Portugal Box Office for The Lady in the Van (2015)
Theatrical Performance (US$) | ||
Portugal Box Office | $146,535 | Details |
Worldwide Box Office | $42,320,503 | Details |
Home Market Performance | ||
North America DVD Sales | $1,906,597 | Details |
North America Blu-ray Sales | $69,006 | Details |
Total North America Video Sales | $1,975,603 | |
Further financial details... |
Synopsis
Alan Bennett’s story is based on the true story of Miss Shepherd, a woman of uncertain origins who “temporarily” parked her van in Bennett’s London driveway and proceeded to live there for 15 years. What begins as a begrudged favor becomes a relationship that will change both their lives.
Metrics
Movie Details
Production Budget: | $6,000,000 |
Portugal Releases: | March 17th, 2016 (Wide) |
Video Release: | April 19th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for a brief unsettling image. (Rating bulletin 2376, 6/3/2015) |
Running Time: | 103 minutes |
Keywords: | Biography, Homeless, Writing and Writers, Car Accident, Monks and Nuns, Musicians, Biographical Drama, Autobiographical, 1970s, 1980s |
Source: | Based on Play |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Tri-Star Pictures, BBC Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for April 19th, 2016
April 19th, 2016
The biggest release on this week's list is The Revenant. There are no other releases that come close to that film's box office run and / or Awards Season run. However, personally I think it is well overrated and would be considered a merely good film if it weren't for its reputation for being a difficult shoot. As for the Pick of the Week, there were only a couple of contenders. In the end, Drunk Stoned Brilliant Dead on Blu-ray was the clear choice.
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Theater Averages: Mermaid Nearly Cracks $1,000,000
February 24th, 2016
The Mermaid led the way as far as limited releases were concerned with $985,000 in 35 theaters for an average of $28,144. The film has broken records in China, which we will talk about more tomorrow with the international top five. The Embrace of the Serpent was next with an average of $16,985 in three theaters over the weekend, while it earned an average of $20,721 during its five-day opening. The only other film in the $10,000 club was Deadpool with an average of $15,172. On a related note, Warner Bros. has announced an R-rated Blu-ray for Batman v. Superman. The is the wrong lesson to learn from the success of Deadpool.
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Theater Averages: I Knew Her does Relatively Well with $9,312
February 9th, 2016
No films earned more than $10,000 on the theater average chart. I Knew Her Well came the closest with $9,312 in its lone theater. Kung Fu Panda 3 landed in second place with just $5,328, which shows you how bad the weekend was.
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Weekend Estimates: The Revenant wins chilly weekend with $16 million
January 24th, 2016
With the weekend jam-packed with new releases and Oscar hopefuls, and thrown off course by Winter Storm Jonas, it’s perhaps fitting that a tale of battles against the elements will come out on top. The Revenant will be down 50% from last weekend’s MLK Holiday-inflated number to $16 million, but that will be enough to leapfrog over Ride Along 2 and into first place. The Leonardo DiCaprio film, which remains a good bet for a fistful of Oscars, although perhaps not the major prize, has $119 million to date. Also overtaking Ride Along 2 to move back to second place is Star Wars: The Force Awakens with $14.26 million for a weekend and $879.3 million in total to date. With $1.06 billion internationally, the film is drawing close to becoming the third film to earn over $2 billion worldwide.
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Theater Averages: The Lady in the Van tops Yearly Chart with $18,066
January 20th, 2016
I know it is early in the year, but The Lady in the Van has set the record for best opening theater average for 2016 at $18,066. That record likely won't last very long, but it is good for this time of year. The only other film in the $10,000 club was the overall number one film, Ride Along 2, which earned an average of $11,100.
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Limited and VOD Releases: Oscar Bounce Dissuades New Releases
January 15th, 2016
It is one of the worst weekends to release a film in limited release, because the Oscars nominations were just announced and people who are most interested in limited releases are more likely to check out any Oscar nominated film they might have previously missed. There are only a few films with more than a handful of reviews, and only one of those is earning overwhelmingly positive reviews: The Lady in the Van.
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2015 - Awards Season: BAFTA - Nominations
January 9th, 2016
The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies.
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2015 - Awards Season: Golden Globes - Nominations
December 10th, 2015
The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
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Limited and VOD Releases: It's All Greek to Me
December 4th, 2015
It's a very busy weekend with way too many limited releases. Because of this, we had to be a little more selective with what films made the cut to appear in our column. Chi-raq is opening the widest and should earn the most over the weekend. However, there are more than half-a-dozen films on this week's list earning overwhelmingly positive reviews. Some of these might pick up some major Awards Season nominations.
