Portugal Box Office for Liga da Justiça (2017)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $1,455,019 | Details |
| Worldwide Box Office | $655,945,209 | Details |
| Home Market Performance | ||
| North America DVD Sales | $32,583,083 | Details |
| North America Blu-ray Sales | $42,210,984 | Details |
| Total North America Video Sales | $74,794,067 | |
| Further financial details... | ||
Synopsis
Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy. Together, Batman and Wonder Woman work quickly to find and recruit a team of meta-humans to stand against this newly awakened threat. But despite the formation of this unprecedented league of heroes—Batman, Wonder Woman, Aquaman, Cyborg and The Flash—it may already be too late to save the planet from an assault of catastrophic proportions.
Metrics
Movie Details
| Production Budget: | $300,000,000 |
| Portugal Releases: | November 17th, 2017 (Wide), released as Liga da Justiça |
| Video Release: | February 13th, 2018 by Warner Home Video |
| MPAA Rating: | PG-13 for sequences of sci-fi violence and action. (Rating bulletin 2498 (Cert #51239), 10/18/2017) |
| Running Time: | 121 minutes |
| Franchise: | DC Extended Universe |
| Keywords: | Ensemble, D.C. Comics, Cyborg, End of the World, Secret Identity, Surprise Twist, Alien Invasion, Scene in End Credits, Slow Motion Scene, Underwater, Set in Atlantis, Kidnap, Royalty, Motion Capture Performance, 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | DC Films, RatPac Entertainment, Atlas Entertainment, Cruel and Unusual Films |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/11/17 | 1 | $519,559 | 102 | $5,094 | $519,559 | 1 | |
| 2017/11/24 | 2 | $240,166 | -54% | 92 | $2,611 | $882,548 | 2 |
| 2017/12/01 | 2 | $200,019 | -17% | 89 | $2,247 | $1,140,001 | 3 |
| 2017/12/08 | 5 | $111,008 | -45% | 75 | $1,480 | $1,276,589 | 4 |
| 2017/12/15 | 12 | $31,079 | -72% | 47 | $661 | $1,336,230 | 5 |
| 2017/12/22 | 15 | $6,742 | -78% | 15 | $449 | $1,369,762 | 6 |
| 2017/12/29 | - | $2,915 | -57% | 4 | $729 | $1,402,075 | 7 |
| 2018/01/05 | - | $872 | -70% | 3 | $291 | $1,406,288 | 8 |
| 2018/01/26 | - | $324 | 1 | $324 | $1,455,019 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 11/17/2017 | $2,049,187 | 0 | 0 | 0 | $5,726,375 | 1/1/2019 |
| Australia | 11/17/2017 | $6,124,406 | 716 | 716 | 2431 | $15,541,177 | 1/18/2018 |
| Brazil | 11/15/2017 | $14,200,000 | 1580 | 1617 | 4466 | $41,100,000 | 8/28/2020 |
| Bulgaria | 11/17/2017 | $160,288 | 0 | 0 | 0 | $436,992 | 2/26/2019 |
| China | 11/16/2017 | $50,980,000 | 119572 | 119572 | 223289 | $104,000,000 | 1/17/2018 |
| Czech Republic | 11/17/2017 | $527,936 | 129 | 129 | 355 | $1,054,492 | 1/1/2019 |
| France | 11/15/2017 | $6,000,000 | 687 | 687 | 1988 | $14,200,000 | 1/17/2018 |
| Germany | 11/17/2017 | $2,747,534 | 525 | 527 | 1577 | $7,298,785 | 6/29/2018 |
| India | 11/17/2017 | $0 | 0 | 0 | 0 | $8,100,000 | 12/24/2017 |
| Indonesia | 11/15/2017 | $5,800,000 | 946 | 946 | 946 | $10,800,000 | 1/1/2019 |
