Australia Box Office for Lean On Pete (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $52,946 | Details |
Worldwide Box Office | $2,985,001 | Details |
Further financial details... |
Synopsis
Charley Thompson is a 15-year-old who has no stability in his life. He wants a home, food on the table and a high school he can attend for more than part of a year. But as the son of a single father, working in warehouses finding some stability is hard. Hoping for a new start they move to Portland where Charley takes a summer job, and becomes best friends with a failing racehorse named Lean on Pete.
Metrics
Movie Details
Production Budget: | $8,000,000 |
Australia Releases: | May 18th, 2018 (Wide), released as Lean On Pete |
Video Release: | July 3rd, 2018 by A24 |
MPAA Rating: | R for language and brief violence (Rating bulletin 2494 (Cert #51244), 9/20/2017) |
Running Time: | 121 minutes |
Keywords: | Set in Portland, Oregon, Animal Lead, Dysfunctional Family, Horse Racing, Poverty, Homeless, Single Parent, Orphan, Fugitive / On the Run |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | The Bureau, Film4, BFI |
Production Countries: | France, United Kingdom |
Languages: | English |
Home Market Releases for July 10th, 2018
July 10th, 2018
It’s still summer and that means the home market is still terrible. There are less than a dozen new releases on disc on this week’s list, and a lot of them feel like filler. Half of them wouldn’t make the list during a moderately busy week. Only one of them, A Quiet Place, truly stands out and the Blu-ray Combo Pack is easily the Pick of the Week. It’s not the only release worth picking up, as both Lean on Pete on Blu-ray and The Magicians: Season Three are worth picking up.
More...
Home Market Releases for July 3rd, 2018
July 3rd, 2018
We are deep into the summer doldrums on the home market. Blockers is the biggest first-run release of the week, and also the best. The DVD or Blu-ray Combo Pack is a contender for Pick of the Week, thanks in part to the lack of competition. It’s not the only contender, as both Dietrich and von Sternberg in Hollywood: The Criterion Collection and JoJo’s Bizarre Adventure: Set 2: Stardust Crusades Arc are also worthy of that title. In the end, I rolled a dice and Blockers came out on top.
More...
Theater Averages: Infinity War Soars with The Seagull
May 15th, 2018
Avengers: Infinity War and The Seagull were neck-and-neck on the theater average chart with averages of $13,875 and $13,435, respectively. Boom for Real was next with an average of $11,359 in two theaters. The final film in the $10,000 club was Soller’s Point with $10,618 in one theater.
More...
Theater Averages: Never Really Here Arrives on the Top
April 11th, 2018
You Were Never Really Here was the clear winner on the theater average chart earning over $130,000 in just three theaters for an average of $44,276. This isn’t the best theater average for a film released in 2018, but it is in the top five. The overall number one film, A Quiet Place, was next with an average of $14,311. The final film in the $10,000 club is Lean on Pete, which earned an average of $11,744 in four theaters.
More...
Limited and VOD Releases: Will You Be Here for Limited Releases.
April 6th, 2018
There are only seven limited releases on this week’s list, but all of them are earning reviews that are at least good. Several of them are earning reviews that are amazing. This includes You Were Never Really Here, which is also the biggest film with the loudest buzz. Perhaps this will give it an edge over the competition.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/18 | - | $908 | 1 | $908 | $908 | 1 | |
2018/10/26 | - | $709 | 1 | $709 | $1,875 | 24 | |
2018/11/30 | - | $15,816 | 38 | $416 | $17,750 | 29 | |
2018/12/07 | - | $5,748 | -64% | 37 | $155 | $34,146 | 30 |
2018/12/14 | - | $1,849 | -68% | 13 | $142 | $39,651 | 31 |
2018/12/21 | - | $802 | -57% | 14 | $57 | $41,470 | 32 |
2018/12/28 | - | $2,587 | +223% | 13 | $199 | $44,446 | 33 |
2019/01/04 | - | $907 | -65% | 9 | $101 | $46,480 | 34 |
2019/01/11 | - | $1,103 | +22% | 5 | $221 | $48,695 | 35 |
2019/01/18 | - | $1,452 | +32% | 5 | $290 | $50,321 | 36 |
2019/02/08 | - | $752 | 3 | $251 | $51,508 | 39 | |
2019/02/15 | - | $737 | -2% | 1 | $737 | $52,946 | 40 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/19/2018 | $903 | 0 | 0 | 0 | $1,234 | 1/1/2019 |
Australia | 5/18/2018 | $908 | 1 | 38 | 140 | $52,946 | 2/21/2019 |
France | 4/27/2018 | $205,958 | 0 | 0 | 0 | $411,038 | 6/12/2018 |
Italy | 4/5/2018 | $49,686 | 0 | 0 | 0 | $52,228 | 4/9/2018 |
Netherlands | 6/1/2018 | $32,629 | 31 | 33 | 126 | $117,131 | 6/26/2018 |
North America | 4/6/2018 | $46,975 | 4 | 187 | 657 | $1,163,056 | 6/16/2022 |
Portugal | 7/6/2018 | $2,896 | 11 | 11 | 21 | $7,308 | 8/15/2018 |
South Korea | 9/14/2018 | $0 | 0 | 27 | 48 | $28,863 | 10/19/2018 |
United Kingdom | 5/4/2018 | $115,860 | 46 | 52 | 217 | $621,223 | 8/1/2018 |
Rest of World | $529,974 | ||||||
Worldwide Total | $2,985,001 | 6/16/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Charlie Plummer | Charley Thompson |
Supporting Cast
Steve Buscemi | Del |
Chloë Sevigny | Bonnie |
Travis Fimmel | Ray |
Steve Zahn | Silver |
Amy Seimetz | Lynn |
Justin Rain | Mike |
Lewis Pullman* | Dallas |
Frank Gallegos | Santiago |
Julia Prudhomme | Ruby |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Andrew Haigh | Director |
Andrew Haigh | Screenwriter |
Tristan Goligher | Producer |
Willy Vlautin | Story based on the novel by |
Darren Dementre | Executive Producer |
Vincent Gadelle | Executive Producer |
David Kosse | Executive Producer |
Sam Lavender | Executive Producer |
Daniel Battsek | Executive Producer |
Lizzie Francke | Executive Producer |
Ben Roberts | Executive Producer |
Magnus Nordenhof Jønck | Director of Photography |
Ryan Warren Smith | Production Designer |
Jonathan Alberts | Editor |
Darren Dementre | Unit Production Manager |
Julie Carnahan | Costume Designer |
James Edward Barker | Composer |
Joakim Sundstrom | Supervising Sound Editor |
Carmen Cuba | Casting by |