Germany Box Office for Let Him Go (2020)
Theatrical Performance (US$) | ||
Germany Box Office | $0 | Details |
Worldwide Box Office | $10,773,007 | Details |
Home Market Performance | ||
North America DVD Sales | $2,466,407 | Details |
North America Blu-ray Sales | $1,983,685 | Details |
Total North America Video Sales | $4,450,092 | |
Further financial details... |
Synopsis
Following the loss of their son, retired sheriff George Blackledge and his wife Margaret leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas, headed by matriarch Blanche Weboy. When they discover the Weboys have no intention of letting the child go, George and Margaret are left with no choice but to fight for their family.
Metrics
Movie Details
Germany Releases: | February 18th, 2021 (Wide) |
Video Release: | November 24th, 2020 by Universal Home Entertainment |
MPAA Rating: | R for violence. (Rating bulletin 2642 (Cert #52208), 8/12/2020) |
Running Time: | 113 minutes |
Keywords: | Crime Thriller, Death of a Son or Daughter, Rescue, 1960s |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Mazur/Kaplan Company, Focus Features |
Production Countries: | United States |
Languages: | English |
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March 26th, 2021
Action thriller Nobody rounds out March with a rollout in 2,460 theaters and its sights firmly set on the top of the box office chart. If the domestic box office is recovering at the pace we hope, it should achieve that goal, but our model’s figures suggest its victory isn’t assured.
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Weekend estimates: Croods leads another dismal weekend
December 6th, 2020
The Croods: A New Age will remain top at the box office this weekend, with Universal projecting a $4.4-million weekend as of Sunday morning. That will take the animated adventure past $20 million in total by the end of the day today. That fact pales in comparison to bad news regarding the continued decline in box office receipts. Returning films are falling 12% to 25% short of our model’s pre-weekend predictions. Part of that is down to the post-Thanksgiving decline that’s to be expected, but the continued toll of the pandemic is further dragging on spending. Perhaps the glimmer of good news is that more people are heeding experts’ advice and watching their movies at home.
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Weekend estimates: Freaky fails to deliver
November 15th, 2020
Going into the weekend, hopes were high that Freaky could post the kind box office numbers needed to show momentum in the theatrical market. Instead, it’s falling well short of our prediction, and numbers from the rest of the films in the top six, including a sharp 55% decline by last week’s winner Let Him Go, are also mostly disappointing. Instead of an increase in top six box office this weekend, we’re looking at a market that’s still flat, or even declining. What went wrong?
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Weekend predictions: Freaky could be a pandemic-sized hit
November 13th, 2020
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Weekend estimates: Let Him Go tops expectations with $4 million opening
November 8th, 2020
Let Him Go is pulling off a comfortable win at the box office this weekend, according to studio projections released on Sunday morning. Its $4.1-million opening is the third-best result during the pandemic, behind Tenet’s $20.2 million and The New Mutants’s $7.0 million, and slightly ahead of Unhinged’s $4.0 million, assuming the final numbers hold on Monday. While this is undoubtedly good news, which pushes the total for the top six close to $10 million for the first time in a while, the evidence points towards this being more a case of one film connecting with audiences rather than a significant market improvement.
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Weekend predictions: can Let Him Go topple Come Play?
November 6th, 2020
The race to be elected the top film at the box office this weekend is too close to call, according to our model, although the odds favor Let Him Go, which opens in 2,454 theaters, and has enough buzz to probably pull off a victory. Come Play would have to enjoy an unusually strong hold coming off Halloween weekend to secure a surprise win.
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November preview: Universal keeps the industry alive
November 5th, 2020
The country might be distracted by a drawn-out election right now, but the movie business soldiers on this month, even though recovery from the pandemic looks as far away as ever. While theatrical grosses remain tiny, Universal is currently planning to try its luck with three new wide releases, two from the studio itself and one from its specialty division Focus Features.
At least, that’s their current plan. Two of the films seem certain to roll out, but their Thanksgiving release of The Croods: A New Age has to come with an asterisk attached. Perhaps this release will be an olive branch to theater operators after the studio caused controversy in March by pulling Trolls World Tour from theaters and sending it direct to PVOD. Universal is maybe taking this opportunity to look they’re supporting the theatrical business, and their case is made more convincing by the fact that every other major studio is sitting out November. Even looking beyond the end of the month, 20th Century Studios is the only other distributor that looks like it’ll have a wide release between now and Christmas, with Free Guy on December 11 and Death on the Nile on December 18. (Universal has another film, All My Life slated for December 4.)
If Universal sticks to its plans, and a couple of other expected changes (Coming 2 America going direct to Amazon Prime, and Wonder Woman 1984 getting pushed back again) happen, it’ll be the only studio offering real support to the theatrical business between now and the end of the year. Maybe everyone will let bygones be bygones, and we can at least point to that as a ray of hope for the industry going in Holiday Season.
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Let Him Go Trailer
August 21st, 2020
Thriller starring Kevin Costner and Diane Lane coming to theaters on November 6 ... Full Movie Details.
