Mexico Box Office for Little Boy (2015)
Theatrical Performance (US$) | ||
Mexico Box Office | $9,697,966 | Details |
Worldwide Box Office | $17,769,299 | Details |
Home Market Performance | ||
North America DVD Sales | $2,355,928 | Details |
North America Blu-ray Sales | $471,819 | Details |
Total North America Video Sales | $2,827,747 | |
Further financial details... |
Synopsis
The inspirational story of a 7-year old boy who is willing to do whatever it takes to end World War II so he can bring his father home. The story reveals the indescribable love a father has for his little boy and the love a son has for his father.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Mexico Releases: | May 15th, 2015 (Wide) |
Video Release: | August 4th, 2015 by Universal Home Entertainment |
MPAA Rating: | PG-13 for some mature thematic material including violence. (Rating bulletin 2355, 1/7/2015) |
Running Time: | 106 minutes |
Keywords: | Faith-Based Film, Coming of Age, World War II, Fantasy Sequence, 1940s, Voiceover/Narration, Young Child Dealing with the Death of a Parent, Death of a Spouse or Fiancée / Fiancé, Surprise Twist, Asian-Americans, Immigration, Bigotry, Non-Chronological, Historical Drama |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Metanoia Films |
Production Countries: | Mexico, United States |
Languages: | English |
Home Market Numbers: Walt Disney Shorts Come Up a Little Short
September 13th, 2015
A huge number of new releases from August 18th reached the top 30 on the combined DVD and Blu-ray chart for August 23rd. However, none of them could overtake Home, which rose to first place with 216,000 units / $3.89 million for the week, giving it four-week totals of 2.09 million / $38.58 million. It became just the sixth film to sell more than 2 million units during 2015.
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Home Market Releases for August 18th, 2015
August 18th, 2015
The TV on DVD season is kicking into high gear, but it is still too soon for the summer blockbusters to arrive on the home market. This has led to a number of good releases, but not a lot of great ones. It was a pretty easy race for Pick of the Week with Walt Disney Animation Studios Short Films Collection on Blu-ray Combo Pack well ahead of the rest.
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Weekend Wrap-Up: Furious Completes Sweep
April 27th, 2015
As expected, Furious 7 completed the sweep winning every single weekend in April. Thankfully, every film in the top five matched or exceeded predictions, including The Age of Adaline, which had a solid third place opening. However, the overall box office still fell 18% from last weekend to just $97 million. This was also 16% lower than the same weekend last year. 2015 is still ahead of 2014 by a margin of 2.3% at $3.13 billion to $3.06 billion.
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Weekend Estimates: One Last Furious Weekend
April 26th, 2015
Furious 7 will once more hold on to the title of top movie at the box office this weekend, becoming the first film since Guardians of the Galaxy to do so for four weekends, and the first since The Hunger Games to be number one for four straight weeks. Furious 7 will also become this weekend only the third title, after Avatar and Titanic, to hit $1 billion in international box office earnings. Universal is estimating an international total of $1.001 billion, including $323 million in China—an all-time record for that territory.
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Weekend Predictions: Is the Age of Furious 7 Over?
April 23rd, 2015
The Age of Adaline is the only true wide release this week, and that could give it a boost at the box office. However, I seriously doubt that will give it a large enough boost to top Furious 7, which is looking to sweep the month of April. There is one other new release, Little Boy, that has a shot at the top ten. Finally, Ex Machina is expanding “nationwide.” I don't have a theater count for the film, but many think it will be truly wide, which would give it a shot at the top five. The Other Woman opened in first place this weekend last year, earning nearly $25 million. There’s no chance any film will match that figure this year. The top two films combined might not match that figure this year, so April will end on a losing note in the year-over-year comparison. That’s disappointing, but we will make up for the loss next week.
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2015 Preview: April
April 1st, 2015
March ended on a good note and helped 2015 maintain its lead over 2014 thanks to a trio of $100 million movies: Cinderella, Insurgent, and Home. April isn't as strong as far as depth goes, as only Furious 7 is expected to come close to $100 million at the box office. On the positive side, it could earn $100 million during its opening weekend, becoming the fastest starting film of the year, so far. On the negative side, it is expected to earn more than double the rest of the films' combined box office totals. Even worse, last April, there were two $100 million hits, including Captain America: The Winter Soldier, as well as two others that came close. There's no way April 2015 is going to live up to April 2014. I just hope the collapse isn't so bad that 2015 loses its lead over 2014 completely.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 7/23/2015 | $44,072 | 50 | 50 | 57 | $82,174 | 11/24/2018 |
