $264,371 | ||||||
| Worldwide Total | $1,041,280 | 1/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Interviewee(s)
| Joydeep Biswas | Himself |
| Shawn Carpenter | Himself |
| Hilarie Cash | Herself |
| Christina Catsouras | Herself |
| Christos Catsouras | Himself |
| Danielle Catsouras | Herself |
| Kira Catsouras | Herself |
| Sam Curry | Himself |
| Danny Hillis | Himself |
| Kevin Mitnick | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Werner Herzog | Director |
| Rupert Maconick | Producer |
| Werner Herzog | Producer |
| Werner Herzog | Screenwriter |
| James McNiel | Executive Producer |
| Dave Arnold | Executive Producer |
| Tennille Teague | Executive Producer |
| David Moore* | Executive Producer |
| Peter Zeitlinger | Director of Photography |
| Marco Capalbo | Editor |
| Mark Degli Antoni | Composer |
| Sebastian Steinberg | Composer |