Bulgaria Box Office for The Last Stand (2013)
Theatrical Performance (US$) | ||
Bulgaria Box Office | $53,831 | Details |
Worldwide Box Office | $48,330,757 | Details |
Home Market Performance | ||
North America DVD Sales | $6,772,535 | Details |
North America Blu-ray Sales | $4,366,689 | Details |
Total North America Video Sales | $11,139,224 | |
Further financial details... |
Synopsis
After leaving his LAPD narcotics post following a bungled operation that left him wracked with remorse and regret, Sheriff Ray Owens moved out of Los Angeles and settled into a life fighting what little crime takes place in sleepy border town Sommerton Junction. But that peaceful existence is shattered when Gabriel Cortez, the most notorious, wanted drug kingpin in the western hemisphere, makes a deadly yet spectacular escape from an FBI prisoner convoy. With the help of a fierce band of lawless mercenaries led by the icy Burrell, Cortez begins racing towards the US-Mexico border at 250 mph in a specially-outfitted Corvette ZR1 with a hostage in tow. Cortez’ path: straight through Summerton Junction, where the whole of the U.S. law enforcement, including Agent John Bannister will have their final opportunity to intercept him before the violent fugitive slips across the border forever. At first reluctant to become involved, and then counted out because of the perceived ineptitude of his small town force, Owens ultimately rallies his team and takes the matter into his own hands, setting the stage for a classic showdown.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Bulgaria Releases: | January 18th, 2013 (Wide) |
Video Release: | May 21st, 2013 by Lionsgate Home Entertainment |
MPAA Rating: | R for strong bloody violence throughout, and language. (Rating bulletin 2251, 12/5/2012) |
Running Time: | 107 minutes |
Keywords: | Intertitle, Prison Break, Organized Crime, Hispanic, Life in a Small Town, Corrupt Cops, Car Chase, Kidnap, Hostage, Digital Cinematography, Action Thriller |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Lionsgate, di Bonaventura Pictures |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: Last Remains on Top
June 23rd, 2013
There were very few new releases to chart this week, and only one of them managed a place in the top ten on the Blu-ray sales chart. The Last Stand remained in first place with 73,000 units / $1.82 million for the week and 183,000 units / $3.47 million after two.
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Home Market Numbers: Massive Update: May 26th, 2013
June 22nd, 2013
There were a number of new releases to reach the top of the DVD sales chart. They earned the top four spots and seven of the top eight spots. On the downside, it was absolutely a case of quantity over quality. Parker earned first place on the DVD chart, but with just 170,000 units / $2.62 million. It only managed second place on Blu-ray with 72,000 units / $1.50 million for an opening week Blu-ray share of just under 30%, which is bad for an action film. Speaking of action films, The Last Stand opened in second place on DVD with 154,000 units / $2.17 million, but earned first place on Blu-ray with 110,000 units / $1.64 million. Its opening week Blu-ray share was 42%, which is more in line with the average for that genre.
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DVD and Blu-ray Releases for May 21st, 2013
May 23rd, 2013
It's an abridged list of DVD and Blu-ray releases report this week due to technical difficulties. The best selling new release of the week is True Blood: The Complete Fifth Season on Blu-ray Combo Pack, which is certainly worth owning for fans. However, the best releases are the Hayao Miyazaki Double-Shot, Howl's Moving Castle on Blu-ray Combo Pack and My Neighbor Totoro on Blu-ray Combo Pack. Most prefer the former, but I prefer the latter.
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Featured Blu-ray / DVD Review: The Last Stand
May 19th, 2013
The Last Stand was important for two reasons. Firstly, it was the first starring role for Arnold Schwarzenegger in a decade, while it was also the English-language debut for Kim Jee-woon. Unfortunately, while I wanted the film to do well, it made less in total that I predicted it would make during its opening weekend. Is it really that bad? Or should moviegoers who skipped it the first time check it out on the home market?
