Australia Box Office for The Leisure Seeker (2018)
| Theatrical Performance (US$) | ||
| Australia Box Office | $792,989 | Details |
| Worldwide Box Office | $19,340,538 | Details |
| Home Market Performance | ||
| North America DVD Sales | $209,428 | Details |
| Total North America Video Sales | $209,428 | |
| Further financial details... | ||
Synopsis
A runaway couple goes on an unforgettable journey in the faithful old RV they call The Leisure Seeker, traveling from Boston to The Ernest Hemingway Home in Key West. They recapture their passion for life and their love for each other on a road trip that provides revelation and surprise right up to the very end.
Metrics
Movie Details
| Australia Releases: | June 15th, 2018 (Wide) |
| Video Release: | July 10th, 2018 by Sony Pictures Home Entertainment |
| MPAA Rating: | R for some sexual material. (Rating bulletin 2481 (Cert #51041), 6/21/2017) |
| Running Time: | 112 minutes |
| Keywords: | Road Trip, Autumn Years, Recreational Vehicle, Retirement Home, Infidelity, Terminal Illness, Dysfunctional Family, Alzheimer, Faulty Memory, Comedy Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Indiana Production Company, RAI Cinema, Motorino Amaranto, 3 Marys Entertainment S.R.I. |
| Production Countries: | France, Italy |
| Languages: | English |
Home Market Releases for July 10th, 2018
July 10th, 2018
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It’s still summer and that means the home market is still terrible. There are less than a dozen new releases on disc on this week’s list, and a lot of them feel like filler. Half of them wouldn’t make the list during a moderately busy week. Only one of them, A Quiet Place, truly stands out and the Blu-ray Combo Pack is easily the Pick of the Week. It’s not the only release worth picking up, as both Lean on Pete on Blu-ray and The Magicians: Season Three are worth picking up.
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Theater Averages: Avengers Remains Supreme
May 8th, 2018
Avengers: Infinity War remained on top of the theater average chart with $25,654. The only other flm in the $10,000 club was RBG, which earned an average of $17,014 in 34 theaters. That’s amazing for a documentary.
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Theater Averages: Box Office is Full of Grace
April 18th, 2018
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Grace Jones: Bloodlight and Bami had the best opening of the limited releases earning an average of $18,724 in three theaters. The only other film in the $10,000 Club was The Rider, which earned an average of $14,081, also in three theaters.
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Theater Averages: Dog Days Carry it to a Second Win
April 3rd, 2018
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For the second weekend in a row, Isle of Dogs led the way on the theater average chart with $17,839 in 165 theaters. The only other film to reach the $10,000 mark was Love After Love, which pulled in $11,290 in its lone theater.
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Theater Averages: Death Has Lively Opening with $46,201 Average
March 14th, 2018
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The Death of Stalin earned first place on the theater average chart with an average of $46,201 in four theaters. Claire’s Camera was well back with $11,489 in its lone theater. Black Panther remained in the $10,000 club for the fourth weekend in a row with $10,354.
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Limited and VOD Releases: Death of Limited Releases
March 9th, 2018
It is one of the worst times of year to release a film in limited release, as the Oscars are still taking up a lot of space and it is too soon for summer to boost the box office numbers. That said, while there are not a lot of limited releases on this week’s list, there are some that might actually have a real shot at box office success. The Death of Stalin has the loudest buzz and the reviews are outstanding. Meanwhile, both Claire’s Camera and Thoroughbreds could be surprise hits.