| Italy | 11/17/2017 | $3,547,357 | 616 | 617 | 1233 | $7,913,596 | 12/22/2017 |
| Japan | 11/24/2017 | $3,850,000 | 645 | 645 | 1290 | $9,400,000 | 1/17/2018 |
| Lithuania | 11/17/2017 | $4,796 | 10 | 92 | 149 | $138,041 | 12/20/2017 |
| Malaysia | 11/16/2017 | $0 | 0 | 0 | 0 | $6,400,000 | 12/3/2017 |
| Mexico | 11/17/2017 | $9,641,527 | 3563 | 3563 | 7863 | $24,800,000 | 1/17/2018 |
| Netherlands | 11/17/2017 | $1,048,689 | 116 | 116 | 545 | $2,793,459 | 12/20/2017 |
| New Zealand | 11/17/2017 | $950,918 | 144 | 144 | 665 | $2,343,197 | 1/3/2018 |
| North America | 11/17/2017 | $93,842,239 | 4,051 | 4,051 | 22,381 | $229,024,295 | |
| Philippines | 11/17/2017 | $5,800,000 | 0 | 399 | 399 | $10,300,000 | 1/1/2019 |
| Poland | 11/17/2017 | $620,618 | 0 | 0 | 0 | $1,486,879 | 1/1/2019 |
| Portugal | 11/17/2017 | $519,559 | 102 | 102 | 428 | $1,455,019 | 1/31/2018 |
| Russia (CIS) | 11/17/2017 | $6,337,508 | 1357 | 1425 | 4347 | $10,900,000 | 1/1/2019 |
| Slovakia | 11/17/2017 | $215,952 | 62 | 62 | 170 | $408,092 | 12/20/2017 |
| South Korea | 11/13/2017 | $6,470,257 | 1308 | 1308 | 2612 | $13,100,000 | 12/21/2017 |
| Spain | 11/17/2017 | $3,148,968 | 328 | 337 | 1701 | $8,200,000 | 1/17/2018 |
| Taiwan | 11/17/2017 | $4,300,000 | 308 | 308 | 308 | $7,400,000 | 12/3/2017 |
| Turkey | 11/17/2017 | $1,013,073 | 476 | 476 | 1610 | $2,856,078 | 2/26/2019 |
| United Kingdom | 11/17/2017 | $9,605,691 | 578 | 584 | 2627 | $24,037,699 | 2/14/2018 |
| Rest of World | $84,731,033 | ||||||
| Worldwide Total | $655,945,209 | 8/28/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Ben Affleck | Bruce Wayne / Batman |
| Henry Cavill | Kal-El / Clark Kent / Superman |
| Gal Gadot | Diana Prince / Wonder Woman |
| Jason Momoa | Aquaman |
| Ezra Miller | Barry Allen / Flash |
| Ray Fisher | Victor Stone / Cyborg |
Supporting Cast
| Amy Adams | Lois Lane |
| Ciaran Hinds | Steppenwolf |
| Willem Dafoe | Nuidis Vulko |
| Jesse Eisenberg | Lex Luthor |
| Jeremy Irons | Alfred Pennyworth |
| Diane Lane | Martha Kent |
| Connie Nielsen | Queen Hippolyta |
| J.K. Simmons | James Gordon |
| Joe Morton | Dr. Silas Stone |
| Amber Heard | Mera |
| Billy Crudup | Dr. Henry Allen |
| Kiersey Clemons | Iris West |
| Julian Lewis Jones | King Atlan |
| Michael McElhatton |
Cameos
| Marc McClure | Police Officer |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Zack Snyder | Director |
| Chris Terrio | Screenwriter |
| Zack Snyder | Story by |
| Chris Terrio | Story by |
| Charles Roven | Producer |
| Deborah Snyder | Producer |
| Geoff Johns | Producer |
| Jon Berg | Producer |
| Jim Rowe | Executive Producer |
| Curt Kanemoto | Executive Producer |
| Chris Terrio | Executive Producer |
| Ben Affleck | Executive Producer |
| Wesley Coller | Executive Producer |
| David Brenner | Editor |
| Junkie XL* | Composer |
| Fabian Wagner | Director of Photography |
| Misha Bukowski | First Assistant Director |
| Brett Robinson | First Assistant Director |
| Ben Howard | First Assistant Director: Additional Photography |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.