Australia | 9/3/2015 | $5,773 | 15 | 15 | 47 | $14,962 | 6/9/2016 |
Bolivia | 8/6/2015 | $9,874 | 3 | 3 | 4 | $14,244 | 12/30/2018 |
Brazil | 3/10/2016 | $23,179 | 35 | 35 | 49 | $34,701 | 6/9/2016 |
Central America | 8/27/2015 | $0 | 0 | 33 | 45 | $165,485 | 9/22/2015 |
Chile | 9/17/2015 | $18,924 | 28 | 28 | 48 | $36,762 | 12/30/2018 |
Colombia | 10/22/2015 | $40,454 | 97 | 97 | 97 | $40,454 | 12/30/2018 |
Croatia | 11/5/2015 | $796 | 4 | 4 | 4 | $796 | 12/30/2018 |
Ecuador | 8/21/2015 | $0 | 0 | 15 | 15 | $42,723 | 12/30/2018 |
France | 5/12/2017 | $59,934 | 0 | 0 | 0 | $104,441 | 9/23/2018 |
Mexico | 5/15/2015 | $2,494,836 | 0 | 0 | 0 | $9,697,966 | 9/7/2018 |
North America | 4/24/2015 | $2,750,356 | 1,045 | 1,045 | 3,788 | $6,485,961 | 9/16/2016 |
Peru | 8/13/2015 | $214,970 | 76 | 76 | 254 | $766,176 | 12/30/2018 |
South Korea | 12/10/2015 | $46,412 | 143 | 143 | 153 | $84,141 | 12/21/2015 |
Spain | 10/30/2015 | $55,721 | 72 | 72 | 244 | $197,470 | 6/9/2016 |
Thailand | 2/18/2016 | $843 | 5 | 5 | 5 | $843 | 6/9/2016 |
Worldwide Total | $17,769,299 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jacob Salvati | Pepper Flynt Busbee/Little Boy |
Supporting Cast
Emily Watson | Emma Busbee |
Cary-Hiroyuki Tagawa | Hashimoto |
Michael Rapaport | James Busbee |
David Henrie | London Busbee |
Eduardo Verastegui | Father Crispin |
Ben Chaplin | Ben Eagle |
Tom Wilkinson | Father Oliver |
Kevin James | Dr. Fox |
Ted Levine | Sam |
Abraham Benrubi | Teacup |
Ali Landry | Ava |
Toby Huss | Colonel Bob |
Candice Azzara | Bertha |
Kelly Greyson | Tyra |
David Ury | Sir Pent |
James DuMont | Harvey |
Lukas Behnken | Leonard Rice |
Travis Flory | Soda Fountain Clerk |
Masashi Odate | Japanese Colonel |
James MacDonald | Recruitment Sergeant |
Lorna Scott | Nurse Barbara |
Rick Mora | Kid Falcon |
Yoshio Lizuka | Samurai Master |
Masami Kosaka | Commander Tokyo Joe |
Mary Stein | Martha |
Theodora Greece | Eliza |
Winston Francis | Bukha |
Kaiser Johnson | Colonel Peter Stouff |
C.K. McFarland | Doris |
Sam Kindseth | Ronnie |
Matthew J. Cates | Ed |
Zero Kazama | Wild Tokyo Joe |
Eijiro Ozaki | Masao Kume |
Jennifer Cadena | Army Nurse |
Scott Subiono | Dr. Hesley |
Ric Sarabia | Mike |
Matthew Scott Miller | Freddy Fox |
Eddie Driscoll | Newsreel Reporter |
Montserrat Espadale | Sister Paulette |
Chuck Lines | Prisoner of War |
Kenny Davis | Fisherman #2 |
J. Skylar Testa | Army Medic |
Americus Abesamis | Giant Tokyo Joe |
Eiji Inoue | Japanese Soldier #1 |
Robert Noble | Lou the Bartender |
Kenji Nakamura | Guardian Tokyo Joe |
Jared Jacobsen | Platoon Commander |
Michael D. Nye | Gilliam |
Alex Trevino | Wounded Soldier |
Brian Takahashi | Japanese Soldier #2/Japanese Colonel's Guard |
Aaron Leddick | Red Cross Soldier |
Tommy Lamey | Fisherman #1 |
Andy Geller | Dr. Foley |
Andrea Noel Costa | Nurse |
Narrator(s)
Barry Ford | Narrator |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Alejandro Montalvo | Director |
Pepe Portillo | Screenwriter |
Alejandro Montalvo | Screenwriter |
Eduardo Verastegui | Producer |
Leo Severino | Producer |
Alejandro Montalvo | Producer |
Emilio Azcarraga Jean | Executive Producer |
Bernardo Gomez Martinez | Executive Producer |
Micky Ohare | Executive Producer |
Sean Wolfington | Executive Producer |
Roma Downey | Executive Producer |
Mark Burnett | Executive Producer |
Eduardo Verastegui | Executive Producer |
Ricardo Del Rio Galnares | Co-Executive Producer |
Andrew Cadelago | Director of Photography |
Stephan Altman | Composer |
Mark Foster | Composer |
Fernando Villena | Editor |
Meg Ramsey | Editor |
Joan Sobel | Editor |
Bernardo Trujillo | Production Designer |
Laura Jean Shannon | Costume Designer |
Rebecca Gregg | Costume Designer |
Dianne Crittenden | Casting Director |
Karen Rea | Casting Director |
Kristoffer Roggemann | Music Supervisor |
Marco Niro | Supervising Art Director |
Carlos Benassini | Art Director |
Francisco Blanc | Art Director |
Jay Aroesty | Set Decorator |
Jorge Barba | Set Decorator |
Fernando Camara | Sound Mixer |
Gregg Baxter | Supervising Sound Editor |
Steve Pederson | Re-recording Mixer |
Brad Sherman | Re-recording Mixer |
Jeremy Peirson | Re-recording Mixer |
Wayne Brinton | Visual Effects Supervisor |
Mike Shand | Visual Effects Supervisor |
Lisa Dennis | Visual Effects Producer |
Brad Reinke | Visual Effects Producer |
Luisa Gomez De Silva | Line Producer |
Sebastian Silva | Assistant Director |
Sebastian Silva | Stunt Coordinator |
Garrett Warren | Second Unit Director |
Pepe Portillo | Second Unit Director |
Tom Campbell | Second Unit Director |
Nathanael Vorce | Second Unit Camera |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.