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2017 - Awards Season: Golden Globes - Nominations
December 11th, 2017
The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/06/15 | 10 | $167,169 | 84 | $1,990 | $173,533 | 1 | |
| 2018/06/22 | 10 | $115,509 | -31% | 86 | $1,343 | $392,210 | 2 |
| 2018/06/29 | 13 | $82,067 | -29% | 93 | $882 | $545,227 | 3 |
| 2018/07/06 | 18 | $42,393 | -48% | 58 | $731 | $635,017 | 4 |
| 2018/07/13 | 25 | $23,677 | -44% | 47 | $504 | $677,627 | 5 |
| 2018/07/20 | - | $14,429 | -39% | 47 | $307 | $706,330 | 6 |
| 2018/07/27 | 23 | $27,451 | +90% | 60 | $458 | $744,048 | 7 |
| 2018/08/03 | 31 | $14,616 | -47% | 47 | $311 | $773,453 | 8 |
| 2018/08/10 | - | $7,857 | -46% | 51 | $154 | $784,098 | 9 |
| 2018/08/17 | - | $4,787 | -39% | 42 | $114 | $794,013 | 10 |
| 2018/08/24 | - | $2,411 | -50% | 12 | $201 | $805,404 | 11 |
| 2018/08/31 | - | $808 | -66% | 6 | $135 | $792,989 | 12 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 6/15/2018 | $167,169 | 84 | 93 | 633 | $792,989 | 9/4/2018 |
| Brazil | 4/5/2018 | $23,961 | 0 | 19 | 97 | $161,420 | 8/7/2018 |
| China | 2/23/2018 | $470,000 | 4801 | 4801 | 4801 | $1,037,999 | 8/10/2018 |
| France | 1/5/2018 | $203,745 | 0 | 0 | 0 | $203,745 | 6/12/2018 |
| Italy | 1/18/2018 | $1,499,453 | 0 | 2 | 2 | $12,626,647 | 1/18/2019 |
| Netherlands | 1/5/2018 | $105,831 | 39 | 41 | 258 | $538,330 | 2/20/2018 |
| New Zealand | 6/22/2018 | $50,590 | 26 | 48 | 273 | $275,523 | 8/9/2018 |
| North America | 3/9/2018 | $113,708 | 28 | 353 | 1,529 | $3,224,126 | |
| Poland | 5/25/2018 | $16,393 | 47 | 50 | 114 | $60,048 | 1/1/2019 |
| South Africa | 3/30/2018 | $0 | 0 | 4 | 11 | $56,870 | 5/30/2018 |
| Spain | 3/23/2018 | $99,275 | 61 | 61 | 120 | $202,904 | 4/6/2018 |
| Turkey | 6/29/2018 | $4,758 | 28 | 28 | 43 | $12,407 | 2/26/2019 |
| United Kingdom | 4/20/2018 | $147,530 | 374 | 374 | 374 | $147,530 | 4/25/2018 |
| Worldwide Total | $19,340,538 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Helen Mirren | Ella |
| Donald Sutherland | John |
Supporting Cast
| Christian McKay | Will Spencer |
| Janel Moloney | Jane Spencer |
| Dana Ivey | Lillian |
| Dick Gregory | Dan Coleman |
| Kirsty Mitchell | Jennifer Ward |
| Joshua Mikel |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Paolo Virzi | Director |
| Fabrizio Donvito | Producer |
| Marty Eli Schwartz | Producer |
| Marco Cohen | Producer |
| Benedetto Habib | Producer |
| Alessandro Mascheroni | Executive Producer |
| Dov Mamann | Executive Producer |
| Daniel Campos Pavoncelli | Executive Producer |
| Cobi Benatoff | Executive Producer |
| David Grumbach | Executive Producer |
| Mathieu Robinet | Executive Producer |
| Gilles Sousa | Executive Producer |
| Bryan Thomas | Executive Producer |
| Stephen Amidon | Screenwriter |
| Francesca Archibugi | Screenwriter |
| Francesco Piccolo | Screenwriter |
| Paolo Virzi | Screenwriter |
| Michael Zadoorian | Story based on the book by |
| Carlo Virzi | Composer |
| Luca Bigazzi | Director of Photography |
| Jacopo Quadri | Editor |
| Richard A. Wright | Production Designer |
| Massimo Cantini Parrini | Costume Designer |
| James Spies | Line Producer |
| Elisabetta Boni | Co-Producer |
| Marty Eli Schwartz | Assistant Director |
| Joulles Wright | Costume Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.