Turkey Box Office for Aşktan Kaçılmaz (2018)
Theatrical Performance (US$) | ||
Turkey Box Office | $29,230 | Details |
Worldwide Box Office | $5,767,158 | Details |
Further financial details... |
Synopsis
Annie is stuck in a long-term relationship with Duncan—an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s hit record from 25 years ago surfaces, its release leads to a life-changing encounter with the elusive rocker himself.
Metrics
Movie Details
Production Budget: | $6,000,000 |
Turkey Releases: | March 29th, 2019 (Wide), released as Aşktan Kaçılmaz |
Video Release: | October 30th, 2018 by Lionsgate Home Entertainment |
MPAA Rating: | R for language. (Rating bulletin 2535 (Cert #51503), 7/11/2018) |
Running Time: | 98 minutes |
Keywords: | Relationships Gone Wrong, Rock 'n' Roll, Musicians, Long Distance Romance, Prologue, Non-Chronological, Epilogue, Scene in End Credits, Romance, Singers, Sundance Film Festival 2018 |
Source: | Based on Fiction Book/Short Story |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Apatow Productions, Bona Fide, Los Angeles Media Fund, Rocket Science, Turnlet Films |
Production Countries: | United Kingdom, United States |
Languages: | English |
Home Market Releases for October 30th, 2018
October 30th, 2018
It’s another slow week on the home market, with not a lot of big releases and not a lot of Pick of the Week contenders. There were several that came close, including 2001: A Space Odyssey, Never Goin’ Back, The Princess Bride, etc. In the end, Mandy on Blu-ray was the only true contender for that title.
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Theater Averages: Museum Sneaks away with First Place
September 20th, 2018
It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters.
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Theater Averages: To Infinity, or to the Top of the Chart, Whichever is Closer
September 13th, 2018
Kusama: Infinity led the way on the theater average chart with an impressive $15,499 in two theaters. This isn’t enough to think it will earn a real measure of mainstream success, but it is the latest success story in a year of documentary hits. The Nun was in second place with an average of $13,882. The Hows of Us had arguably the most impressive limited opening of the weekend, as it earned an average of $12,895, while playing in 38 theaters.
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Theater Averages: Puppies Rescue the PTA Chart
September 6th, 2018
No film reached the $10,000 club over the three-day weekend, but Pick of the Litter came close with an average of $9,539 in two theaters.
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Theater Averages: Searching Found an Audience in Limited Release
August 29th, 2018
Searching had one of the ten best theater averages for a limited release so far this year, earning an average of $43,197 in nine theaters. The film is scheduled to expand wide this Friday and this start combined with its reviews is a good omen for its box office chances. The Bookshop was well back in second place with an average of $12,000 in 4 theaters. Meanwhile the only holdover was The Wife, which held on well with an average of $11,819 while playing in 18 theaters. The film should earn some measure of mainstream success, but I’m not sure it will last in theaters long enough to earn any real Awards Season buzz. Finally, John McEnroe: In the Realm of Perfection wasn’t able to reach the $10,000 club over the three-day weekend, as it earned $7,878 in its lone theater. However, it was a Wednesday release and it earned $11,733 during its five-day debut.
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Theater Averages: Wife has a Blazing Hot Start
August 22nd, 2018
The Wife topped the theater average chart over the weekend with an average of $27,071 in four theaters. The film’s reviews are amazing and Glenn Close is earning some Oscar buzz, so perhaps it will stick around for a while. We the Animals was next with an average of $21,119 in three theaters. Blaze was also playing in three theaters earning an average of $14,750.
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Weekend Estimates: Crazy Getting Richer over the Weekend
August 19th, 2018
Crazy Rich Asians beat expectations and easily came out on top of the box office over the weekend. The film earned $25.24 million between Friday and Sunday, for a five-day opening of $34.00 million, which is amazing for a film that cost $30 million to make. It not only beat our original prediction, but its weekend estimates have grown since it debuted on Wednesday, which is a very good sign that the word-of-mouth is helping ticket sales. Its 92% positive reviews and its A-rating from CinemaScore back up that explanation. With this opening, the film would have to have terrible legs and completely bomb internationally to not break even. Having terrible legs seems unlikely, but we will know more about that next weekend. As for its international numbers, the film hasn’t opened in any major international markets, so it is too soon to tell. It does debut in Australia before the end of the month, so that will be the film’s first big test.
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Limited and VOD Releases: Dark Days for Limited Releases
August 17th, 2018
It’s a short week for limited releases, as it is an awkward time of year to release a film. It’s too late to take advantage of the summer holidays, while it is far too soon for Awards Season buzz. That doesn’t mean there are no films earning amazing reviews. In fact, there are several: Blaze, Minding the Gap, We The Animals, The Wife, and The Wild Boys. Hopefully at least one of them will find an audience in theaters.
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Juliet, Naked Trailer
June 29th, 2018
Romantic comedy starring Rose Byrne, Ethan Hawke, and Chris O’Dowd, based on the book by Nick Hornby opens August 17 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/03/29 | 14 | $18,342 | 103 | $178 | $18,342 | 1 | |
2019/04/05 | - | $1,783 | -90% | 14 | $127 | $31,726 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/19/2018 | $24,707 | 47 | 47 | 61 | $37,028 | 1/1/2019 |
Australia | 9/7/2018 | $18,168 | 7 | 11 | 59 | $108,123 | 1/29/2019 |
Hungary | 10/11/2018 | $14,813 | 33 | 33 | 65 | $48,672 | 1/3/2019 |
Italy | 6/6/2019 | $47,885 | 0 | 16 | 21 | $119,070 | 10/19/2022 |
Netherlands | 8/17/2018 | $41,608 | 27 | 27 | 105 | $198,296 | 10/23/2018 |
North America | 8/17/2018 | $60,886 | 4 | 467 | 1,338 | $3,444,895 | 10/27/2022 |
Portugal | 8/31/2018 | $8,037 | 11 | 11 | 24 | $18,749 | 9/19/2018 |
Spain | 1/4/2019 | $69,303 | 52 | 54 | 106 | $149,877 | 1/17/2019 |
Turkey | 3/29/2019 | $18,342 | 103 | 103 | 118 | $29,230 | 10/19/2022 |
United Kingdom | 11/2/2018 | $67,176 | 124 | 124 | 239 | $195,552 | 1/30/2019 |
Rest of World | $1,417,666 | ||||||
Worldwide Total | $5,767,158 | 10/27/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Rose Byrne | Annie |
Ethan Hawke | Tucker Crowe |
Chris O'Dowd | Duncan |
Supporting Cast
Jimmy O. Yang | Elliot |
Megan Dodds |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jesse Peretz | Director |
Tamara Jenkins | Screenwriter |
Jim Taylor | Screenwriter |
Evgenia Peretz | Screenwriter |
Nick Hornby | Story based on the novel by |
Albert Berger | Producer |
Ron Yerxa | Producer |
Barry Mendel | Producer |
Judd Apatow | Producer |
Jeffrey Soros | Producer |
Simon Horsman | Executive Producer |
Nick Hornby | Executive Producer |
Patrick Murray | Executive Producer |
Paul Sarony | Co-Producer |
Remi Adefarasin | Director of Photography |
Sarah Finlay | Production Designer |
Sabine Hoffman | Editor |
Robert Nassau | Editor |
Lindsay Pugh | Costume Designer |
Nathan Larson | Composer |
Maggie Phillips | Music Supervisor |
Jeanne McCarthy | Casting Director |
Dixie Chassay | Casting Director |