Following the loss of their son, retired sheriff George Blackledge and his wife Margaret leave their Montana ranch to rescue their young grandson from the clutches of a dangerous family living off the grid in the Dakotas, headed by matriarch Blanche Weboy. When they discover the Weboys have no intention of letting the child go, George and Margaret are left with no choice but to fight for their family.
More...
Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/26/2020 | $248,114 | 275 | 275 | 904 | $717,235 | 6/11/2021 |
France | 6/16/2021 | $63,896 | 129 | 129 | 129 | $63,896 | 6/28/2021 |
Germany | 2/18/2021 | $0 | 0 | 0 | 0 | $0 | |
Netherlands | 12/4/2020 | $36,368 | 29 | 30 | 59 | $92,387 | 12/14/2020 |
New Zealand | 11/27/2020 | $19,171 | 58 | 63 | 228 | $64,928 | 10/19/2022 |
North America | 11/6/2020 | $4,000,470 | 2,454 | 2,458 | 10,653 | $9,358,025 | |
Russia (CIS) | 12/10/2020 | $65,259 | 390 | 390 | 772 | $110,308 | 10/19/2022 |
South Korea | 11/5/2020 | $17,517 | 37 | 37 | 62 | $37,535 | 12/16/2020 |
Spain | 5/28/2021 | $101,901 | 205 | 205 | 698 | $299,352 | 7/1/2021 |
Turkey | 11/6/2020 | $4,049 | 117 | 117 | 193 | $11,920 | 10/19/2022 |
United Kingdom | 12/18/2020 | $17,421 | 106 | 106 | 106 | $17,421 | 12/23/2020 |
Worldwide Total | $10,773,007 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Diane Lane | Margaret Blackledge |
Kevin Costner | George Blackledge |
Supporting Cast
Lesley Manville | Blanche Weboy |
Kayli Carter | Lorna Blackledge |
Booboo Stewart | Peter Dragswolf |
Jeffrey Donovan | Bill Weboy |
Will Brittain | Donnie Weboy |
Bruce Ryan | James Blackledge |
Adam Stafford | Marvin Weboy |
Bradley Stryker | Sheriff Nevelson |
Will Hochman | Weboy cousin, a Tucker |
Connor Mackay | Elton Weboy |
Greg Lawson | Gladstone Sheriff |
John Treleaven | Justice of the Peace |
Heather Lea MacCallum | Landlady |
Ryan Northcott | Doctor |
Ravonna Dow | Nurse |
Kira Bradley | Montgomery Ward Customer |
Aidan Moreno | Montgomery Ward Manager |
Judith Buchan | Ressler’s Waitress |
Marilyn Potts | Ressler’s Cashier |
Vanessa Holmes | Restaurant Mom |
Tayden Marks | Bag Boy |
Bryn Roy | Night Deputy |
Fin Lee-Epp | Young James |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tom Bezucha | Director |
Tom Bezucha | Screenwriter |
Larry Watson | Story based on the novel by |
Paula Mazur | Producer |
Mitchell Kaplan | Producer |
Tom Bezucha | Producer |
Jeffrey Lampert | Executive Producer |
Josh McLaughlin | Executive Producer |
Kimi Armstrong-Stein | Executive Producer |
Kevin Costner | Executive Producer |
Guy Godfree | Director of Photography |
Trevor Smith | Production Designer |
Jeffrey Ford | Editor |
Meg Reticker | Editor |
Carol Case | Costume Designer |
Michael Giacchino | Composer |
Avy Kaufman | Casting Director |
Linda A. Rogers-Ambury | Unit Production Manager |
Jeffrey Lampert | Unit Production Manager |
Mark Ambury | First Assistant Director |
Christopher Cinnamon | Second Assistant Director |
Steven McMichael | Stunt Coordinator |
Cathy Cowan | Art Director |
Amanda Nicholson | Set Designer |
Evan Spence | Set Designer |
Amber Humphries | Set Decorator |
Michael Playfair | Sound Mixer |
Jason Paradis | Special Effects Coordinator |
Tannis Moore | Costume Supervisor |
Samantha Rumball | Make up |
Laura De Moissac | Hairstylist |
Dave Trainor | Special Make-up Effects |
Edsel Hilchie | Location Manager |
Sandi Cameron | Script Supervisor |
Jeff Robinson | Post-Production Supervisor |
Robin Buday | First Assistant Editor |
Charlie Greene | Assistant Editor |
Skip Lievsay | Re-recording Mixer |
Paul Urmson | Re-recording Mixer |
Wyatt Sprague | Sound Effects Editor |
Lee Salevan | Sound Effects Editor |
Jac Rubenstein | Dialogue Editor |
Igor Nikolic | Foley Editor |
Davi Aquino | Foley Editor |
Jack Heeren | Foley Mixer |
Kevin Schultz | Foley Mixer |
Don White | Foley Mixer |
Ken Bitz | Visual Effects Supervisor |
Stephen Davis | Music Editor |
Mark Jan Wlodarkiewicz | Music Editor |
Nic Ratner | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.