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International Box Office: Another Week, Another Milestone for Spectre
November 19th, 2015
Spectre again dominated the international box office earning $152.6 million in 92 markets for totals of $413.1 million internationally and $542.1 million worldwide. $500 million worldwide is enough to save face, but the film will need reach at least $600 million worldwide to have a shot at breaking even any time soon. It will likely need $700 million to $800 million to keep the studio happy. Fortunately, that seems very likely. The past weekend, the film opened in first place in China with $48.55 million. It also remained in top spot in the U.K. with $11.96 million in 617 theaters over the weekend for a three-week total of $118.39 million. It is now the fourth biggest hit in that market, while it has a shot at overtaking Skyfall for first place. It will need help from the holidays to get there. Will the movie still be in theaters come New Year's Day? Maybe.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/03/18 | 8 | $37,754 | 15 | $2,517 | $37,754 | 1 | |
2016/03/25 | 9 | $23,075 | -39% | 17 | $1,357 | $77,488 | 2 |
2016/04/01 | 14 | $19,733 | -14% | 13 | $1,518 | $114,356 | 3 |
2016/04/08 | 15 | $9,815 | -50% | 13 | $755 | $129,275 | 4 |
2016/04/15 | 17 | $5,511 | -44% | 9 | $612 | $137,926 | 5 |
2016/04/22 | 21 | $2,105 | -62% | 3 | $702 | $141,739 | 6 |
2016/04/29 | 22 | $1,559 | -26% | 2 | $780 | $144,490 | 7 |
2016/05/06 | 21 | $1,141 | -27% | 1 | $1,141 | $146,064 | 8 |
2016/05/13 | 40 | $72 | -94% | 1 | $72 | $146,535 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/19/2016 | $6,069 | 1 | 2 | 5 | $17,061 | 6/14/2016 |
Australia | 3/4/2016 | $1,542,504 | 266 | 305 | 1661 | $7,147,787 | 6/9/2016 |
Belgium | 4/13/2016 | $15,331 | 6 | 6 | 23 | $46,489 | 6/9/2016 |
Brazil | 4/7/2016 | $66,710 | 24 | 24 | 90 | $191,961 | 6/14/2016 |
Denmark | 4/14/2016 | $64,257 | 66 | 66 | 233 | $316,375 | 6/14/2016 |
France | 3/16/2016 | $83,646 | 0 | 60 | 335 | $289,957 | 6/9/2016 |
Germany | 4/14/2016 | $127,286 | 107 | 107 | 704 | $567,880 | 6/28/2016 |
Greece | 3/17/2016 | $22,872 | 15 | 15 | 38 | $62,252 | 6/9/2016 |
Netherlands | 1/21/2016 | $63,145 | 17 | 45 | 371 | $753,981 | 6/9/2016 |
New Zealand | 2/26/2016 | $322,245 | 71 | 93 | 619 | $1,847,234 | 6/9/2016 |
North America | 1/15/2016 | $61,566 | 4 | 602 | 3,187 | $10,021,175 | 5/21/2019 |
Poland | 3/18/2016 | $21,078 | 28 | 28 | 42 | $55,673 | 12/31/2018 |
Portugal | 3/17/2016 | $37,754 | 15 | 17 | 74 | $146,535 | 6/9/2016 |
South Africa | 12/11/2015 | $14,147 | 8 | 8 | 54 | $112,588 | 6/9/2016 |
Spain | 4/15/2016 | $144,689 | 71 | 82 | 269 | $462,113 | 6/28/2016 |
United Kingdom | 11/13/2015 | $3,431,363 | 523 | 549 | 3200 | $19,477,384 | 6/9/2016 |
Rest of World | $804,058 | ||||||
Worldwide Total | $42,320,503 | 5/21/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Maggie Smith | Mary Shepherd |
Alex Jennings | Alan Bennett |
Supporting Cast
Jim Broadbent | Underwood |
Frances de la Tour | Mrs. Vaughn Williams |
Roger Allam | Rufus |
Alan Bennett | Alan Bennett |
James Corden | Street Trader |
Dominic Cooper | Theatre Actor |
Deborah Findlay | Pauline |
Gwen Taylor | Mam |
Pandora Colin | Fiona Perry |
Nicholas Burns | Giles Perry |
David Calder | Leo Fairchild |
Marion Bailey | Housekeeper at Convent |
Cecilia Noble | Miss Briscoe-Social Worker |
Claire Foy | Lois-Social Worker |
Samuel Anderson | Jehovah's Witness |
Samuel Barnett | Donald |
Stephen Campbell Moore | Doctor |
Russell Tovey | Young Man with Earring |
Geoffrey Streatfield | Alan's Partner/Attractive Man |
Clare Hammond | Young Margaret Fairchild |
George Fenton | Conductor |
Jamie Parker | Estate Agent |
Richard Griffiths | Sam Perry |
George Taylor | Policeman |
Eleanor Matsuura | Interviewer |
Selina Cadell | Lady Wiggin |
Dermot Crowley | Priest |
Clive Merrison | Man in Confessional |
Sam Spruell | Another Young Man |
Rosalind Knight | Old Nun |
Elliot Levey | Theatre Fairchild |
Linda Broughton | Edith Fairchild |
Sacha Dhawan | Doctor at Old Peoples Home |
Andrew Knott | Ambulance Man |
Lorna Brown | Day Care Centre Worker |
Tony Van Silva | God |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Nicholas Hytner | Director |
Alan Bennett | Screenwriter-Adapted from his memoir and stage play by |
Nicholas Hytner | Producer |
Damian Jones | Producer |
Kevin Loader | Producer |
Christine Langan | Executive Producer |
Ed Wethered | Executive Producer |
Miles Ketley | Executive Producer |
Charles Moore | Executive Producer |
Andrew Dunn | Director of Photography |
John Beard | Production Designer |
Tariq Anwar | Editor |
George Fenton | Composer |
Natalie Ward | Costume Designer |
Naomi Donne | Make-up and Hair Designer |
Toby Whale | Casting Director |
Nige Watson | Assistant Director |
Nikki Molloy | Assistant Director |
Sam Smith | Assistant Director |
Helene Lenszner | Location Manager |
Anita Christy | Script Supervisor |
Nicola Dove | Additional Photography-Still Photographer |
Graham Sutton | Music Editor |
Tim Blake | Art Director |
Niamh Coulter | Set Decorator |
Gabrielle Spanswick | Costume Supervisor |
Rashad Omar | Sound Mixer |
Christopher Ackland | Supervising Sound Editor |
Craig Irving | Re-recording Mixer |
Dafydd Archard | Re-recording Mixer |
Keith Marriner | Dialogue Editor |
Derek Lea | Stunt Coordinator |
Neal Champion | Special Effects Supervisor |
Tim Caplan | Visual Effects Producer |
Kevin Loader | Second Unit Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.