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Weekend Wrap-Up: Death of a Franchise
February 20th, 2013
The Valentine's Day / President's Day five-day weekend wasn't as lucrative as many had hoped, at least not at the top, which is really bad news for a year that is not off to a great start. A Good Day to Die Hard won the race, but barely, with Identity Thief coming in a very close second over the weekend. Other new releases, like Safe Haven and Escape From Planet Earth did better than expected, while Beautiful Creatures crashed. The overall box office did rise by 36% to $141 million over the three-day period, but the holiday explains that growth. Compare to last year, 2013 actually failed to match last President's Day by 9.3% over the three-day period and with $168 million including Monday, missed the four-day period by 13%. Year-to-date, 2013 is behind 2012 by 6.7% at $1.28 billion to $1.37 billion. I am officially concerned.
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Weekend Estimates: Warm Bodies Tops Slow Superbowl Weekend
February 3rd, 2013
Counter-programming will win the day this Superbowl weekend, with rombie comedy Warm Bodies posting a respectable $20.025 million, according to Lionsgate's Sunday estimate. While there's nothing special about that result, it does give the film a shot at making money, which is more than can be said for actioner Bullet to the Head. Sylvester Stallone's latest will limp to $4.5 million for the weekend, an even worse result than Jason Statham's Parker (which debuted with $7 million) and Arnold Schwarzenegger's The Last Stand ($6.3 million). Put those three together, and you get a combined opening of $17.8 million, which still wouldn't much to write home about if one of them had earned it on its own.
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Weekend Wrap-Up: New Releases Become the Hunted
January 28th, 2013
January ended, and we should all be glad it did. Hansel and Gretel: Witch Hunters did beat modest expectations, but most of the rest failed that test with Movie 43 crashing worse than even my low expectations. The overall box office fell 20% from last weekend to $112 million. This was 11% less than the same weekend last year; fortunately, this was the first miss of 2013 and the year still has a lead of 10% over 2012 at $797 million to $721 million.
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Weekend Wrap-Up: Mama Mia!
January 22nd, 2013
Mama easily won the box office race over the Martin Luther King, Jr. long weekend, with Zero Dark Thirty earning a solid second place. Unfortunately, the other two new releases, Broken City and The Last Stand, were weak and weaker. The overall box office was on par with last week, down less than 1% to $139 million, over the three-day weekend. This was 6% higher than the same weekend last year, over the same period. Adding on Monday, and the total weekend was $165 million, or about 1% higher than last year. It is still way too early to pay real attention to the year-to-date stats, but 2013 is ahead of 2012 by a 7.0% margin at $658 million to $615 million.
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Weekend Estimates: Mama Wins MLK Weekend
January 20th, 2013
For all the Oscar hype, moviegoers are voting with their feet this MLK weekend for a more straightforward entertainment bang for their buck. Mama is set to win the weekend by a large margin, with Universal estimating a $28.1 million three-day weekend and about $33 million over four days. With the film playing in a relatively modest 2,647 theaters, that translates into a per theater average of $10,625, comfortably ahead of any other wide release. Jessica Chastain has dual reasons to celebrate, with Zero Dark Thirty set to finish second for the weekend with $17.6 million. Fellow Oscar-hopeful Silver Linings Playbook will be third with about $11.35 million over three days in its first weekend in wide release.
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Weekend Predictions: Will Zero Remain Number One?
January 17th, 2013
There are a trio of new releases opening on Martin Luther King, Jr. weekend, but it looks like Zero Dark Thirty has a good chance to remain in first place. Mama is earning pretty good buzz, even if its reviews are only mixed. The Last Stand is the widest release of the week and the reviews are positive, but the buzz is mixed, to be kind. Finally, there's Broken City, which has the quietest buzz and the weakest reviews. Last year, Underworld: Awakening opened with just over $25 million and there's almost no chance that will happen again this year. Then again, we might have better depth.
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Contest: Coming Home
January 11th, 2013
Next week there are three films opening wide: Broken City, The Last Stand, and Mama. All three of them appear to be on track for a $15 million to $20 million opening, and none of them appear to be runaway favorites for top spot. To pick the target film for this week's box office prediction contest, I flipped a coin and Mama came out on top. In order to win, one must simply predict the opening weekend box office number for Mama.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Winx Club: The Secret of the Lost Kingdom Movie on DVD.
Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Winx Club: The Secret of the Lost Kingdom Movie on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2013 Preview: January
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/01/18 | 4 | $22,735 | 20 | $1,137 | $22,735 | 1 | |
2013/01/25 | 7 | $6,938 | -69% | 17 | $408 | $43,445 | 2 |
2013/02/01 | 8 | $3,430 | -51% | 11 | $312 | $54,441 | 3 |
2013/02/08 | 14 | $197 | -94% | 2 | $99 | $55,615 | 4 |
2013/02/15 | 12 | $94 | -52% | 3 | $31 | $55,777 | 5 |
2013/02/22 | 15 | $151 | +61% | 3 | $50 | $55,983 | 6 |
2013/03/01 | 20 | $112 | -26% | 2 | $56 | $53,563 | 7 |
2013/03/08 | 19 | $59 | -47% | 2 | $30 | $53,715 | 8 |
2013/03/15 | 19 | $113 | +92% | 1 | $113 | $53,831 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/24/2013 | $111,358 | 47 | 47 | 99 | $217,700 | 12/30/2018 |
Australia | 2/21/2013 | $684,474 | 147 | 147 | 380 | $1,503,944 | 12/14/2015 |
Austria | 1/31/2013 | $214,657 | 70 | 70 | 259 | $469,638 | 12/14/2015 |
Belgium | 1/23/2013 | $193,248 | 48 | 48 | 159 | $417,819 | 12/14/2015 |
Brazil | 1/18/2013 | $867,171 | 346 | 346 | 382 | $2,346,564 | 12/14/2015 |
Bulgaria | 1/18/2013 | $22,735 | 20 | 20 | 61 | $53,831 | 12/30/2018 |
Chile | 3/14/2013 | $0 | 0 | 9 | 11 | $35,312 | 12/30/2018 |
Croatia | 1/31/2013 | $11,166 | 13 | 13 | 35 | $22,466 | 12/30/2018 |
Czech Republic | 2/7/2013 | $36,754 | 66 | 66 | 109 | $69,912 | 12/30/2018 |
Denmark | 3/7/2013 | $77,482 | 35 | 47 | 116 | $230,697 | 12/14/2015 |
Estonia | 1/25/2013 | $14,531 | 6 | 6 | 6 | $14,531 | 12/14/2015 |
Finland | 3/8/2013 | $46,512 | 40 | 40 | 88 | $118,132 | 12/14/2015 |
France | 1/23/2013 | $0 | 0 | 390 | 390 | $1,949,633 | 12/14/2015 |
Germany | 1/31/2013 | $736,061 | 296 | 457 | 753 | $1,218,047 | 12/14/2015 |
Greece | 2/7/2013 | $44,919 | 9 | 9 | 9 | $44,919 | 12/14/2015 |
Hong Kong | 1/17/2013 | $199,104 | 39 | 39 | 88 | $421,482 | 12/14/2015 |
Hungary | 1/24/2013 | $71,677 | 39 | 39 | 156 | $149,712 | 12/30/2018 |
Iceland | 2/1/2013 | $13,372 | 5 | 5 | 10 | $39,010 | 12/30/2018 |
India | 1/18/2013 | $73,146 | 50 | 50 | 50 | $73,146 | 12/14/2015 |
Italy | 1/31/2013 | $473,571 | 300 | 300 | 300 | $473,571 | 12/14/2015 |
Japan | 4/27/2013 | $560,136 | 266 | 266 | 266 | $560,136 | 12/14/2015 |
Kenya | 4/5/2013 | $2,920 | 3 | 6 | 17 | $14,191 | 12/30/2018 |
Latvia | 1/25/2013 | $6,759 | 3 | 3 | 8 | $19,242 | 12/30/2018 |
Lebanon | 1/17/2013 | $56,223 | 13 | 13 | 30 | $125,086 | 12/30/2018 |
Lithuania | 1/18/2013 | $15,223 | 7 | 7 | 23 | $31,701 | 12/14/2015 |
Malaysia | 1/17/2013 | $574,306 | 118 | 118 | 366 | $1,294,565 | 12/14/2015 |
Mexico | 1/18/2013 | $163,191 | 199 | 199 | 611 | $476,373 | 12/14/2015 |
Netherlands | 2/28/2013 | $79,689 | 42 | 42 | 42 | $147,414 | 12/14/2015 |
North America | 1/18/2013 | $6,281,433 | 2,913 | 2,913 | 6,922 | $12,050,299 | 12/11/2014 |
Norway | 3/8/2013 | $126,182 | 67 | 67 | 153 | $348,349 | 12/14/2015 |
Peru | 1/31/2013 | $108,103 | 56 | 56 | 133 | $262,167 | 12/30/2018 |
Philippines | 1/17/2013 | $160,224 | 65 | 65 | 120 | $305,593 | 12/30/2018 |
Portugal | 2/28/2013 | $36,942 | 25 | 25 | 60 | $75,874 | 12/14/2015 |
Romania | 1/25/2013 | $72,578 | 35 | 35 | 110 | $165,125 | 12/30/2018 |
Russia (CIS) | 2/21/2013 | $1,691,742 | 735 | 735 | 944 | $2,760,011 | 12/30/2018 |
Serbia and Montenegro | 2/7/2013 | $3,362 | 6 | 6 | 42 | $5,658 | 12/30/2018 |
Singapore | 2/21/2013 | $18,283 | 1 | 20 | 47 | $271,773 | 12/14/2015 |
Slovakia | 2/7/2013 | $15,455 | 27 | 27 | 43 | $30,279 | 12/14/2015 |
Slovenia | 1/24/2013 | $6,491 | 8 | 8 | 16 | $13,550 | 12/14/2015 |
South Africa | 3/1/2013 | $42,169 | 49 | 49 | 49 | $42,169 | 12/14/2015 |
South Korea | 2/21/2013 | $239,652 | 296 | 296 | 296 | $304,288 | 6/21/2018 |
Spain | 2/1/2013 | $471,495 | 279 | 279 | 691 | $854,122 | 12/14/2015 |
Switzerland | 1/23/2013 | $34,119 | 12 | 54 | 66 | $197,986 | 12/14/2015 |
Taiwan | 1/18/2013 | $75,498 | 24 | 24 | 59 | $236,488 | 12/14/2015 |
Thailand | 1/17/2013 | $289,538 | 105 | 105 | 233 | $569,174 | 12/14/2015 |
Turkey | 4/19/2013 | $54,481 | 73 | 73 | 144 | $115,856 | 12/30/2018 |
United Arab Emirates | 1/17/2013 | $330,141 | 37 | 37 | 66 | $915,253 | 12/30/2018 |
United Kingdom | 1/25/2013 | $899,978 | 356 | 356 | 630 | $1,493,147 | 12/14/2015 |
Uruguay | 1/25/2013 | $0 | 0 | 3 | 7 | $13,436 | 12/30/2018 |
Venezuela | 3/1/2013 | $0 | 0 | 97193 | 302017 | $804,797 | 12/14/2015 |
Vietnam | 2/22/2013 | $89,109 | 24 | 24 | 75 | $277,556 | 12/30/2018 |
Rest of World | $13,679,033 | ||||||
Worldwide Total | $48,330,757 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Arnold Schwarzenegger | Ray Owens |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Kim Jee-woon | Director |
Andrew Knauer | Screenwriter |
Jeffrey Nachmanoff | Screenwriter |
Lorenzo di Bonaventura | Producer |
Guy Riedel | Executive Producer |
Miky Lee | Executive Producer |
Edward Fee | Executive Producer |
Michael Paseornek | Executive Producer |
John Sacchi | Executive Producer |
Ji Yong Kim | Director of Photography |
Franco-Giacomo Carbone | Production Designer |
Steven Kemper | Editor |
Michele Michel | Costume Designer |
Hernany Perla | Co-Producer |
Ronna Kress | Casting |
Bonni Carmen | Production Supervisor |
Carla Curry | Set Decorator |
James F. Oberlander | Art Director |
Michael Atwell | Art Director |
Steven Maes | Assistant Director |
Darrin Prescott | Stunt Coordinator |
Wade Allen | Second Unit Stunt Coordinator |
Igor Meglic | Second Unit Camera |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.